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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 128 58 it is the complementary color RGB 56 127 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 128 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 128 58: RGB 204 128 53, RGB 221 146 72, RGB 238 164 91, RGB 255 182 110 and RGB 255 200 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 128 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 128 58: RGB 199 128 58, RGB 182 110 39, RGB 165 92 20, RGB 148 74 1 and RGB 131 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 71 / 22

HEX #C7803A

RGB 199 128 58

HSL 29.79, 0.56%, 0.5%

LAB 59.79, 21.3, 47.97

 

Complementary color

CMYK 72 / 36 / 0 / 23

HEX #387FC5

RGB 56 127 197

HSL 209.79, 0.56%, 0.5%

LAB 51.89, 1.23, -42.87

 

CMYK 0 / 37 / 74 / 20

HEX #CC8035

RGB 204 128 53

HSL 29.8, 0.6%, 0.5%

LAB 60.37, 23.19, 51.08

 

CMYK 0 / 34 / 67 / 13

HEX #DD9248

RGB 221 146 72

HSL 29.8, 0.69%, 0.57%

LAB 66.82, 21.62, 49.7

 

CMYK 0 / 31 / 62 / 7

HEX #EEA45B

RGB 238 164 91

HSL 29.8, 0.81%, 0.65%

LAB 73.21, 20.24, 48.23

 

CMYK 0 / 29 / 57 / 0

HEX #FFB66E

RGB 255 182 110

HSL 29.79, 1%, 0.72%

LAB 79.52, 19.03, 46.76

 

CMYK 0 / 22 / 49 / 0

HEX #FFC881

RGB 255 200 129

HSL 33.81, 1%, 0.75%

LAB 84.05, 11.21, 42.81

 

CMYK 0 / 36 / 71 / 22

HEX #C7803A

RGB 199 128 58

HSL 29.79, 0.56%, 0.5%

LAB 59.79, 21.3, 47.97

 

CMYK 0 / 40 / 79 / 29

HEX #B66E27

RGB 182 110 39

HSL 29.79, 0.65%, 0.43%

LAB 53.21, 23.01, 49.23

 

CMYK 0 / 44 / 88 / 35

HEX #A55C14

RGB 165 92 20

HSL 29.79, 0.78%, 0.36%

LAB 46.58, 24.99, 49.82

 

CMYK 0 / 50 / 99 / 42

HEX #944A01

RGB 148 74 1

HSL 29.8, 0.99%, 0.29%

LAB 39.91, 27.2, 49.35

 

CMYK 0 / 57 / 100 / 49

HEX #833800

RGB 131 56 0

HSL 25.65, 1%, 0.26%

LAB 33.25, 29.7, 44.32

 

CMYK 0 / 36 / 71 / 22

HEX #C7803A

RGB 199 128 58

HSL 29.79, 0.56%, 0.5%

LAB 59.79, 21.3, 47.97

 

CMYK 0 / 25 / 72 / 22

HEX #C69438

RGB 198 148 56

HSL 38.87, 0.56%, 0.5%

LAB 64.54, 9.83, 53.79

 

CMYK 0 / 13 / 72 / 22

HEX #C6AC38

RGB 198 172 56

HSL 49.01, 0.56%, 0.5%

LAB 70.73, -3.07, 60.01

 

CMYK 0 / 1 / 72 / 22

HEX #C6C438

RGB 198 196 56

HSL 59.15, 0.56%, 0.5%

LAB 77.14, -15.45, 66.25

 

CMYK 11 / 0 / 72 / 22

HEX #B1C638

RGB 177 198 56

HSL 68.87, 0.56%, 0.5%

LAB 76.08, -25.23, 64.67

 

CMYK 0 / 36 / 71 / 22

HEX #C7803A

RGB 199 128 58

HSL 29.79, 0.56%, 0.5%

LAB 59.79, 21.3, 47.97

 

CMYK 0 / 36 / 71 / 2

HEX #FAA149

RGB 250 161 73

HSL 29.83, 0.95%, 0.63%

LAB 73.74, 25.71, 57.71

 

CMYK 0 / 35 / 72 / 82

HEX #2E1E0D

RGB 46 30 13

HSL 30.91, 0.56%, 0.12%

LAB 12.85, 5.47, 13.72

 

CMYK 0 / 36 / 71 / 62

HEX #613E1C

RGB 97 62 28

HSL 29.57, 0.55%, 0.25%

LAB 29.59, 11.69, 26.65

 

CMYK 0 / 36 / 71 / 42

HEX #945F2B

RGB 148 95 43

HSL 29.71, 0.55%, 0.37%

LAB 45.16, 16.66, 37.7

 

CMYK 0 / 36 / 71 / 22

HEX #C7803A

RGB 199 128 58

HSL 29.79, 0.56%, 0.5%

LAB 59.79, 21.3, 47.97

 

CMYK 49 / 0 / 72 / 22

HEX #65C638

RGB 101 198 56

HSL 100.99, 0.56%, 0.5%

LAB 71.85, -52.96, 59.06

 

CMYK 66 / 72 / 0 / 22

HEX #4338C6

RGB 67 56 198

HSL 244.65, 0.56%, 0.5%

LAB 34.19, 47.24, -72.03

 

CMYK 0 / 36 / 71 / 22

HEX #C7803A

RGB 199 128 58

HSL 29.79, 0.56%, 0.5%

LAB 59.79, 21.3, 47.97

 

CMYK 72 / 0 / 37 / 22

HEX #38C67D

RGB 56 198 125

HSL 149.15, 0.56%, 0.5%

LAB 71.36, -53.95, 26.06

 

CMYK 37 / 72 / 0 / 22

HEX #7D38C6

RGB 125 56 198

HSL 269.15, 0.56%, 0.5%

LAB 40.02, 56.23, -62.25

 

CMYK 0 / 36 / 71 / 22

HEX #C7803A

RGB 199 128 58

HSL 29.79, 0.56%, 0.5%

LAB 59.79, 21.3, 47.97

 

CMYK 49 / 0 / 72 / 22

HEX #65C638

RGB 101 198 56

HSL 100.99, 0.56%, 0.5%

LAB 71.85, -52.96, 59.06

 

CMYK 72 / 35 / 0 / 22

HEX #3881C6

RGB 56 129 198

HSL 209.15, 0.56%, 0.5%

LAB 52.53, 0.39, -42.44

 

CMYK 23 / 72 / 0 / 22

HEX #9938C6

RGB 153 56 198

HSL 280.99, 0.56%, 0.5%

LAB 43.77, 61.64, -56

 

CMYK 0 / 36 / 71 / 22

HEX #C7803A

RGB 199 128 58

HSL 29.79, 0.56%, 0.5%

LAB 59.79, 21.3, 47.97

 

CMYK 71 / 0 / 72 / 22

HEX #3AC638

RGB 58 198 56

HSL 119.15, 0.56%, 0.5%

LAB 70.58, -63.17, 57.34

 

CMYK 72 / 35 / 0 / 22

HEX #3881C6

RGB 56 129 198

HSL 209.15, 0.56%, 0.5%

LAB 52.53, 0.39, -42.44

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

Description

Color code: RGB 199 128 58 | qconv.com Color code: RGB 199 128 58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 128 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 128 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 71 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 71% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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