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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 215 192 it is the complementary color RGB 57 40 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 215 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 198 215 192: RGB 203 215 187, RGB 220 233 206, RGB 237 251 225, RGB 254 255 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 215 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 198 215 192: RGB 198 215 192, RGB 181 197 173, RGB 164 179 154, RGB 147 161 135 and RGB 130 143 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 11 / 16

HEX #C6D7C0

RGB 198 215 192

HSL 104.35, 0.22%, 0.8%

LAB 84.18, -9.91, 9.4

 

Complementary color

CMYK 10 / 37 / 0 / 75

HEX #39283F

RGB 57 40 63

HSL 284.35, 0.22%, 0.2%

LAB 19, 12.97, -11.55

 

CMYK 6 / 0 / 13 / 16

HEX #CBD7BB

RGB 203 215 187

HSL 85.71, 0.26%, 0.79%

LAB 84.42, -9.01, 12.44

 

CMYK 6 / 0 / 12 / 9

HEX #DCE9CE

RGB 220 233 206

HSL 88.89, 0.38%, 0.86%

LAB 90.76, -9.07, 11.65

 

CMYK 6 / 0 / 10 / 2

HEX #EDFBE1

RGB 237 251 225

HSL 92.31, 0.76%, 0.93%

LAB 97, -9.12, 10.89

 

CMYK 0 / 0 / 4 / 0

HEX #FEFFF4

RGB 254 255 244

HSL 65.45, 1%, 0.98%

LAB 99.66, -2.22, 5.12

 

CMYK 8 / 0 / 11 / 16

HEX #C6D7C0

RGB 198 215 192

HSL 104.35, 0.22%, 0.8%

LAB 84.18, -9.91, 9.4

 

CMYK 8 / 0 / 12 / 23

HEX #B5C5AD

RGB 181 197 173

HSL 100, 0.17%, 0.73%

LAB 77.74, -9.89, 10.19

 

CMYK 8 / 0 / 14 / 30

HEX #A4B39A

RGB 164 179 154

HSL 96, 0.14%, 0.65%

LAB 71.19, -9.88, 11.01

 

CMYK 9 / 0 / 16 / 37

HEX #93A187

RGB 147 161 135

HSL 92.31, 0.12%, 0.58%

LAB 64.52, -9.87, 11.88

 

CMYK 9 / 0 / 19 / 44

HEX #828F74

RGB 130 143 116

HSL 88.89, 0.11%, 0.51%

LAB 57.7, -9.86, 12.81

 

CMYK 8 / 0 / 11 / 16

HEX #C6D7C0

RGB 198 215 192

HSL 104.35, 0.22%, 0.8%

LAB 84.18, -9.91, 9.4

 

CMYK 9 / 0 / 11 / 16

HEX #C3D7C0

RGB 195 215 192

HSL 112.17, 0.22%, 0.8%

LAB 83.97, -10.94, 9.07

 

CMYK 11 / 0 / 10 / 16

HEX #C0D7C2

RGB 192 215 194

HSL 125.22, 0.22%, 0.8%

LAB 83.81, -11.61, 7.76

 

CMYK 11 / 0 / 8 / 16

HEX #C0D7C6

RGB 192 215 198

HSL 135.65, 0.22%, 0.8%

LAB 83.91, -10.88, 5.78

 

CMYK 11 / 0 / 7 / 16

HEX #C0D7C9

RGB 192 215 201

HSL 143.48, 0.22%, 0.8%

LAB 83.98, -10.33, 4.29

 

CMYK 8 / 0 / 11 / 16

HEX #C6D7C0

RGB 198 215 192

HSL 104.35, 0.22%, 0.8%

LAB 84.18, -9.91, 9.4

 

CMYK 9 / 0 / 9 / 96

HEX #0A0B0A

RGB 10 11 10

HSL 120, 0.05%, 0.04%

LAB 2.94, -0.41, 0.29

 

CMYK 8 / 0 / 11 / 76

HEX #393E37

RGB 57 62 55

HSL 102.86, 0.06%, 0.23%

LAB 25.54, -3.69, 3.59

 

CMYK 8 / 0 / 11 / 56

HEX #687165

RGB 104 113 101

HSL 105, 0.06%, 0.42%

LAB 46.57, -5.87, 5.5

 

CMYK 8 / 0 / 11 / 36

HEX #97A492

RGB 151 164 146

HSL 103.33, 0.09%, 0.61%

LAB 65.91, -8.04, 7.78

 

CMYK 8 / 0 / 11 / 16

HEX #C6D7C0

RGB 198 215 192

HSL 104.35, 0.22%, 0.8%

LAB 84.18, -9.91, 9.4

 

CMYK 11 / 0 / 1 / 16

HEX #C0D7D5

RGB 192 215 213

HSL 174.78, 0.22%, 0.8%

LAB 84.28, -8.04, -1.63

 

CMYK 0 / 11 / 4 / 16

HEX #D7C0CF

RGB 215 192 207

HSL 320.87, 0.22%, 0.8%

LAB 79.98, 10.71, -4.54

 

CMYK 8 / 0 / 11 / 16

HEX #C6D7C0

RGB 198 215 192

HSL 104.35, 0.22%, 0.8%

LAB 84.18, -9.91, 9.4

 

CMYK 11 / 8 / 0 / 16

HEX #C0C6D7

RGB 192 198 215

HSL 224.35, 0.22%, 0.8%

LAB 79.9, 1.27, -9.17

 

CMYK 0 / 11 / 8 / 16

HEX #D7C0C6

RGB 215 192 198

HSL 344.35, 0.22%, 0.8%

LAB 79.74, 9.14, -0.05

 

CMYK 8 / 0 / 11 / 16

HEX #C6D7C0

RGB 198 215 192

HSL 104.35, 0.22%, 0.8%

LAB 84.18, -9.91, 9.4

 

CMYK 11 / 0 / 1 / 16

HEX #C0D7D5

RGB 192 215 213

HSL 174.78, 0.22%, 0.8%

LAB 84.28, -8.04, -1.63

 

CMYK 3 / 11 / 0 / 16

HEX #D1C0D7

RGB 209 192 215

HSL 284.35, 0.22%, 0.8%

LAB 79.71, 10.13, -9.32

 

CMYK 0 / 11 / 10 / 16

HEX #D7C0C2

RGB 215 192 194

HSL 354.78, 0.22%, 0.8%

LAB 79.64, 8.46, 1.96

 

CMYK 8 / 0 / 11 / 16

HEX #C6D7C0

RGB 198 215 192

HSL 104.35, 0.22%, 0.8%

LAB 84.18, -9.91, 9.4

 

CMYK 11 / 3 / 0 / 16

HEX #C0D1D7

RGB 192 209 215

HSL 195.65, 0.22%, 0.8%

LAB 82.76, -4.53, -4.93

 

CMYK 3 / 11 / 0 / 16

HEX #D1C0D7

RGB 209 192 215

HSL 284.35, 0.22%, 0.8%

LAB 79.71, 10.13, -9.32

 

CMYK 0 / 8 / 11 / 16

HEX #D7C6C0

RGB 215 198 192

HSL 15.65, 0.22%, 0.8%

LAB 81.09, 4.94, 5.14

 

Description

Color code: RGB 198 215 192 | qconv.com Color code: RGB 198 215 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 215 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 215 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 11 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 11% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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