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Color name
RGB 198 157 35

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 157 35 it is the complementary color RGB 57 98 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 157 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 157 35 shade: RGB 203 157 30, RGB 220 175 49, RGB 237 193 68, RGB 254 211 87 and RGB 255 229 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 157 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 157 35 shade: RGB 198 157 35, RGB 181 139 16, RGB 164 121 0, RGB 147 103 0 and RGB 130 85 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 157 35 shade: RGB 199 158 35, RGB 199 114 35, RGB 199 70 35 and RGB 199 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 157 35 shade: RGB 199 158 35, RGB 196 199 35, RGB 152 199 35, RGB 108 199 35 and RGB 64 199 35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 157 35 shade matches the following richer shades: RGB 199 158 35 and RGB 218 168 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 157 35 shade: RGB 199 158 35, RGB 180 149 54, RGB 161 139 73, RGB 142 130 92 and RGB 123 120 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 157 35 shade: RGB 199 68 35, RGB 199 112 35, RGB 199 156 35, RGB 199 199 35 and RGB 156 199 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 157 35 shade: RGB 129 102 23, RGB 164 130 29, RGB 199 158 35, RGB 220 179 56 and RGB 226 192 91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 157 35 shade: RGB 198 157 35, RGB 46 199 35 and RGB 90 35 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 157 35 shade: RGB 198 157 35, RGB 35 199 156 and RGB 156 35 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 157 35 shade: RGB 198 157 35, RGB 46 199 35, RGB 35 79 199 and RGB 188 35 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 157 35 shade: RGB 198 157 35, RGB 35 199 74, RGB 35 79 199 and RGB 199 35 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 82 / 22

HEX #C69D23

RGB 198 157 35

HSL 44.91, 0.7%, 0.46%

LAB 66.7, 4.1, 63.61

 

Complementary color

CMYK 74 / 55 / 0 / 14

HEX #3962DC

RGB 57 98 220

HSL 224.91, 0.7%, 0.54%

LAB 45.32, 27.9, -66.53

 

CMYK 0 / 23 / 85 / 20

HEX #CB9D1E

RGB 203 157 30

HSL 44.05, 0.74%, 0.46%

LAB 67.21, 6.18, 65.67

 

CMYK 0 / 20 / 78 / 14

HEX #DCAF31

RGB 220 175 49

HSL 44.21, 0.71%, 0.53%

LAB 73.61, 4.6, 66.07

 

CMYK 0 / 19 / 71 / 7

HEX #EDC144

RGB 237 193 68

HSL 44.38, 0.82%, 0.6%

LAB 79.93, 3.25, 65.71

 

CMYK 0 / 17 / 66 / 0

HEX #FED357

RGB 254 211 87

HSL 44.55, 0.99%, 0.67%

LAB 86.18, 2.08, 64.93

 

CMYK 0 / 10 / 58 / 0

HEX #FFE56A

RGB 255 229 106

HSL 49.53, 1%, 0.71%

LAB 90.93, -5.42, 61.95

 

CMYK 0 / 21 / 82 / 22

HEX #C69D23

RGB 198 157 35

HSL 44.91, 0.7%, 0.46%

LAB 66.7, 4.1, 63.61

 

CMYK 0 / 23 / 91 / 29

HEX #B58B10

RGB 181 139 16

HSL 44.73, 0.84%, 0.39%

LAB 60.18, 5.83, 62.4

 

CMYK 0 / 26 / 100 / 36

HEX #A47900

RGB 164 121 0

HSL 44.27, 1%, 0.32%

LAB 53.56, 7.83, 59.56

 

CMYK 0 / 30 / 100 / 42

HEX #936700

RGB 147 103 0

HSL 42.04, 1%, 0.29%

LAB 46.85, 10.17, 54.05

 

CMYK 0 / 35 / 100 / 49

HEX #825500

RGB 130 85 0

HSL 39.23, 1%, 0.25%

LAB 39.99, 12.64, 48.44

 

