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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 196 199 it is the complementary color RGB 57 59 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 196 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 198 196 199: RGB 203 196 194, RGB 220 214 213, RGB 237 232 232, RGB 254 250 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 196 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 198 196 199: RGB 198 196 199, RGB 181 178 180, RGB 164 160 161, RGB 147 142 142 and RGB 130 124 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 2 / 0 / 22

HEX #C6C4C7

RGB 198 196 199

HSL 280, 0.03%, 0.77%

LAB 79.39, 1.25, -1.26

 

Complementary color

CMYK 3 / 0 / 5 / 77

HEX #393B38

RGB 57 59 56

HSL 100, 0.03%, 0.23%

LAB 24.59, -1.53, 1.56

 

CMYK 0 / 3 / 4 / 20

HEX #CBC4C2

RGB 203 196 194

HSL 13.33, 0.08%, 0.78%

LAB 79.65, 2.08, 1.86

 

CMYK 0 / 3 / 3 / 14

HEX #DCD6D5

RGB 220 214 213

HSL 8.57, 0.09%, 0.85%

LAB 86.06, 1.88, 1.21

 

CMYK 0 / 2 / 2 / 7

HEX #EDE8E8

RGB 237 232 232

HSL 0, 0.12%, 0.92%

LAB 92.37, 1.69, 0.59

 

CMYK 0 / 2 / 1 / 0

HEX #FEFAFB

RGB 254 250 251

HSL 345, 0.67%, 0.99%

LAB 98.59, 1.5, -0.02

 

CMYK 1 / 2 / 0 / 22

HEX #C6C4C7

RGB 198 196 199

HSL 280, 0.03%, 0.77%

LAB 79.39, 1.25, -1.26

 

CMYK 0 / 2 / 1 / 29

HEX #B5B2B4

RGB 181 178 180

HSL 320, 0.02%, 0.7%

LAB 72.87, 1.43, -0.65

 

CMYK 0 / 2 / 2 / 36

HEX #A4A0A1

RGB 164 160 161

HSL 345, 0.02%, 0.64%

LAB 66.22, 1.63, -0.01

 

CMYK 0 / 3 / 3 / 42

HEX #938E8E

RGB 147 142 142

HSL 0, 0.02%, 0.57%

LAB 59.44, 1.85, 0.65

 

CMYK 0 / 5 / 5 / 49

HEX #827C7B

RGB 130 124 123

HSL 8.57, 0.03%, 0.5%

LAB 52.5, 2.08, 1.35

 

CMYK 1 / 2 / 0 / 22

HEX #C6C4C7

RGB 198 196 199

HSL 280, 0.03%, 0.77%

LAB 79.39, 1.25, -1.26

 

CMYK 1 / 2 / 0 / 22

HEX #C5C2C6

RGB 197 194 198

HSL 285, 0.03%, 0.77%

LAB 78.77, 1.78, -1.64

 

CMYK 0 / 2 / 0 / 22

HEX #C6C2C6

RGB 198 194 198

HSL 300, 0.03%, 0.77%

LAB 78.85, 2.13, -1.52

 

CMYK 0 / 2 / 1 / 22

HEX #C6C2C5

RGB 198 194 197

HSL 315, 0.03%, 0.77%

LAB 78.82, 1.94, -1.02

 

CMYK 0 / 2 / 1 / 22

HEX #C6C2C4

RGB 198 194 196

HSL 330, 0.03%, 0.77%

LAB 78.8, 1.76, -0.52

 

CMYK 1 / 2 / 0 / 22

HEX #C6C4C7

RGB 198 196 199

HSL 280, 0.03%, 0.77%

LAB 79.39, 1.25, -1.26

 

CMYK 0 / 2 / 0 / 2

HEX #F9F6FA

RGB 249 246 250

HSL 285, 0.29%, 0.97%

LAB 97.21, 1.7, -1.57

 

CMYK 0 / 2 / 0 / 82

HEX #2E2D2E

RGB 46 45 46

HSL 300, 0.01%, 0.18%

LAB 18.61, 0.68, -0.49

 

CMYK 0 / 1 / 0 / 62

HEX #616061

RGB 97 96 97

HSL 300, 0.01%, 0.38%

LAB 40.85, 0.61, -0.43

 

CMYK 1 / 1 / 0 / 42

HEX #939294

RGB 147 146 148

HSL 270, 0.01%, 0.58%

LAB 60.69, 0.76, -0.93

 

CMYK 1 / 2 / 0 / 22

HEX #C6C4C7

RGB 198 196 199

HSL 280, 0.03%, 0.77%

LAB 79.39, 1.25, -1.26

 

CMYK 0 / 2 / 2 / 22

HEX #C6C2C3

RGB 198 194 195

HSL 345, 0.03%, 0.77%

LAB 78.77, 1.58, -0.02

 

CMYK 2 / 0 / 2 / 22

HEX #C2C6C3

RGB 194 198 195

HSL 135, 0.03%, 0.77%

LAB 79.5, -1.93, 1.01

 

CMYK 1 / 2 / 0 / 22

HEX #C6C4C7

RGB 198 196 199

HSL 280, 0.03%, 0.77%

LAB 79.39, 1.25, -1.26

 

CMYK 0 / 1 / 2 / 22

HEX #C6C4C2

RGB 198 196 194

HSL 30, 0.03%, 0.77%

LAB 79.26, 0.33, 1.24

 

CMYK 2 / 0 / 1 / 22

HEX #C2C6C4

RGB 194 198 196

HSL 150, 0.03%, 0.77%

LAB 79.52, -1.74, 0.51

 

CMYK 1 / 2 / 0 / 22

HEX #C6C4C7

RGB 198 196 199

HSL 280, 0.03%, 0.77%

LAB 79.39, 1.25, -1.26

 

CMYK 0 / 2 / 2 / 22

HEX #C6C2C3

RGB 198 194 195

HSL 345, 0.03%, 0.77%

LAB 78.77, 1.58, -0.02

 

CMYK 2 / 0 / 2 / 22

HEX #C3C6C2

RGB 195 198 194

HSL 105, 0.03%, 0.77%

LAB 79.55, -1.76, 1.63

 

CMYK 2 / 0 / 1 / 22

HEX #C2C6C5

RGB 194 198 197

HSL 165, 0.03%, 0.77%

LAB 79.55, -1.56, 0.01

 

CMYK 1 / 2 / 0 / 22

HEX #C6C4C7

RGB 198 196 199

HSL 280, 0.03%, 0.77%

LAB 79.39, 1.25, -1.26

 

CMYK 0 / 2 / 2 / 22

HEX #C6C3C2

RGB 198 195 194

HSL 15, 0.03%, 0.77%

LAB 79, 0.86, 0.86

 

CMYK 2 / 0 / 2 / 22

HEX #C3C6C2

RGB 195 198 194

HSL 105, 0.03%, 0.77%

LAB 79.55, -1.76, 1.63

 

CMYK 2 / 1 / 0 / 22

HEX #C2C5C6

RGB 194 197 198

HSL 195, 0.03%, 0.77%

LAB 79.32, -0.84, -0.87

 

Description

Color code: RGB 198 196 199 | qconv.com Color code: RGB 198 196 199 | qconv.com - big

With this color almost no shade stands out particularly. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 196 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 196 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 2 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 2% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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