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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2A98A it is the complementary color #4D5675. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2A98A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2A98A shade: #B7A985, #C8BB98, #D9CDAB, #EADFBE and #FBF1D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2A98A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2A98A shade: #B2A98A, #A19777, #908564, #7F7351 and #6E613E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2A98A shade: #B2A98A, #B29E8A, #B2938A and #B28A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2A98A shade: #B2A98A, #B1B28A, #A6B28A, #9BB28A and #90B28A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2A98A shade matches the following richer shades: #B2A98A, #C2B27A, #D2BB6A, #E1C35B and #F1CC4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2A98A shade: #B2A98A, #A3A199, #9398A9, #838FB9 and #7487C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2A98A shade: #B2938A, #B29E8A, #B2A98A, #B1B28A and #A6B28A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2A98A shade: #8D825C, #A29771, #B2A98A, #C3BCA3 and #D3CEBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2A98A shade: #B2A98A, #8BB28A and #998AB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2A98A shade: #B2A98A, #8AB2A9 and #A98AB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2A98A shade: #B2A98A, #8BB28A, #8A93B2 and #B18AB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2A98A shade: #B2A98A, #8AB295, #8A93B2 and #B28AA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 22 / 30

HEX #B2A98A

RGB 178 169 138

HSL 46.5, 0.21%, 0.62%

LAB 69.24, -1.88, 17.19

 

Complementary color

CMYK 34 / 26 / 0 / 54

HEX #4D5675

RGB 77 86 117

HSL 226.5, 0.21%, 0.38%

LAB 36.96, 4.56, -18.78

 

CMYK 0 / 8 / 27 / 28

HEX #B7A985

RGB 183 169 133

HSL 43.2, 0.26%, 0.62%

LAB 69.57, -0.64, 20.44

 

CMYK 0 / 7 / 24 / 22

HEX #C8BB98

RGB 200 187 152

HSL 43.75, 0.3%, 0.69%

LAB 76.12, -0.97, 19.41

 

CMYK 0 / 6 / 21 / 15

HEX #D9CDAB

RGB 217 205 171

HSL 44.35, 0.38%, 0.76%

LAB 82.57, -1.26, 18.45

 

CMYK 0 / 5 / 19 / 8

HEX #EADFBE

RGB 234 223 190

HSL 45, 0.51%, 0.83%

LAB 88.92, -1.52, 17.54

 

CMYK 0 / 4 / 17 / 2

HEX #FBF1D1

RGB 251 241 209

HSL 45.71, 0.84%, 0.9%

LAB 95.17, -1.76, 16.67

 

CMYK 0 / 5 / 22 / 30

HEX #B2A98A

RGB 178 169 138

HSL 46.5, 0.21%, 0.62%

LAB 69.24, -1.88, 17.19

 

CMYK 0 / 6 / 26 / 37

HEX #A19777

RGB 161 151 119

HSL 45.71, 0.18%, 0.55%

LAB 62.54, -1.58, 18.22

 

CMYK 0 / 8 / 31 / 44

HEX #908564

RGB 144 133 100

HSL 45, 0.18%, 0.48%

LAB 55.71, -1.22, 19.33

 

CMYK 0 / 9 / 36 / 50

HEX #7F7351

RGB 127 115 81

HSL 44.35, 0.22%, 0.41%

LAB 48.72, -0.79, 20.53

 

CMYK 0 / 12 / 44 / 57

HEX #6E613E

RGB 110 97 62

HSL 43.75, 0.28%, 0.34%

LAB 41.55, -0.23, 21.85

 

CMYK 0 / 5 / 22 / 30

HEX #B2A98A

RGB 178 169 138

HSL 46.5, 0.21%, 0.62%

LAB 69.24, -1.88, 17.19

 

CMYK 0 / 11 / 22 / 30

HEX #B29E8A

RGB 178 158 138

HSL 30, 0.21%, 0.62%

LAB 66.33, 4.1, 13.14

 

CMYK 0 / 17 / 22 / 30

HEX #B2938A

RGB 178 147 138

HSL 13.5, 0.21%, 0.62%

LAB 63.48, 10.18, 9.11

 

