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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 97 116 it is the complementary color RGB 57 158 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 97 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 198 97 116: RGB 203 97 111, RGB 220 115 130, RGB 237 133 149, RGB 254 151 168 and RGB 255 169 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 97 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 198 97 116: RGB 198 97 116, RGB 181 79 97, RGB 164 61 78, RGB 147 43 59 and RGB 130 25 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 41 / 22

HEX #C66174

RGB 198 97 116

HSL 348.71, 0.47%, 0.58%

LAB 53.83, 42.12, 8.41

 

Complementary color

CMYK 64 / 0 / 12 / 38

HEX #399E8B

RGB 57 158 139

HSL 168.71, 0.47%, 0.42%

LAB 59.15, -33.76, 1.34

 

CMYK 0 / 52 / 45 / 20

HEX #CB616F

RGB 203 97 111

HSL 352.08, 0.5%, 0.59%

LAB 54.44, 43.38, 12.33

 

CMYK 0 / 48 / 41 / 14

HEX #DC7382

RGB 220 115 130

HSL 351.43, 0.6%, 0.66%

LAB 60.86, 42.38, 10.64

 

CMYK 0 / 44 / 37 / 7

HEX #ED8595

RGB 237 133 149

HSL 350.77, 0.74%, 0.73%

LAB 67.24, 41.41, 9.18

 

CMYK 0 / 41 / 34 / 0

HEX #FE97A8

RGB 254 151 168

HSL 350.1, 0.98%, 0.79%

LAB 73.57, 40.48, 7.89

 

CMYK 0 / 34 / 27 / 0

HEX #FFA9BB

RGB 255 169 187

HSL 347.44, 1%, 0.83%

LAB 78.01, 33.95, 3.88

 

CMYK 0 / 51 / 41 / 22

HEX #C66174

RGB 198 97 116

HSL 348.71, 0.47%, 0.58%

LAB 53.83, 42.12, 8.41

 

CMYK 0 / 56 / 46 / 29

HEX #B54F61

RGB 181 79 97

HSL 349.41, 0.41%, 0.51%

LAB 47.34, 43.06, 10.25

 

CMYK 0 / 63 / 52 / 36

HEX #A43D4E

RGB 164 61 78

HSL 350.1, 0.46%, 0.44%

LAB 40.86, 43.9, 12.52

 

CMYK 0 / 71 / 60 / 42

HEX #932B3B

RGB 147 43 59

HSL 350.77, 0.55%, 0.37%

LAB 34.49, 44.43, 15.4

 

CMYK 0 / 81 / 69 / 49

HEX #821928

RGB 130 25 40

HSL 351.43, 0.68%, 0.3%

LAB 28.36, 44.31, 19.17

 

CMYK 0 / 51 / 41 / 22

HEX #C66174

RGB 198 97 116

HSL 348.71, 0.47%, 0.58%

LAB 53.83, 42.12, 8.41

 

CMYK 0 / 51 / 49 / 22

HEX #C66164

RGB 198 97 100

HSL 358.22, 0.47%, 0.58%

LAB 53.47, 40.49, 17.34

 

CMYK 0 / 44 / 51 / 22

HEX #C66E61

RGB 198 110 97

HSL 7.72, 0.47%, 0.58%

LAB 56.11, 33.44, 22.64

 

CMYK 0 / 36 / 51 / 22

HEX #C67F61

RGB 198 127 97

HSL 17.82, 0.47%, 0.58%

LAB 59.93, 24.26, 27.66

 

CMYK 0 / 27 / 51 / 22

HEX #C69061

RGB 198 144 97

HSL 27.92, 0.47%, 0.58%

LAB 64.01, 14.93, 32.9

 

CMYK 0 / 51 / 41 / 22

HEX #C66174

RGB 198 97 116

HSL 348.71, 0.47%, 0.58%

LAB 53.83, 42.12, 8.41

 

CMYK 0 / 51 / 41 / 2

HEX #F97A92

RGB 249 122 146

HSL 348.66, 0.91%, 0.73%

LAB 66.62, 50.74, 10.22

 

CMYK 0 / 51 / 42 / 82

HEX #2D161A

RGB 45 22 26

HSL 349.57, 0.34%, 0.13%

LAB 10.6, 12.27, 2.27

 

CMYK 0 / 51 / 42 / 62

HEX #602F38

RGB 96 47 56

HSL 348.98, 0.34%, 0.28%

LAB 26.17, 23.26, 4.48

 

CMYK 0 / 51 / 41 / 42

HEX #934856

RGB 147 72 86

HSL 348.8, 0.34%, 0.43%

LAB 40.43, 33.03, 6.51

 

CMYK 0 / 51 / 41 / 22

HEX #C66174

RGB 198 97 116

HSL 348.71, 0.47%, 0.58%

LAB 53.83, 42.12, 8.41

 

CMYK 0 / 0 / 51 / 22

HEX #C6C661

RGB 198 198 97

HSL 60, 0.47%, 0.58%

LAB 78.03, -13.75, 49.99

 

CMYK 51 / 21 / 0 / 22

HEX #619DC6

RGB 97 157 198

HSL 204.36, 0.47%, 0.58%

LAB 62.28, -8.01, -27.09

 

CMYK 0 / 51 / 41 / 22

HEX #C66174

RGB 198 97 116

HSL 348.71, 0.47%, 0.58%

LAB 53.83, 42.12, 8.41

 

CMYK 41 / 0 / 51 / 22

HEX #75C661

RGB 117 198 97

HSL 108.12, 0.47%, 0.58%

LAB 72.91, -44, 42.65

 

CMYK 51 / 41 / 0 / 22

HEX #6175C6

RGB 97 117 198

HSL 228.12, 0.47%, 0.58%

LAB 51.08, 15.42, -44.6

 

CMYK 0 / 51 / 41 / 22

HEX #C66174

RGB 198 97 116

HSL 348.71, 0.47%, 0.58%

LAB 53.83, 42.12, 8.41

 

CMYK 0 / 0 / 51 / 22

HEX #C6C661

RGB 198 198 97

HSL 60, 0.47%, 0.58%

LAB 78.03, -13.75, 49.99

 

CMYK 51 / 0 / 10 / 22

HEX #61C6B2

RGB 97 198 178

HSL 168.12, 0.47%, 0.58%

LAB 73.64, -34.39, 1

 

CMYK 51 / 51 / 0 / 22

HEX #6161C6

RGB 97 97 198

HSL 240, 0.47%, 0.58%

LAB 45.86, 27.73, -52.94

 

CMYK 0 / 51 / 41 / 22

HEX #C66174

RGB 198 97 116

HSL 348.71, 0.47%, 0.58%

LAB 53.83, 42.12, 8.41

 

CMYK 15 / 0 / 51 / 22

HEX #A8C661

RGB 168 198 97

HSL 77.82, 0.47%, 0.58%

LAB 75.81, -25.77, 46.82

 

CMYK 51 / 0 / 10 / 22

HEX #61C6B2

RGB 97 198 178

HSL 168.12, 0.47%, 0.58%

LAB 73.64, -34.39, 1

 

CMYK 36 / 51 / 0 / 22

HEX #7F61C6

RGB 127 97 198

HSL 257.82, 0.47%, 0.58%

LAB 48.43, 34.83, -48.68

 

Description

Color code: RGB 198 97 116 | qconv.com Color code: RGB 198 97 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 97 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 97 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 41 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 41% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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