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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 217 178 it is the complementary color RGB 57 38 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 217 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 198 217 178: RGB 203 217 173, RGB 220 235 192, RGB 237 253 211, RGB 254 255 230 and RGB 255 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 217 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 198 217 178: RGB 198 217 178, RGB 181 199 159, RGB 164 181 140, RGB 147 163 121 and RGB 130 145 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 18 / 15

HEX #C6D9B2

RGB 198 217 178

HSL 89.23, 0.34%, 0.77%

LAB 84.4, -13.27, 17.1

 

Complementary color

CMYK 26 / 51 / 0 / 70

HEX #39264D

RGB 57 38 77

HSL 269.23, 0.34%, 0.23%

LAB 19.19, 18.08, -20.81

 

CMYK 6 / 0 / 20 / 15

HEX #CBD9AD

RGB 203 217 173

HSL 79.09, 0.37%, 0.76%

LAB 84.66, -12.26, 20.13

 

CMYK 6 / 0 / 18 / 8

HEX #DCEBC0

RGB 220 235 192

HSL 80.93, 0.52%, 0.84%

LAB 90.98, -12.31, 19.23

 

CMYK 6 / 0 / 17 / 1

HEX #EDFDD3

RGB 237 253 211

HSL 82.86, 0.91%, 0.91%

LAB 97.21, -12.36, 18.36

 

CMYK 0 / 0 / 10 / 0

HEX #FEFFE6

RGB 254 255 230

HSL 62.4, 1%, 0.95%

LAB 99.34, -4.51, 11.83

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 9 / 0 / 18 / 15

HEX #C6D9B2

RGB 198 217 178

HSL 89.23, 0.34%, 0.77%

LAB 84.4, -13.27, 17.1

 

CMYK 9 / 0 / 20 / 22

HEX #B5C79F

RGB 181 199 159

HSL 87, 0.26%, 0.7%

LAB 77.98, -13.26, 18.01

 

CMYK 9 / 0 / 23 / 29

HEX #A4B58C

RGB 164 181 140

HSL 84.88, 0.22%, 0.63%

LAB 71.44, -13.25, 18.98

 

CMYK 10 / 0 / 26 / 36

HEX #93A379

RGB 147 163 121

HSL 82.86, 0.19%, 0.56%

LAB 64.79, -13.24, 20

 

CMYK 10 / 0 / 30 / 43

HEX #829166

RGB 130 145 102

HSL 80.93, 0.17%, 0.48%

LAB 58, -13.21, 21.09

 

CMYK 9 / 0 / 18 / 15

HEX #C6D9B2

RGB 198 217 178

HSL 89.23, 0.34%, 0.77%

LAB 84.4, -13.27, 17.1

 

CMYK 12 / 0 / 19 / 15

HEX #BED8B0

RGB 190 216 176

HSL 99, 0.34%, 0.77%

LAB 83.54, -15.91, 16.87

 

CMYK 15 / 0 / 19 / 15

HEX #B7D8B0

RGB 183 216 176

HSL 109.5, 0.34%, 0.77%

LAB 83.08, -18.34, 16.15

 

CMYK 18 / 0 / 19 / 15

HEX #B1D8B0

RGB 177 216 176

HSL 118.5, 0.34%, 0.77%

LAB 82.7, -20.39, 15.56

 

CMYK 19 / 0 / 16 / 15

HEX #B0D8B6

RGB 176 216 182

HSL 129, 0.34%, 0.77%

LAB 82.76, -19.66, 12.48

 

CMYK 9 / 0 / 18 / 15

HEX #C6D9B2

RGB 198 217 178

HSL 89.23, 0.34%, 0.77%

LAB 84.4, -13.27, 17.1

 

CMYK 8 / 0 / 15 / 95

HEX #0C0D0B

RGB 12 13 11

HSL 90, 0.08%, 0.05%

LAB 3.52, -0.61, 0.74

 

CMYK 9 / 0 / 19 / 75

HEX #3A4034

RGB 58 64 52

HSL 90, 0.1%, 0.23%

LAB 26.2, -5.15, 6.51

 

CMYK 9 / 0 / 18 / 55

HEX #69735E

RGB 105 115 94

HSL 88.57, 0.1%, 0.41%

LAB 47.07, -7.94, 10.37

 

CMYK 9 / 0 / 18 / 35

HEX #97A688

RGB 151 166 136

HSL 90, 0.14%, 0.59%

LAB 66.24, -10.87, 13.78

 

CMYK 9 / 0 / 18 / 15

HEX #C6D9B2

RGB 198 217 178

HSL 89.23, 0.34%, 0.77%

LAB 84.4, -13.27, 17.1

 

CMYK 19 / 0 / 6 / 15

HEX #B0D8CB

RGB 176 216 203

HSL 160.5, 0.34%, 0.77%

LAB 83.26, -15.68, 2.06

 

CMYK 0 / 19 / 2 / 15

HEX #D8B0D4

RGB 216 176 212

HSL 306, 0.34%, 0.77%

LAB 76.32, 20.57, -12.69

 

CMYK 9 / 0 / 18 / 15

HEX #C6D9B2

RGB 198 217 178

HSL 89.23, 0.34%, 0.77%

LAB 84.4, -13.27, 17.1

 

CMYK 19 / 9 / 0 / 15

HEX #B0C5D8

RGB 176 197 216

HSL 208.5, 0.34%, 0.77%

LAB 78.53, -3.12, -11.87

 

CMYK 0 / 19 / 9 / 15

HEX #D8B0C5

RGB 216 176 197

HSL 328.5, 0.34%, 0.77%

LAB 75.87, 17.91, -5.17

 

CMYK 9 / 0 / 18 / 15

HEX #C6D9B2

RGB 198 217 178

HSL 89.23, 0.34%, 0.77%

LAB 84.4, -13.27, 17.1

 

CMYK 19 / 0 / 6 / 15

HEX #B0D8CB

RGB 176 216 203

HSL 160.5, 0.34%, 0.77%

LAB 83.26, -15.68, 2.06

 

CMYK 10 / 19 / 0 / 15

HEX #C3B0D8

RGB 195 176 216

HSL 268.5, 0.34%, 0.77%

LAB 74.58, 14.34, -17.67

 

CMYK 0 / 19 / 13 / 15

HEX #D8B0BD

RGB 216 176 189

HSL 340.5, 0.34%, 0.77%

LAB 75.65, 16.57, -1.13

 

CMYK 9 / 0 / 18 / 15

HEX #C6D9B2

RGB 198 217 178

HSL 89.23, 0.34%, 0.77%

LAB 84.4, -13.27, 17.1

 

CMYK 19 / 0 / 0 / 15

HEX #B0D8D7

RGB 176 216 215

HSL 178.5, 0.34%, 0.77%

LAB 83.57, -13.23, -3.86

 

CMYK 10 / 19 / 0 / 15

HEX #C3B0D8

RGB 195 176 216

HSL 268.5, 0.34%, 0.77%

LAB 74.58, 14.34, -17.67

 

CMYK 0 / 19 / 18 / 15

HEX #D8B0B1

RGB 216 176 177

HSL 358.5, 0.34%, 0.77%

LAB 75.34, 14.65, 4.97

 

Description

Color code: RGB 198 217 178 | qconv.com Color code: RGB 198 217 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 217 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 217 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 18 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 18% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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