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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 74 168 it is the complementary color RGB 57 181 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 74 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 198 74 168: RGB 203 74 163, RGB 220 92 182, RGB 237 110 201, RGB 254 128 220 and RGB 255 146 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 74 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 198 74 168: RGB 198 74 168, RGB 181 56 149, RGB 164 38 130, RGB 147 20 111 and RGB 130 2 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 15 / 22

HEX #C64AA8

RGB 198 74 168

HSL 314.52, 0.52%, 0.53%

LAB 51.53, 59.65, -25.75

 

Complementary color

CMYK 69 / 0 / 52 / 29

HEX #39B557

RGB 57 181 87

HSL 134.52, 0.52%, 0.47%

LAB 65.44, -53.98, 37.94

 

CMYK 0 / 64 / 20 / 20

HEX #CB4AA3

RGB 203 74 163

HSL 318.6, 0.55%, 0.54%

LAB 52.11, 60.29, -21.87

 

CMYK 0 / 58 / 17 / 14

HEX #DC5CB6

RGB 220 92 182

HSL 317.81, 0.65%, 0.61%

LAB 58.27, 60.06, -23.23

 

CMYK 0 / 54 / 15 / 7

HEX #ED6EC9

RGB 237 110 201

HSL 317.01, 0.78%, 0.68%

LAB 64.46, 59.6, -24.33

 

CMYK 0 / 50 / 13 / 0

HEX #FE80DC

RGB 254 128 220

HSL 316.19, 0.98%, 0.75%

LAB 70.65, 59.01, -25.26

 

CMYK 0 / 43 / 6 / 0

HEX #FF92EF

RGB 255 146 239

HSL 308.81, 1%, 0.79%

LAB 74.86, 53.59, -29.22

 

CMYK 0 / 63 / 15 / 22

HEX #C64AA8

RGB 198 74 168

HSL 314.52, 0.52%, 0.53%

LAB 51.53, 59.65, -25.75

 

CMYK 0 / 69 / 18 / 29

HEX #B53895

RGB 181 56 149

HSL 315.36, 0.53%, 0.46%

LAB 45.39, 59.53, -24.2

 

CMYK 0 / 77 / 21 / 36

HEX #A42682

RGB 164 38 130

HSL 316.19, 0.62%, 0.4%

LAB 39.4, 58.78, -22.14

 

CMYK 0 / 86 / 24 / 42

HEX #93146F

RGB 147 20 111

HSL 317.01, 0.76%, 0.33%

LAB 33.67, 57.01, -19.36

 

CMYK 0 / 98 / 29 / 49

HEX #82025C

RGB 130 2 92

HSL 317.81, 0.97%, 0.26%

LAB 28.28, 53.97, -15.69

 

CMYK 0 / 63 / 15 / 22

HEX #C64AA8

RGB 198 74 168

HSL 314.52, 0.52%, 0.53%

LAB 51.53, 59.65, -25.75

 

CMYK 0 / 63 / 25 / 23

HEX #C54893

RGB 197 72 147

HSL 324, 0.52%, 0.53%

LAB 50.23, 57.25, -15.35

 

CMYK 0 / 63 / 36 / 23

HEX #C5487E

RGB 197 72 126

HSL 334.08, 0.52%, 0.53%

LAB 49.51, 54.66, -3.84

 

CMYK 0 / 63 / 46 / 23

HEX #C5486A

RGB 197 72 106

HSL 343.68, 0.52%, 0.53%

LAB 48.94, 52.56, 7.43

 

CMYK 0 / 63 / 57 / 23

HEX #C54855

RGB 197 72 85

HSL 353.76, 0.52%, 0.53%

LAB 48.46, 50.76, 19.47

 

CMYK 0 / 63 / 15 / 22

HEX #C64AA8

RGB 198 74 168

HSL 314.52, 0.52%, 0.53%

LAB 51.53, 59.65, -25.75

 

CMYK 0 / 63 / 15 / 2

HEX #F95DD3

RGB 249 93 211

HSL 314.62, 0.93%, 0.67%

LAB 63.89, 71.63, -30.7

 

CMYK 0 / 62 / 16 / 82

HEX #2D1126

RGB 45 17 38

HSL 315, 0.45%, 0.12%

LAB 9.79, 17.85, -7.95

 

CMYK 0 / 63 / 16 / 62

HEX #602451

RGB 96 36 81

HSL 315, 0.45%, 0.26%

LAB 24.77, 33.24, -14.36

 

CMYK 0 / 63 / 15 / 42

HEX #93377D

RGB 147 55 125

HSL 314.35, 0.46%, 0.4%

LAB 38.58, 47.01, -20.55

 

CMYK 0 / 63 / 15 / 22

HEX #C64AA8

RGB 198 74 168

HSL 314.52, 0.52%, 0.53%

LAB 51.53, 59.65, -25.75

 

CMYK 0 / 36 / 63 / 23

HEX #C57E48

RGB 197 126 72

HSL 25.92, 0.52%, 0.53%

LAB 59.21, 22.39, 40.28

 

CMYK 63 / 0 / 11 / 23

HEX #48C5B0

RGB 72 197 176

HSL 169.92, 0.52%, 0.53%

LAB 72.52, -39.35, 0.36

 

CMYK 0 / 63 / 15 / 22

HEX #C64AA8

RGB 198 74 168

HSL 314.52, 0.52%, 0.53%

LAB 51.53, 59.65, -25.75

 

CMYK 15 / 0 / 63 / 23

HEX #A8C548

RGB 168 197 72

HSL 73.92, 0.52%, 0.53%

LAB 75.28, -27.43, 57.48

 

CMYK 63 / 15 / 0 / 23

HEX #48A8C5

RGB 72 168 197

HSL 193.92, 0.52%, 0.53%

LAB 64.49, -19.28, -23.21

 

CMYK 0 / 63 / 15 / 22

HEX #C64AA8

RGB 198 74 168

HSL 314.52, 0.52%, 0.53%

LAB 51.53, 59.65, -25.75

 

CMYK 0 / 36 / 63 / 23

HEX #C57E48

RGB 197 126 72

HSL 25.92, 0.52%, 0.53%

LAB 59.21, 22.39, 40.28

 

CMYK 63 / 0 / 49 / 23

HEX #48C565

RGB 72 197 101

HSL 133.92, 0.52%, 0.53%

LAB 71.04, -54.88, 38.02

 

CMYK 63 / 27 / 0 / 23

HEX #488FC5

RGB 72 143 197

HSL 205.92, 0.52%, 0.53%

LAB 57.13, -5.57, -34.6

 

CMYK 0 / 63 / 15 / 22

HEX #C64AA8

RGB 198 74 168

HSL 314.52, 0.52%, 0.53%

LAB 51.53, 59.65, -25.75

 

CMYK 0 / 17 / 63 / 23

HEX #C5A448

RGB 197 164 72

HSL 44.16, 0.52%, 0.53%

LAB 68.67, 1.66, 51

 

CMYK 63 / 0 / 49 / 23

HEX #48C565

RGB 72 197 101

HSL 133.92, 0.52%, 0.53%

LAB 71.04, -54.88, 38.02

 

CMYK 63 / 46 / 0 / 23

HEX #486AC5

RGB 72 106 197

HSL 223.68, 0.52%, 0.53%

LAB 46.6, 16.79, -51.26

 

Description

Color code: RGB 198 74 168 | qconv.com Color code: RGB 198 74 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 74 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 74 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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