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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 155 112 it is the complementary color RGB 57 100 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 155 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 198 155 112: RGB 203 155 107, RGB 220 173 126, RGB 237 191 145, RGB 254 209 164 and RGB 255 227 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 155 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 198 155 112: RGB 198 155 112, RGB 181 137 93, RGB 164 119 74, RGB 147 101 55 and RGB 130 83 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 43 / 22

HEX #C69B70

RGB 198 155 112

HSL 30, 0.43%, 0.61%

LAB 66.99, 10.42, 28.65

 

Complementary color

CMYK 60 / 30 / 0 / 44

HEX #39648F

RGB 57 100 143

HSL 210, 0.43%, 0.39%

LAB 41.16, -1.25, -28.18

 

CMYK 0 / 24 / 47 / 20

HEX #CB9B6B

RGB 203 155 107

HSL 30, 0.48%, 0.61%

LAB 67.43, 11.96, 32.01

 

CMYK 0 / 21 / 43 / 14

HEX #DCAD7E

RGB 220 173 126

HSL 30, 0.57%, 0.68%

LAB 73.94, 11.12, 30.68

 

CMYK 0 / 19 / 39 / 7

HEX #EDBF91

RGB 237 191 145

HSL 30, 0.72%, 0.75%

LAB 80.35, 10.4, 29.44

 

CMYK 0 / 18 / 35 / 0

HEX #FED1A4

RGB 254 209 164

HSL 30, 0.98%, 0.82%

LAB 86.68, 9.76, 28.28

 

CMYK 0 / 11 / 28 / 0

HEX #FFE3B7

RGB 255 227 183

HSL 36.67, 1%, 0.86%

LAB 91.51, 3.21, 25.04

 

CMYK 0 / 22 / 43 / 22

HEX #C69B70

RGB 198 155 112

HSL 30, 0.43%, 0.61%

LAB 66.99, 10.42, 28.65

 

CMYK 0 / 24 / 49 / 29

HEX #B5895D

RGB 181 137 93

HSL 30, 0.37%, 0.54%

LAB 60.34, 11.28, 30.02

 

CMYK 0 / 27 / 55 / 36

HEX #A4774A

RGB 164 119 74

HSL 30, 0.38%, 0.47%

LAB 53.58, 12.31, 31.49

 

CMYK 0 / 31 / 63 / 42

HEX #936537

RGB 147 101 55

HSL 30, 0.46%, 0.4%

LAB 46.69, 13.55, 33.07

 

CMYK 0 / 36 / 72 / 49

HEX #825324

RGB 130 83 36

HSL 30, 0.57%, 0.33%

LAB 39.68, 15.06, 34.68

 

CMYK 0 / 22 / 43 / 22

HEX #C69B70

RGB 198 155 112

HSL 30, 0.43%, 0.61%

LAB 66.99, 10.42, 28.65

 

CMYK 0 / 15 / 43 / 22

HEX #C6A970

RGB 198 169 112

HSL 39.77, 0.43%, 0.61%

LAB 70.56, 2.84, 33.29

 

CMYK 0 / 7 / 43 / 22

HEX #C6B870

RGB 198 184 112

HSL 50.23, 0.43%, 0.61%

LAB 74.48, -5.12, 38.28

 

CMYK 0 / 0 / 43 / 22

HEX #C6C670

RGB 198 198 112

HSL 60, 0.43%, 0.61%

LAB 78.21, -12.34, 42.93

 

CMYK 7 / 0 / 43 / 22

HEX #B8C670

RGB 184 198 112

HSL 69.77, 0.43%, 0.61%

LAB 77.13, -17.93, 41.36

 

CMYK 0 / 22 / 43 / 22

HEX #C69B70

RGB 198 155 112

HSL 30, 0.43%, 0.61%

LAB 66.99, 10.42, 28.65

 

CMYK 0 / 22 / 43 / 2

HEX #F9C38D

RGB 249 195 141

HSL 30, 0.9%, 0.76%

LAB 82.43, 12.59, 34.48

 

CMYK 0 / 22 / 44 / 82

HEX #2D2319

RGB 45 35 25

HSL 30, 0.29%, 0.14%

LAB 14.57, 2.94, 8.51

 

CMYK 0 / 22 / 44 / 62

HEX #604B36

RGB 96 75 54

HSL 30, 0.28%, 0.29%

LAB 33.53, 5.68, 15.89

 

CMYK 0 / 22 / 44 / 42

HEX #937353

RGB 147 115 83

HSL 30, 0.28%, 0.45%

LAB 50.79, 8.13, 22.5

 

CMYK 0 / 22 / 43 / 22

HEX #C69B70

RGB 198 155 112

HSL 30, 0.43%, 0.61%

LAB 66.99, 10.42, 28.65

 

CMYK 30 / 0 / 43 / 22

HEX #8AC670

RGB 138 198 112

HSL 101.86, 0.43%, 0.61%

LAB 74.17, -35.1, 37

 

CMYK 39 / 43 / 0 / 22

HEX #7970C6

RGB 121 112 198

HSL 246.28, 0.43%, 0.61%

LAB 51.53, 24.39, -43.78

 

CMYK 0 / 22 / 43 / 22

HEX #C69B70

RGB 198 155 112

HSL 30, 0.43%, 0.61%

LAB 66.99, 10.42, 28.65

 

CMYK 43 / 0 / 22 / 22

HEX #70C69B

RGB 112 198 155

HSL 150, 0.43%, 0.61%

LAB 73.67, -35.85, 13.55

 

CMYK 22 / 43 / 0 / 22

HEX #9B70C6

RGB 155 112 198

HSL 270, 0.43%, 0.61%

LAB 54.69, 33.84, -38.58

 

CMYK 0 / 22 / 43 / 22

HEX #C69B70

RGB 198 155 112

HSL 30, 0.43%, 0.61%

LAB 66.99, 10.42, 28.65

 

CMYK 30 / 0 / 43 / 22

HEX #8AC670

RGB 138 198 112

HSL 101.86, 0.43%, 0.61%

LAB 74.17, -35.1, 37

 

CMYK 43 / 22 / 0 / 22

HEX #709BC6

RGB 112 155 198

HSL 210, 0.43%, 0.61%

LAB 62.48, -3.23, -26.72

 

CMYK 13 / 43 / 0 / 22

HEX #AC70C6

RGB 172 112 198

HSL 281.86, 0.43%, 0.61%

LAB 56.52, 38.83, -35.59

 

CMYK 0 / 22 / 43 / 22

HEX #C69B70

RGB 198 155 112

HSL 30, 0.43%, 0.61%

LAB 66.99, 10.42, 28.65

 

CMYK 43 / 0 / 43 / 22

HEX #70C670

RGB 112 198 112

HSL 120, 0.43%, 0.61%

LAB 72.89, -43.49, 35.12

 

CMYK 43 / 22 / 0 / 22

HEX #709BC6

RGB 112 155 198

HSL 210, 0.43%, 0.61%

LAB 62.48, -3.23, -26.72

 

CMYK 0 / 43 / 0 / 22

HEX #C670C6

RGB 198 112 198

HSL 300, 0.43%, 0.61%

LAB 59.59, 46.6, -30.57

 

Description

Color code: RGB 198 155 112 | qconv.com Color code: RGB 198 155 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 155 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 155 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 43 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 43% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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