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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 84 246 it is the complementary color RGB 57 171 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 84 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 198 84 246: RGB 203 84 241, RGB 220 102 255, RGB 237 120 255, RGB 254 138 255 and RGB 255 156 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 84 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 198 84 246: RGB 198 84 246, RGB 181 66 227, RGB 164 48 208, RGB 147 30 189 and RGB 130 12 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 66 / 0 / 4

HEX #C654F6

RGB 198 84 246

HSL 282.22, 0.9%, 0.65%

LAB 57.08, 69.13, -61.53

 

Complementary color

CMYK 67 / 0 / 95 / 33

HEX #39AB09

RGB 57 171 9

HSL 102.22, 0.9%, 0.35%

LAB 61.67, -56.98, 61.38

 

CMYK 16 / 65 / 0 / 5

HEX #CB54F1

RGB 203 84 241

HSL 285.48, 0.85%, 0.64%

LAB 57.45, 69.24, -58.1

 

CMYK 14 / 60 / 0 / 0

HEX #DC66FF

RGB 220 102 255

HSL 286.27, 1%, 0.7%

LAB 63.29, 67.99, -56.4

 

CMYK 7 / 53 / 0 / 0

HEX #ED78FF

RGB 237 120 255

HSL 292, 1%, 0.74%

LAB 68.5, 63.95, -48.01

 

CMYK 0 / 46 / 0 / 0

HEX #FE8AFF

RGB 254 138 255

HSL 299.49, 1%, 0.77%

LAB 73.85, 59.94, -39.49

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 20 / 66 / 0 / 4

HEX #C654F6

RGB 198 84 246

HSL 282.22, 0.9%, 0.65%

LAB 57.08, 69.13, -61.53

 

CMYK 20 / 71 / 0 / 11

HEX #B542E3

RGB 181 66 227

HSL 282.86, 0.74%, 0.57%

LAB 51, 69.15, -60.77

 

CMYK 21 / 77 / 0 / 18

HEX #A430D0

RGB 164 48 208

HSL 283.5, 0.63%, 0.5%

LAB 45.03, 68.66, -59.68

 

CMYK 22 / 84 / 0 / 26

HEX #931EBD

RGB 147 30 189

HSL 284.15, 0.73%, 0.43%

LAB 39.25, 67.36, -58.09

 

CMYK 24 / 93 / 0 / 33

HEX #820CAA

RGB 130 12 170

HSL 284.81, 0.87%, 0.36%

LAB 33.8, 64.81, -55.79

 

CMYK 20 / 66 / 0 / 4

HEX #C654F6

RGB 198 84 246

HSL 282.22, 0.9%, 0.65%

LAB 57.08, 69.13, -61.53

 

CMYK 9 / 65 / 0 / 4

HEX #E055F6

RGB 224 85 246

HSL 291.8, 0.9%, 0.65%

LAB 60.78, 74.35, -55.4

 

CMYK 0 / 65 / 2 / 4

HEX #F655F0

RGB 246 85 240

HSL 302.24, 0.9%, 0.65%

LAB 63.66, 78.26, -47.31

 

CMYK 0 / 65 / 13 / 4

HEX #F655D5

RGB 246 85 213

HSL 312.3, 0.9%, 0.65%

LAB 62.42, 74.22, -34.15

 

CMYK 0 / 65 / 24 / 4

HEX #F655BB

RGB 246 85 187

HSL 321.99, 0.9%, 0.65%

LAB 61.38, 70.72, -20.99

 

CMYK 20 / 66 / 0 / 4

HEX #C654F6

RGB 198 84 246

HSL 282.22, 0.9%, 0.65%

LAB 57.08, 69.13, -61.53

 

CMYK 19 / 67 / 0 / 84

HEX #220E2A

RGB 34 14 42

HSL 282.86, 0.5%, 0.11%

LAB 7.42, 16.59, -14.78

 

CMYK 19 / 66 / 0 / 64

HEX #4B205D

RGB 75 32 93

HSL 282.3, 0.49%, 0.25%

LAB 21.28, 31.46, -28.05

 

CMYK 19 / 66 / 0 / 44

HEX #743190

RGB 116 49 144

HSL 282.32, 0.49%, 0.38%

LAB 33.82, 45.06, -40.08

 

CMYK 19 / 66 / 0 / 24

HEX #9D43C3

RGB 157 67 195

HSL 282.19, 0.52%, 0.51%

LAB 45.8, 57.2, -50.96

 

CMYK 20 / 66 / 0 / 4

HEX #C654F6

RGB 198 84 246

HSL 282.22, 0.9%, 0.65%

LAB 57.08, 69.13, -61.53

 

CMYK 0 / 65 / 59 / 4

HEX #F65565

RGB 246 85 101

HSL 354.04, 0.9%, 0.65%

LAB 59, 62.34, 25.49

 

CMYK 65 / 0 / 46 / 4

HEX #55F685

RGB 85 246 133

HSL 137.89, 0.9%, 0.65%

LAB 86.77, -65.38, 42.23

 

CMYK 20 / 66 / 0 / 4

HEX #C654F6

RGB 198 84 246

HSL 282.22, 0.9%, 0.65%

LAB 57.08, 69.13, -61.53

 

CMYK 0 / 20 / 65 / 4

HEX #F6C555

RGB 246 197 85

HSL 41.74, 0.9%, 0.65%

LAB 81.94, 5.85, 61.02

 

CMYK 65 / 0 / 20 / 4

HEX #55F6C5

RGB 85 246 197

HSL 161.74, 0.9%, 0.65%

LAB 87.91, -53.11, 11.42

 

CMYK 20 / 66 / 0 / 4

HEX #C654F6

RGB 198 84 246

HSL 282.22, 0.9%, 0.65%

LAB 57.08, 69.13, -61.53

 

CMYK 0 / 65 / 59 / 4

HEX #F65565

RGB 246 85 101

HSL 354.04, 0.9%, 0.65%

LAB 59, 62.34, 25.49

 

CMYK 46 / 0 / 65 / 4

HEX #85F655

RGB 133 246 85

HSL 102.11, 0.9%, 0.65%

LAB 87.75, -59.64, 65.06

 

CMYK 65 / 0 / 7 / 4

HEX #55F6E6

RGB 85 246 230

HSL 174.04, 0.9%, 0.65%

LAB 88.71, -45.09, -4.6

 

CMYK 20 / 66 / 0 / 4

HEX #C654F6

RGB 198 84 246

HSL 282.22, 0.9%, 0.65%

LAB 57.08, 69.13, -61.53

 

CMYK 0 / 52 / 65 / 4

HEX #F67555

RGB 246 117 85

HSL 11.93, 0.9%, 0.65%

LAB 64.14, 47.16, 40.88

 

CMYK 46 / 0 / 65 / 4

HEX #85F655

RGB 133 246 85

HSL 102.11, 0.9%, 0.65%

LAB 87.75, -59.64, 65.06

 

CMYK 65 / 13 / 0 / 4

HEX #55D5F6

RGB 85 213 246

HSL 192.3, 0.9%, 0.65%

LAB 79.71, -25.25, -26.56

 

Description

Color code: RGB 198 84 246 | qconv.com Color code: RGB 198 84 246 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 84 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 84 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 66 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 66% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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