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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 130 92 it is the complementary color RGB 113 125 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 130 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 130 92 shade: RGB 147 130 87, RGB 164 148 106, RGB 181 166 125, RGB 198 184 144 and RGB 215 202 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 130 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 130 92 shade: RGB 142 130 92, RGB 125 112 73, RGB 108 94 54, RGB 91 76 35 and RGB 74 58 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 130 92 shade: RGB 141 130 92, RGB 141 116 92, RGB 141 103 92 and RGB 141 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 130 92 shade: RGB 141 130 92, RGB 140 141 92, RGB 127 141 92, RGB 113 141 92 and RGB 100 141 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 130 92 shade matches the following richer shades: RGB 141 130 92, RGB 160 139 73, RGB 179 149 54, RGB 198 159 35 and RGB 217 169 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 130 92 shade: RGB 141 130 92, RGB 122 120 111, RGB 103 110 130, RGB 84 100 149 and RGB 66 90 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 130 92 shade: RGB 141 103 92, RGB 141 116 92, RGB 141 129 92, RGB 141 141 92 and RGB 127 141 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 130 92 shade: RGB 92 84 60, RGB 116 107 76, RGB 141 130 92, RGB 162 150 113 and RGB 178 169 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 130 92 shade: RGB 142 130 92, RGB 95 141 92 and RGB 109 92 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 130 92 shade: RGB 142 130 92, RGB 92 141 129 and RGB 129 92 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 130 92 shade: RGB 142 130 92, RGB 95 141 92, RGB 92 104 141 and RGB 139 92 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 130 92 shade: RGB 142 130 92, RGB 92 141 104, RGB 92 104 141 and RGB 141 92 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 35 / 44

HEX #8E825C

RGB 142 130 92

HSL 45.6, 0.21%, 0.46%

LAB 54.54, -1.45, 22.25

 

Complementary color

CMYK 31 / 23 / 0 / 36

HEX #717DA3

RGB 113 125 163

HSL 225.6, 0.21%, 0.54%

LAB 52.75, 4.73, -21.74

 

CMYK 0 / 12 / 41 / 42

HEX #938257

RGB 147 130 87

HSL 43, 0.26%, 0.46%

LAB 54.92, 0.05, 25.65

 

CMYK 0 / 10 / 35 / 36

HEX #A4946A

RGB 164 148 106

HSL 43.45, 0.24%, 0.53%

LAB 61.75, -0.47, 24.4

 

CMYK 0 / 8 / 31 / 29

HEX #B5A67D

RGB 181 166 125

HSL 43.93, 0.27%, 0.6%

LAB 68.44, -0.9, 23.24

 

CMYK 0 / 7 / 27 / 22

HEX #C6B890

RGB 198 184 144

HSL 44.44, 0.32%, 0.67%

LAB 75.01, -1.27, 22.16

 

CMYK 0 / 6 / 24 / 16

HEX #D7CAA3

RGB 215 202 163

HSL 45, 0.39%, 0.74%

LAB 81.47, -1.59, 21.14

 

CMYK 0 / 8 / 35 / 44

HEX #8E825C

RGB 142 130 92

HSL 45.6, 0.21%, 0.46%

LAB 54.54, -1.45, 22.25

 

CMYK 0 / 10 / 42 / 51

HEX #7D7049

RGB 125 112 73

HSL 45, 0.26%, 0.39%

LAB 47.53, -0.95, 23.53

 

CMYK 0 / 13 / 50 / 58

HEX #6C5E36

RGB 108 94 54

HSL 44.44, 0.33%, 0.32%

LAB 40.34, -0.29, 24.91

 

CMYK 0 / 16 / 62 / 64

HEX #5B4C23

RGB 91 76 35

HSL 43.93, 0.44%, 0.25%

LAB 32.95, 0.59, 26.36

 

CMYK 0 / 22 / 78 / 71

HEX #4A3A10

RGB 74 58 16

HSL 43.45, 0.64%, 0.18%

LAB 25.32, 1.85, 27.63

 

CMYK 0 / 8 / 35 / 45

HEX #8D825C

RGB 141 130 92

HSL 46.53, 0.21%, 0.46%

LAB 54.45, -1.88, 22.11

 