CMYK 0 / 21 / 82 / 22

HEX #C79E23

RGB 199 158 35

HSL 45, 0.7%, 0.46%

LAB 67.06, 4.01, 63.96

 

CMYK 0 / 43 / 82 / 22

HEX #C77223

RGB 199 114 35

HSL 28.9, 0.7%, 0.46%

LAB 56.39, 27.95, 54.62

 

CMYK 0 / 65 / 82 / 22

HEX #C74623

RGB 199 70 35

HSL 12.8, 0.7%, 0.46%

LAB 47.81, 49.73, 46.85

 

CMYK 0 / 82 / 82 / 22

HEX #C72323

RGB 199 35 35

HSL 0, 0.7%, 0.46%

LAB 43.46, 61.75, 42.78

 

CMYK 0 / 21 / 82 / 22

HEX #C79E23

RGB 199 158 35

HSL 45, 0.7%, 0.46%

LAB 67.06, 4.01, 63.96

 

CMYK 2 / 0 / 82 / 22

HEX #C4C723

RGB 196 199 35

HSL 61.1, 0.7%, 0.46%

LAB 77.7, -18.58, 72.94

 

CMYK 24 / 0 / 82 / 22

HEX #98C723

RGB 152 199 35

HSL 77.2, 0.7%, 0.46%

LAB 74.6, -36.71, 69.05

 

CMYK 46 / 0 / 82 / 22

HEX #6CC723

RGB 108 199 35

HSL 93.29, 0.7%, 0.46%

LAB 72.33, -52.42, 66.17

 

CMYK 68 / 0 / 82 / 22

HEX #40C723

RGB 64 199 35

HSL 109.39, 0.7%, 0.46%

LAB 70.91, -63.76, 64.36

 

CMYK 0 / 21 / 82 / 22

HEX #C79E23

RGB 199 158 35

HSL 45, 0.7%, 0.46%

LAB 67.06, 4.01, 63.96

 

CMYK 0 / 23 / 93 / 15

HEX #DAA810

RGB 218 168 16

HSL 45.15, 0.86%, 0.46%

LAB 71.52, 6.63, 72.68

 

CMYK 0 / 21 / 82 / 22

HEX #C79E23

RGB 199 158 35

HSL 45, 0.7%, 0.46%

LAB 67.06, 4.01, 63.96

 

CMYK 0 / 17 / 70 / 29

HEX #B49536

RGB 180 149 54

HSL 45.24, 0.54%, 0.46%

LAB 62.9, 1.24, 52.37

 

CMYK 0 / 14 / 55 / 37

HEX #A18B49

RGB 161 139 73

HSL 45, 0.38%, 0.46%

LAB 58.53, -0.33, 37.97

 

CMYK 0 / 8 / 35 / 44

HEX #8E825C

RGB 142 130 92

HSL 45.6, 0.21%, 0.46%

LAB 54.54, -1.45, 22.25

 

CMYK 0 / 2 / 10 / 52

HEX #7B786F

RGB 123 120 111

HSL 45, 0.05%, 0.46%

LAB 50.44, -0.57, 5.34

 

CMYK 0 / 66 / 82 / 22

HEX #C74423

RGB 199 68 35

HSL 12.07, 0.7%, 0.46%

LAB 47.49, 50.58, 46.56

 

CMYK 0 / 44 / 82 / 22

HEX #C77023

RGB 199 112 35

HSL 28.17, 0.7%, 0.46%

LAB 55.94, 29.02, 54.22

 

CMYK 0 / 22 / 82 / 22

HEX #C79C23

RGB 199 156 35

HSL 44.27, 0.7%, 0.46%

LAB 66.55, 5.09, 63.52

 

CMYK 0 / 0 / 82 / 22

HEX #C7C723

RGB 199 199 35

HSL 60, 0.7%, 0.46%

LAB 77.94, -17.31, 73.24

 