CMYK 0 / 22 / 22 / 30

HEX #B28A8A

RGB 178 138 138

HSL 0, 0.21%, 0.62%

LAB 61.2, 15.21, 5.85

 

CMYK 0 / 5 / 22 / 30

HEX #B2A98A

RGB 178 169 138

HSL 46.5, 0.21%, 0.62%

LAB 69.24, -1.88, 17.19

 

CMYK 1 / 0 / 22 / 30

HEX #B1B28A

RGB 177 178 138

HSL 61.5, 0.21%, 0.62%

LAB 71.57, -7.06, 20.39

 

CMYK 7 / 0 / 22 / 30

HEX #A6B28A

RGB 166 178 138

HSL 78, 0.21%, 0.62%

LAB 70.72, -11.25, 19.09

 

CMYK 13 / 0 / 22 / 30

HEX #9BB28A

RGB 155 178 138

HSL 94.5, 0.21%, 0.62%

LAB 69.93, -15.35, 17.87

 

CMYK 19 / 0 / 22 / 30

HEX #90B28A

RGB 144 178 138

HSL 111, 0.21%, 0.62%

LAB 69.19, -19.32, 16.73

 

CMYK 0 / 5 / 22 / 30

HEX #B2A98A

RGB 178 169 138

HSL 46.5, 0.21%, 0.62%

LAB 69.24, -1.88, 17.19

 

CMYK 0 / 8 / 37 / 24

HEX #C2B27A

RGB 194 178 122

HSL 46.67, 0.37%, 0.62%

LAB 72.7, -2.47, 30.72

 

CMYK 0 / 11 / 50 / 18

HEX #D2BB6A

RGB 210 187 106

HSL 46.73, 0.54%, 0.62%

LAB 76.24, -2.35, 43.73

 

CMYK 0 / 13 / 60 / 12

HEX #E1C35B

RGB 225 195 91

HSL 46.57, 0.69%, 0.62%

LAB 79.5, -1.49, 55.08

 

CMYK 0 / 15 / 69 / 5

HEX #F1CC4B

RGB 241 204 75

HSL 46.63, 0.86%, 0.62%

LAB 83.12, -0.4, 66.29

 

CMYK 0 / 5 / 22 / 30

HEX #B2A98A

RGB 178 169 138

HSL 46.5, 0.21%, 0.62%

LAB 69.24, -1.88, 17.19

 

CMYK 0 / 1 / 6 / 36

HEX #A3A199

RGB 163 161 153

HSL 48, 0.05%, 0.62%

LAB 66.19, -0.75, 4.41

 

CMYK 13 / 10 / 0 / 34

HEX #9398A9

RGB 147 152 169

HSL 226.36, 0.11%, 0.62%

LAB 62.95, 1.73, -9.49

 

CMYK 29 / 23 / 0 / 27

HEX #838FB9

RGB 131 143 185

HSL 226.67, 0.28%, 0.62%

LAB 59.86, 5.45, -23.32

 

CMYK 42 / 33 / 0 / 22

HEX #7487C8

RGB 116 135 200

HSL 226.43, 0.43%, 0.62%

LAB 57.28, 9.92, -35.9

 

CMYK 0 / 17 / 22 / 30

HEX #B2938A

RGB 178 147 138

HSL 13.5, 0.21%, 0.62%

LAB 63.48, 10.18, 9.11

 

CMYK 0 / 11 / 22 / 30

HEX #B29E8A

RGB 178 158 138

HSL 30, 0.21%, 0.62%

LAB 66.33, 4.1, 13.14

 

CMYK 0 / 5 / 22 / 30

HEX #B2A98A

RGB 178 169 138

HSL 46.5, 0.21%, 0.62%

LAB 69.24, -1.88, 17.19

 

CMYK 1 / 0 / 22 / 30

HEX #B1B28A

RGB 177 178 138

HSL 61.5, 0.21%, 0.62%

LAB 71.57, -7.06, 20.39

 

