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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 176 163 it is the complementary color RGB 56 79 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 176 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 176 163: RGB 204 176 158, RGB 221 194 177, RGB 238 212 196, RGB 255 230 215 and RGB 255 248 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 176 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 176 163: RGB 199 176 163, RGB 182 158 144, RGB 165 140 125, RGB 148 122 106 and RGB 131 104 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 18 / 22

HEX #C7B0A3

RGB 199 176 163

HSL 21.67, 0.24%, 0.71%

LAB 73.44, 6.16, 9.68

 

Complementary color

CMYK 39 / 14 / 0 / 64

HEX #384F5C

RGB 56 79 92

HSL 201.67, 0.24%, 0.29%

LAB 32.27, -5.08, -10.43

 

CMYK 0 / 14 / 23 / 20

HEX #CCB09E

RGB 204 176 158

HSL 23.48, 0.31%, 0.71%

LAB 73.78, 7.29, 12.95

 

CMYK 0 / 12 / 20 / 13

HEX #DDC2B1

RGB 221 194 177

HSL 23.18, 0.39%, 0.78%

LAB 80.25, 6.88, 12.05

 

CMYK 0 / 11 / 18 / 7

HEX #EED4C4

RGB 238 212 196

HSL 22.86, 0.55%, 0.85%

LAB 86.63, 6.51, 11.2

 

CMYK 0 / 10 / 16 / 0

HEX #FFE6D7

RGB 255 230 215

HSL 22.5, 1%, 0.92%

LAB 92.91, 6.17, 10.4

 

CMYK 0 / 3 / 8 / 0

HEX #FFF8EA

RGB 255 248 234

HSL 40, 1%, 0.96%

LAB 97.77, -0.01, 7.54

 

CMYK 0 / 12 / 18 / 22

HEX #C7B0A3

RGB 199 176 163

HSL 21.67, 0.24%, 0.71%

LAB 73.44, 6.16, 9.68

 

CMYK 0 / 13 / 21 / 29

HEX #B69E90

RGB 182 158 144

HSL 22.11, 0.21%, 0.64%

LAB 66.83, 6.56, 10.56

 

CMYK 0 / 15 / 24 / 35

HEX #A58C7D

RGB 165 140 125

HSL 22.5, 0.18%, 0.57%

LAB 60.1, 7.02, 11.51

 

CMYK 0 / 18 / 28 / 42

HEX #947A6A

RGB 148 122 106

HSL 22.86, 0.17%, 0.5%

LAB 53.23, 7.54, 12.54

 

CMYK 0 / 21 / 34 / 49

HEX #836857

RGB 131 104 87

HSL 23.18, 0.2%, 0.43%

LAB 46.2, 8.17, 13.67

 

CMYK 0 / 12 / 18 / 22

HEX #C7B0A3

RGB 199 176 163

HSL 21.67, 0.24%, 0.71%

LAB 73.44, 6.16, 9.68

 

CMYK 0 / 9 / 18 / 22

HEX #C6B5A3

RGB 198 181 163

HSL 30.86, 0.23%, 0.71%

LAB 74.63, 3.1, 11.36

 

CMYK 0 / 6 / 18 / 22

HEX #C6BBA3

RGB 198 187 163

HSL 41.14, 0.23%, 0.71%

LAB 76.19, -0.1, 13.56

 

CMYK 0 / 3 / 18 / 22

HEX #C6C1A3

RGB 198 193 163

HSL 51.43, 0.23%, 0.71%

LAB 77.75, -3.26, 15.75

 

CMYK 0 / 0 / 18 / 22

HEX #C6C6A3

RGB 198 198 163

HSL 60, 0.23%, 0.71%

LAB 79.06, -5.88, 17.59

 

CMYK 0 / 12 / 18 / 22

HEX #C7B0A3

RGB 199 176 163

HSL 21.67, 0.24%, 0.71%

LAB 73.44, 6.16, 9.68

 

CMYK 0 / 12 / 18 / 2

HEX #FADDCD

RGB 250 221 205

HSL 21.33, 0.82%, 0.89%

LAB 90.07, 7.51, 11.51

 

CMYK 0 / 11 / 17 / 82

HEX #2E2926

RGB 46 41 38

HSL 22.5, 0.1%, 0.16%

LAB 17.02, 1.65, 2.8

 

CMYK 0 / 11 / 19 / 62

HEX #61564F

RGB 97 86 79

HSL 23.33, 0.1%, 0.35%

LAB 37.41, 3.19, 5.71

 

CMYK 0 / 11 / 18 / 42

HEX #948379

RGB 148 131 121

HSL 22.22, 0.11%, 0.53%

LAB 56, 4.73, 7.76

 

CMYK 0 / 12 / 18 / 22

HEX #C7B0A3

RGB 199 176 163

HSL 21.67, 0.24%, 0.71%

LAB 73.44, 6.16, 9.68

 

CMYK 10 / 0 / 18 / 22

HEX #B3C6A3

RGB 179 198 163

HSL 92.57, 0.23%, 0.71%

LAB 77.65, -12.82, 15.4

 

CMYK 18 / 17 / 0 / 22

HEX #A3A5C6

RGB 163 165 198

HSL 236.57, 0.23%, 0.71%

LAB 68.59, 6.16, -17.09

 

CMYK 0 / 12 / 18 / 22

HEX #C7B0A3

RGB 199 176 163

HSL 21.67, 0.24%, 0.71%

LAB 73.44, 6.16, 9.68

 

CMYK 18 / 0 / 12 / 22

HEX #A3C6AF

RGB 163 198 175

HSL 140.57, 0.23%, 0.71%

LAB 76.84, -16.24, 7.66

 

CMYK 12 / 18 / 0 / 22

HEX #AFA3C6

RGB 175 163 198

HSL 260.57, 0.23%, 0.71%

LAB 69.03, 11.19, -16.33

 

CMYK 0 / 12 / 18 / 22

HEX #C7B0A3

RGB 199 176 163

HSL 21.67, 0.24%, 0.71%

LAB 73.44, 6.16, 9.68

 

CMYK 10 / 0 / 18 / 22

HEX #B3C6A3

RGB 179 198 163

HSL 92.57, 0.23%, 0.71%

LAB 77.65, -12.82, 15.4

 

CMYK 18 / 6 / 0 / 22

HEX #A3BAC6

RGB 163 186 198

HSL 200.57, 0.23%, 0.71%

LAB 74.18, -5.29, -8.7

 

CMYK 8 / 18 / 0 / 22

HEX #B6A3C6

RGB 182 163 198

HSL 272.57, 0.23%, 0.71%

LAB 69.62, 13.52, -15.37

 

CMYK 0 / 12 / 18 / 22

HEX #C7B0A3

RGB 199 176 163

HSL 21.67, 0.24%, 0.71%

LAB 73.44, 6.16, 9.68

 

CMYK 15 / 0 / 18 / 22

HEX #A8C6A3

RGB 168 198 163

HSL 111.43, 0.23%, 0.71%

LAB 76.89, -16.71, 14.23

 

CMYK 18 / 6 / 0 / 22

HEX #A3BAC6

RGB 163 186 198

HSL 200.57, 0.23%, 0.71%

LAB 74.18, -5.29, -8.7

 

CMYK 3 / 18 / 0 / 22

HEX #C1A3C6

RGB 193 163 198

HSL 291.43, 0.23%, 0.71%

LAB 70.6, 17.23, -13.81

 

Description

Color code: RGB 199 176 163 | qconv.com Color code: RGB 199 176 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 176 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 176 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 18 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 18% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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