CMYK 0 / 18 / 35 / 45

HEX #8D745C

RGB 141 116 92

HSL 29.39, 0.21%, 0.46%

LAB 50.6, 6.11, 16.94

 

CMYK 0 / 27 / 35 / 45

HEX #8D675C

RGB 141 103 92

HSL 13.47, 0.21%, 0.46%

LAB 47.15, 13.68, 12.19

 

CMYK 0 / 35 / 35 / 45

HEX #8D5C5C

RGB 141 92 92

HSL 0, 0.21%, 0.46%

LAB 44.36, 20.11, 8.28

 

CMYK 0 / 8 / 35 / 45

HEX #8D825C

RGB 141 130 92

HSL 46.53, 0.21%, 0.46%

LAB 54.45, -1.88, 22.11

 

CMYK 1 / 0 / 35 / 45

HEX #8C8D5C

RGB 140 141 92

HSL 61.22, 0.21%, 0.46%

LAB 57.46, -8.39, 26.06

 

CMYK 10 / 0 / 35 / 45

HEX #7F8D5C

RGB 127 141 92

HSL 77.14, 0.21%, 0.46%

LAB 56.42, -13.73, 24.51

 

CMYK 20 / 0 / 35 / 45

HEX #718D5C

RGB 113 141 92

HSL 94.29, 0.21%, 0.46%

LAB 55.41, -19.28, 22.99

 

CMYK 29 / 0 / 35 / 45

HEX #648D5C

RGB 100 141 92

HSL 110.2, 0.21%, 0.46%

LAB 54.59, -24.14, 21.74

 

CMYK 0 / 8 / 35 / 45

HEX #8D825C

RGB 141 130 92

HSL 46.53, 0.21%, 0.46%

LAB 54.45, -1.88, 22.11

 

CMYK 0 / 13 / 54 / 37

HEX #A08B49

RGB 160 139 73

HSL 45.52, 0.37%, 0.46%

LAB 58.43, -0.76, 37.83

 

CMYK 0 / 17 / 70 / 30

HEX #B39536

RGB 179 149 54

HSL 45.6, 0.54%, 0.46%

LAB 62.8, 0.8, 52.24

 

CMYK 0 / 20 / 82 / 22

HEX #C69F23

RGB 198 159 35

HSL 45.64, 0.7%, 0.46%

LAB 67.22, 3.03, 64.05

 

CMYK 0 / 22 / 93 / 15

HEX #D9A910

RGB 217 169 16

HSL 45.67, 0.86%, 0.46%

LAB 71.67, 5.66, 72.74

 

CMYK 0 / 8 / 35 / 45

HEX #8D825C

RGB 141 130 92

HSL 46.53, 0.21%, 0.46%

LAB 54.45, -1.88, 22.11

 

CMYK 0 / 2 / 9 / 52

HEX #7A786F

RGB 122 120 111

HSL 49.09, 0.05%, 0.46%

LAB 50.36, -0.96, 5.21

 

CMYK 21 / 15 / 0 / 49

HEX #676E82

RGB 103 110 130

HSL 224.44, 0.12%, 0.46%

LAB 46.51, 1.96, -11.92

 

CMYK 44 / 33 / 0 / 42

HEX #546495

RGB 84 100 149

HSL 225.23, 0.28%, 0.46%

LAB 43.02, 7.38, -28.76

 

CMYK 61 / 46 / 0 / 34

HEX #425AA8

RGB 66 90 168

HSL 225.88, 0.44%, 0.46%

LAB 40.08, 15.71, -44.79

 

CMYK 0 / 27 / 35 / 45

HEX #8D675C

RGB 141 103 92

HSL 13.47, 0.21%, 0.46%

LAB 47.15, 13.68, 12.19

 

CMYK 0 / 18 / 35 / 45

HEX #8D745C

RGB 141 116 92

HSL 29.39, 0.21%, 0.46%

LAB 50.6, 6.11, 16.94

 

CMYK 0 / 9 / 35 / 45

HEX #8D815C

RGB 141 129 92

HSL 45.31, 0.21%, 0.46%

LAB 54.17, -1.31, 21.74

 

