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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 144 80 it is the complementary color RGB 56 111 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 144 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 144 80: RGB 204 144 75, RGB 221 162 94, RGB 238 180 113, RGB 255 198 132 and RGB 255 216 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 144 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 144 80: RGB 199 144 80, RGB 182 126 61, RGB 165 108 42, RGB 148 90 23 and RGB 131 72 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 60 / 22

HEX #C79050

RGB 199 144 80

HSL 32.27, 0.52%, 0.55%

LAB 63.89, 13.94, 41.72

 

Complementary color

CMYK 68 / 37 / 0 / 31

HEX #386FAF

RGB 56 111 175

HSL 212.27, 0.52%, 0.45%

LAB 46.05, 3.07, -39.43

 

CMYK 0 / 29 / 63 / 20

HEX #CC904B

RGB 204 144 75

HSL 32.09, 0.56%, 0.55%

LAB 64.4, 15.71, 44.97

 

CMYK 0 / 27 / 57 / 13

HEX #DDA25E

RGB 221 162 94

HSL 32.13, 0.65%, 0.62%

LAB 70.89, 14.5, 43.52

 

CMYK 0 / 24 / 53 / 7

HEX #EEB471

RGB 238 180 113

HSL 32.16, 0.79%, 0.69%

LAB 77.29, 13.44, 42.1

 

CMYK 0 / 22 / 48 / 0

HEX #FFC684

RGB 255 198 132

HSL 32.2, 1%, 0.76%

LAB 83.61, 12.52, 40.74

 

CMYK 0 / 15 / 41 / 0

HEX #FFD897

RGB 255 216 151

HSL 37.5, 1%, 0.8%

LAB 88.26, 5.09, 37.08

 

CMYK 0 / 28 / 60 / 22

HEX #C79050

RGB 199 144 80

HSL 32.27, 0.52%, 0.55%

LAB 63.89, 13.94, 41.72

 

CMYK 0 / 31 / 66 / 29

HEX #B67E3D

RGB 182 126 61

HSL 32.23, 0.5%, 0.48%

LAB 57.27, 15.25, 43.18

 

CMYK 0 / 35 / 75 / 35

HEX #A56C2A

RGB 165 108 42

HSL 32.2, 0.59%, 0.41%

LAB 50.56, 16.79, 44.53

 

CMYK 0 / 39 / 84 / 42

HEX #945A17

RGB 148 90 23

HSL 32.16, 0.73%, 0.34%

LAB 43.76, 18.64, 45.4

 

CMYK 0 / 45 / 97 / 49

HEX #834804

RGB 131 72 4

HSL 32.13, 0.94%, 0.26%

LAB 36.87, 20.83, 45.15

 

CMYK 0 / 28 / 60 / 22

HEX #C79050

RGB 199 144 80

HSL 32.27, 0.52%, 0.55%

LAB 63.89, 13.94, 41.72

 

CMYK 0 / 18 / 60 / 22

HEX #C7A450

RGB 199 164 80

HSL 42.35, 0.52%, 0.55%

LAB 68.95, 3.08, 47.6

 

CMYK 0 / 8 / 60 / 22

HEX #C7B850

RGB 199 184 80

HSL 52.44, 0.52%, 0.55%

LAB 74.19, -7.49, 53.51

 

CMYK 2 / 0 / 60 / 22

HEX #C3C750

RGB 195 199 80

HSL 62.02, 0.52%, 0.55%

LAB 77.89, -16.81, 57.48

 

CMYK 12 / 0 / 60 / 22

HEX #B0C750

RGB 176 199 80

HSL 71.6, 0.52%, 0.55%

LAB 76.47, -24.59, 55.52

 

CMYK 0 / 28 / 60 / 22

HEX #C79050

RGB 199 144 80

HSL 32.27, 0.52%, 0.55%

LAB 63.89, 13.94, 41.72

 

CMYK 0 / 28 / 60 / 2

HEX #FAB565

RGB 250 181 101

HSL 32.21, 0.94%, 0.69%

LAB 78.64, 16.88, 50.02

 

CMYK 0 / 28 / 61 / 82

HEX #2E2112

RGB 46 33 18

HSL 32.14, 0.44%, 0.13%

LAB 13.9, 3.9, 12.39

 

CMYK 0 / 28 / 60 / 62

HEX #614627

RGB 97 70 39

HSL 32.07, 0.43%, 0.27%

LAB 31.96, 7.6, 23.04

 

CMYK 0 / 28 / 60 / 42

HEX #946B3B

RGB 148 107 59

HSL 32.36, 0.43%, 0.41%

LAB 48.42, 10.84, 32.98

 

CMYK 0 / 28 / 60 / 22

HEX #C79050

RGB 199 144 80

HSL 32.27, 0.52%, 0.55%

LAB 63.89, 13.94, 41.72

 

CMYK 44 / 0 / 60 / 22

HEX #70C750

RGB 112 199 80

HSL 103.87, 0.52%, 0.55%

LAB 72.81, -47.92, 50.41

 

CMYK 52 / 60 / 0 / 22

HEX #6050C7

RGB 96 80 199

HSL 248.07, 0.52%, 0.55%

LAB 41.76, 38.16, -60.14

 

CMYK 0 / 28 / 60 / 22

HEX #C79050

RGB 199 144 80

HSL 32.27, 0.52%, 0.55%

LAB 63.89, 13.94, 41.72

 

CMYK 60 / 0 / 28 / 22

HEX #50C790

RGB 80 199 144

HSL 152.27, 0.52%, 0.55%

LAB 72.61, -46.22, 17.79

 

CMYK 28 / 60 / 0 / 22

HEX #9050C7

RGB 144 80 199

HSL 272.27, 0.52%, 0.55%

LAB 46.7, 48.73, -51.93

 

CMYK 0 / 28 / 60 / 22

HEX #C79050

RGB 199 144 80

HSL 32.27, 0.52%, 0.55%

LAB 63.89, 13.94, 41.72

 

CMYK 44 / 0 / 60 / 22

HEX #70C750

RGB 112 199 80

HSL 103.87, 0.52%, 0.55%

LAB 72.81, -47.92, 50.41

 

CMYK 60 / 32 / 0 / 22

HEX #5088C7

RGB 80 136 199

HSL 211.76, 0.52%, 0.55%

LAB 55.52, 0.67, -38.23

 

CMYK 16 / 60 / 0 / 22

HEX #A850C7

RGB 168 80 199

HSL 284.37, 0.52%, 0.55%

LAB 49.72, 54.59, -46.93

 

CMYK 0 / 28 / 60 / 22

HEX #C79050

RGB 199 144 80

HSL 32.27, 0.52%, 0.55%

LAB 63.89, 13.94, 41.72

 

CMYK 60 / 0 / 58 / 22

HEX #50C754

RGB 80 199 84

HSL 122.02, 0.52%, 0.55%

LAB 71.69, -56.18, 47

 

CMYK 60 / 32 / 0 / 22

HEX #5088C7

RGB 80 136 199

HSL 211.76, 0.52%, 0.55%

LAB 55.52, 0.67, -38.23

 

CMYK 0 / 60 / 2 / 22

HEX #C750C3

RGB 199 80 195

HSL 302.02, 0.52%, 0.55%

LAB 53.84, 61.66, -37.84

 

Description

Color code: RGB 199 144 80 | qconv.com Color code: RGB 199 144 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 144 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 144 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 60 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 60% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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