CMYK 7 / 0 / 22 / 30

HEX #A6B28A

RGB 166 178 138

HSL 78, 0.21%, 0.62%

LAB 70.72, -11.25, 19.09

 

CMYK 0 / 8 / 35 / 45

HEX #8D825C

RGB 141 130 92

HSL 46.53, 0.21%, 0.46%

LAB 54.45, -1.88, 22.11

 

CMYK 0 / 7 / 30 / 36

HEX #A29771

RGB 162 151 113

HSL 46.53, 0.21%, 0.54%

LAB 62.51, -2.02, 21.52

 

CMYK 0 / 5 / 22 / 30

HEX #B2A98A

RGB 178 169 138

HSL 46.5, 0.21%, 0.62%

LAB 69.24, -1.88, 17.19

 

CMYK 0 / 4 / 16 / 24

HEX #C3BCA3

RGB 195 188 163

HSL 46.88, 0.21%, 0.7%

LAB 76.2, -1.75, 13.54

 

CMYK 0 / 2 / 11 / 17

HEX #D3CEBC

RGB 211 206 188

HSL 46.96, 0.21%, 0.78%

LAB 82.71, -1.36, 9.56

 

CMYK 0 / 5 / 22 / 30

HEX #B2A98A

RGB 178 169 138

HSL 46.5, 0.21%, 0.62%

LAB 69.24, -1.88, 17.19

 

CMYK 22 / 0 / 22 / 30

HEX #8BB28A

RGB 139 178 138

HSL 118.5, 0.21%, 0.62%

LAB 68.87, -21.07, 16.24

 

CMYK 14 / 22 / 0 / 30

HEX #998AB2

RGB 153 138 178

HSL 262.5, 0.21%, 0.62%

LAB 60.04, 13.68, -18.93

 

CMYK 0 / 5 / 22 / 30

HEX #B2A98A

RGB 178 169 138

HSL 46.5, 0.21%, 0.62%

LAB 69.24, -1.88, 17.19

 

CMYK 22 / 0 / 5 / 30

HEX #8AB2A9

RGB 138 178 169

HSL 166.5, 0.21%, 0.62%

LAB 69.55, -15.33, 0.18

 

CMYK 5 / 22 / 0 / 30

HEX #A98AB2

RGB 169 138 178

HSL 286.5, 0.21%, 0.62%

LAB 61.5, 19.07, -16.56

 

CMYK 0 / 5 / 22 / 30

HEX #B2A98A

RGB 178 169 138

HSL 46.5, 0.21%, 0.62%

LAB 69.24, -1.88, 17.19

 

CMYK 22 / 0 / 22 / 30

HEX #8BB28A

RGB 139 178 138

HSL 118.5, 0.21%, 0.62%

LAB 68.87, -21.07, 16.24

 

CMYK 22 / 17 / 0 / 30

HEX #8A93B2

RGB 138 147 178

HSL 226.5, 0.21%, 0.62%

LAB 61.21, 3.63, -17.26

 

CMYK 1 / 22 / 0 / 30

HEX #B18AB2

RGB 177 138 178

HSL 298.5, 0.21%, 0.62%

LAB 62.29, 21.81, -15.31

 

CMYK 0 / 5 / 22 / 30

HEX #B2A98A

RGB 178 169 138

HSL 46.5, 0.21%, 0.62%

LAB 69.24, -1.88, 17.19

 

CMYK 22 / 0 / 16 / 30

HEX #8AB295

RGB 138 178 149

HSL 136.5, 0.21%, 0.62%

LAB 69.05, -19.39, 10.47

 

CMYK 22 / 17 / 0 / 30

HEX #8A93B2

RGB 138 147 178

HSL 226.5, 0.21%, 0.62%

LAB 61.21, 3.63, -17.26

 

CMYK 0 / 22 / 6 / 30

HEX #B28AA8

RGB 178 138 168

HSL 315, 0.21%, 0.62%

LAB 62.06, 20.27, -9.97

 

Description

Color code: HEX #B2A98A | qconv.com Color code: HEX #B2A98A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 169 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 169 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 22 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 22% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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