CMYK 0 / 0 / 35 / 45

HEX #8D8D5C

RGB 141 141 92

HSL 60, 0.21%, 0.46%

LAB 57.55, -7.97, 26.19

 

CMYK 10 / 0 / 35 / 45

HEX #7F8D5C

RGB 127 141 92

HSL 77.14, 0.21%, 0.46%

LAB 56.42, -13.73, 24.51

 

CMYK 0 / 9 / 35 / 64

HEX #5C543C

RGB 92 84 60

HSL 45, 0.21%, 0.3%

LAB 35.87, -0.88, 15.24

 

CMYK 0 / 8 / 34 / 55

HEX #746B4C

RGB 116 107 76

HSL 46.5, 0.21%, 0.38%

LAB 45.29, -1.61, 18.68

 

CMYK 0 / 8 / 35 / 45

HEX #8D825C

RGB 141 130 92

HSL 46.53, 0.21%, 0.46%

LAB 54.45, -1.88, 22.11

 

CMYK 0 / 7 / 30 / 36

HEX #A29671

RGB 162 150 113

HSL 45.31, 0.21%, 0.54%

LAB 62.24, -1.47, 21.16

 

CMYK 0 / 5 / 22 / 30

HEX #B2A98A

RGB 178 169 138

HSL 46.5, 0.21%, 0.62%

LAB 69.24, -1.88, 17.19

 

CMYK 0 / 8 / 35 / 44

HEX #8E825C

RGB 142 130 92

HSL 45.6, 0.21%, 0.46%

LAB 54.54, -1.45, 22.25

 

CMYK 33 / 0 / 35 / 45

HEX #5F8D5C

RGB 95 141 92

HSL 116.33, 0.21%, 0.46%

LAB 54.3, -25.92, 21.3

 

CMYK 23 / 35 / 0 / 45

HEX #6D5C8D

RGB 109 92 141

HSL 260.82, 0.21%, 0.46%

LAB 42.5, 17.68, -24.61

 

CMYK 0 / 8 / 35 / 44

HEX #8E825C

RGB 142 130 92

HSL 45.6, 0.21%, 0.46%

LAB 54.54, -1.45, 22.25

 

CMYK 35 / 0 / 9 / 45

HEX #5C8D81

RGB 92 141 129

HSL 165.31, 0.21%, 0.46%

LAB 54.98, -19.34, 1.15

 

CMYK 9 / 35 / 0 / 45

HEX #815C8D

RGB 129 92 141

HSL 285.31, 0.21%, 0.46%

LAB 44.58, 24.34, -21.23

 

CMYK 0 / 8 / 35 / 44

HEX #8E825C

RGB 142 130 92

HSL 45.6, 0.21%, 0.46%

LAB 54.54, -1.45, 22.25

 

CMYK 33 / 0 / 35 / 45

HEX #5F8D5C

RGB 95 141 92

HSL 116.33, 0.21%, 0.46%

LAB 54.3, -25.92, 21.3

 

CMYK 35 / 26 / 0 / 45

HEX #5C688D

RGB 92 104 141

HSL 225.31, 0.21%, 0.46%

LAB 44.37, 4.9, -21.83

 

CMYK 1 / 35 / 0 / 45

HEX #8B5C8D

RGB 139 92 141

HSL 297.55, 0.21%, 0.46%

LAB 45.72, 27.74, -19.37

 

CMYK 0 / 8 / 35 / 44

HEX #8E825C

RGB 142 130 92

HSL 45.6, 0.21%, 0.46%

LAB 54.54, -1.45, 22.25

 

CMYK 35 / 0 / 26 / 45

HEX #5C8D68

RGB 92 141 104

HSL 134.69, 0.21%, 0.46%

LAB 54.37, -24.75, 14.61

 

CMYK 35 / 26 / 0 / 45

HEX #5C688D

RGB 92 104 141

HSL 225.31, 0.21%, 0.46%

LAB 44.37, 4.9, -21.83

 

CMYK 0 / 35 / 9 / 45

HEX #8D5C81

RGB 141 92 129

HSL 314.69, 0.21%, 0.46%

LAB 45.5, 26.11, -12.48

 

Description

Color code: RGB 142 130 92 | qconv.com Color code: RGB 142 130 92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 130 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 130 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 35 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 35% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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