CMYK 22 / 0 / 82 / 22

HEX #9CC723

RGB 156 199 35

HSL 75.73, 0.7%, 0.46%

LAB 74.85, -35.13, 69.36

 

CMYK 0 / 21 / 82 / 49

HEX #816617

RGB 129 102 23

HSL 44.72, 0.7%, 0.3%

LAB 44.56, 2.75, 45.23

 

CMYK 0 / 21 / 82 / 36

HEX #A4821D

RGB 164 130 29

HSL 44.89, 0.7%, 0.38%

LAB 56.03, 3.39, 54.82

 

CMYK 0 / 21 / 82 / 22

HEX #C79E23

RGB 199 158 35

HSL 45, 0.7%, 0.46%

LAB 67.06, 4.01, 63.96

 

CMYK 0 / 19 / 75 / 14

HEX #DCB338

RGB 220 179 56

HSL 45, 0.7%, 0.54%

LAB 74.66, 2.77, 64.56

 

CMYK 0 / 15 / 60 / 11

HEX #E2C05B

RGB 226 192 91

HSL 44.89, 0.7%, 0.62%

LAB 78.82, 0.48, 54.35

 

CMYK 0 / 21 / 82 / 22

HEX #C69D23

RGB 198 157 35

HSL 44.91, 0.7%, 0.46%

LAB 66.7, 4.1, 63.61

 

CMYK 77 / 0 / 82 / 22

HEX #2EC723

RGB 46 199 35

HSL 115.98, 0.7%, 0.46%

LAB 70.56, -66.79, 63.9

 

CMYK 55 / 82 / 0 / 22

HEX #5A23C7

RGB 90 35 199

HSL 260.12, 0.7%, 0.46%

LAB 32.92, 60.11, -74.63

 

CMYK 0 / 21 / 82 / 22

HEX #C69D23

RGB 198 157 35

HSL 44.91, 0.7%, 0.46%

LAB 66.7, 4.1, 63.61

 

CMYK 82 / 0 / 22 / 22

HEX #23C79C

RGB 35 199 156

HSL 164.27, 0.7%, 0.46%

LAB 71.96, -49.99, 10.31

 

CMYK 22 / 82 / 0 / 22

HEX #9C23C7

RGB 156 35 199

HSL 284.27, 0.7%, 0.46%

LAB 41.83, 69.44, -59.69

 

CMYK 0 / 21 / 82 / 22

HEX #C69D23

RGB 198 157 35

HSL 44.91, 0.7%, 0.46%

LAB 66.7, 4.1, 63.61

 

CMYK 77 / 0 / 82 / 22

HEX #2EC723

RGB 46 199 35

HSL 115.98, 0.7%, 0.46%

LAB 70.56, -66.79, 63.9

 

CMYK 82 / 60 / 0 / 22

HEX #234FC7

RGB 35 79 199

HSL 223.9, 0.7%, 0.46%

LAB 37.97, 30.14, -66.47

 

CMYK 6 / 82 / 0 / 22

HEX #BC23C7

RGB 188 35 199

HSL 295.98, 0.7%, 0.46%

LAB 47, 75.02, -51.11

 

CMYK 0 / 21 / 82 / 22

HEX #C69D23

RGB 198 157 35

HSL 44.91, 0.7%, 0.46%

LAB 66.7, 4.1, 63.61

 

CMYK 82 / 0 / 63 / 22

HEX #23C74A

RGB 35 199 74

HSL 134.27, 0.7%, 0.46%

LAB 70.66, -64.92, 50.06

 

CMYK 82 / 60 / 0 / 22

HEX #234FC7

RGB 35 79 199

HSL 223.9, 0.7%, 0.46%

LAB 37.97, 30.14, -66.47

 

CMYK 0 / 82 / 19 / 22

HEX #C723A1

RGB 199 35 161

HSL 313.9, 0.7%, 0.46%

LAB 46.87, 71.67, -28.85

 

Description

Color code: RGB 198 157 35 | qconv.com Color code: RGB 198 157 35 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 157 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 157 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 82 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 82% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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