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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 133 109 it is the complementary color RGB 57 122 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 133 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 198 133 109: RGB 203 133 104, RGB 220 151 123, RGB 237 169 142, RGB 254 187 161 and RGB 255 205 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 133 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 198 133 109: RGB 198 133 109, RGB 181 115 90, RGB 164 97 71, RGB 147 79 52 and RGB 130 61 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 45 / 22

HEX #C6856D

RGB 198 133 109

HSL 16.18, 0.44%, 0.6%

LAB 61.55, 22.16, 23.1

 

Complementary color

CMYK 61 / 16 / 0 / 43

HEX #397A92

RGB 57 122 146

HSL 196.18, 0.44%, 0.4%

LAB 48.09, -13.23, -19.24

 

CMYK 0 / 34 / 49 / 20

HEX #CB8568

RGB 203 133 104

HSL 17.58, 0.49%, 0.6%

LAB 62.06, 23.67, 26.67

 

CMYK 0 / 31 / 44 / 14

HEX #DC977B

RGB 220 151 123

HSL 17.32, 0.58%, 0.67%

LAB 68.59, 22.63, 25.21

 

CMYK 0 / 29 / 40 / 7

HEX #EDA98E

RGB 237 169 142

HSL 17.05, 0.73%, 0.74%

LAB 75.03, 21.71, 23.88

 

CMYK 0 / 26 / 37 / 0

HEX #FEBBA1

RGB 254 187 161

HSL 16.77, 0.98%, 0.81%

LAB 81.39, 20.89, 22.66

 

CMYK 0 / 20 / 29 / 0

HEX #FFCDB4

RGB 255 205 180

HSL 20, 1%, 0.85%

LAB 86.12, 14.18, 19.14

 

CMYK 0 / 33 / 45 / 22

HEX #C6856D

RGB 198 133 109

HSL 16.18, 0.44%, 0.6%

LAB 61.55, 22.16, 23.1

 

CMYK 0 / 36 / 50 / 29

HEX #B5735A

RGB 181 115 90

HSL 16.48, 0.38%, 0.53%

LAB 54.89, 23.25, 24.62

 

CMYK 0 / 41 / 57 / 36

HEX #A46147

RGB 164 97 71

HSL 16.77, 0.4%, 0.46%

LAB 48.13, 24.51, 26.35

 

CMYK 0 / 46 / 65 / 42

HEX #934F34

RGB 147 79 52

HSL 17.05, 0.48%, 0.39%

LAB 41.28, 25.95, 28.32

 

CMYK 0 / 53 / 75 / 49

HEX #823D21

RGB 130 61 33

HSL 17.32, 0.6%, 0.32%

LAB 34.38, 27.6, 30.54

 

CMYK 0 / 33 / 45 / 22

HEX #C6856D

RGB 198 133 109

HSL 16.18, 0.44%, 0.6%

LAB 61.55, 22.16, 23.1

 

CMYK 0 / 25 / 45 / 23

HEX #C5936C

RGB 197 147 108

HSL 26.29, 0.43%, 0.6%

LAB 64.82, 13.96, 27.96

 

CMYK 0 / 18 / 45 / 23

HEX #C5A16C

RGB 197 161 108

HSL 35.73, 0.43%, 0.6%

LAB 68.35, 6.32, 32.54

 

CMYK 0 / 11 / 45 / 23

HEX #C5B06C

RGB 197 176 108

HSL 45.84, 0.43%, 0.6%

LAB 72.23, -1.72, 37.48

 

CMYK 0 / 3 / 45 / 23

HEX #C5BF6C

RGB 197 191 108

HSL 55.96, 0.43%, 0.6%

LAB 76.2, -9.57, 42.43

 

CMYK 0 / 33 / 45 / 22

HEX #C6856D

RGB 198 133 109

HSL 16.18, 0.44%, 0.6%

LAB 61.55, 22.16, 23.1

 

CMYK 0 / 33 / 45 / 2

HEX #F9A789

RGB 249 167 137

HSL 16.07, 0.9%, 0.76%

LAB 75.81, 26.89, 27.85

 

CMYK 0 / 33 / 44 / 82

HEX #2D1E19

RGB 45 30 25

HSL 15, 0.29%, 0.14%

LAB 12.96, 6.48, 6.32

 

CMYK 0 / 33 / 45 / 62

HEX #604035

RGB 96 64 53

HSL 15.35, 0.29%, 0.29%

LAB 30.43, 12.42, 12.36

 

CMYK 0 / 33 / 45 / 42

HEX #936351

RGB 147 99 81

HSL 16.36, 0.29%, 0.45%

LAB 46.61, 17.17, 18.09

 

CMYK 0 / 33 / 45 / 22

HEX #C6856D

RGB 198 133 109

HSL 16.18, 0.44%, 0.6%

LAB 61.55, 22.16, 23.1

 

CMYK 21 / 0 / 45 / 23

HEX #9BC56C

RGB 155 197 108

HSL 88.31, 0.43%, 0.6%

LAB 74.81, -29.04, 40.04

 

CMYK 45 / 39 / 0 / 23

HEX #6C78C5

RGB 108 120 197

HSL 231.91, 0.43%, 0.6%

LAB 52.57, 15.94, -41.64

 

CMYK 0 / 33 / 45 / 22

HEX #C6856D

RGB 198 133 109

HSL 16.18, 0.44%, 0.6%

LAB 61.55, 22.16, 23.1

 

CMYK 45 / 0 / 33 / 23

HEX #6CC584

RGB 108 197 132

HSL 136.18, 0.43%, 0.6%

LAB 72.75, -40.93, 24.52

 

CMYK 33 / 45 / 0 / 23

HEX #846CC5

RGB 132 108 197

HSL 256.18, 0.43%, 0.6%

LAB 51.45, 29.43, -43.28

 

CMYK 0 / 33 / 45 / 22

HEX #C6856D

RGB 198 133 109

HSL 16.18, 0.44%, 0.6%

LAB 61.55, 22.16, 23.1

 

CMYK 21 / 0 / 45 / 23

HEX #9BC56C

RGB 155 197 108

HSL 88.31, 0.43%, 0.6%

LAB 74.81, -29.04, 40.04

 

CMYK 45 / 12 / 0 / 23

HEX #6CADC5

RGB 108 173 197

HSL 196.18, 0.43%, 0.6%

LAB 67.36, -14.36, -18.72

 

CMYK 24 / 45 / 0 / 23

HEX #966CC5

RGB 150 108 197

HSL 268.31, 0.43%, 0.6%

LAB 53.21, 34.44, -40.38

 

CMYK 0 / 33 / 45 / 22

HEX #C6856D

RGB 198 133 109

HSL 16.18, 0.44%, 0.6%

LAB 61.55, 22.16, 23.1

 

CMYK 35 / 0 / 45 / 23

HEX #81C56C

RGB 129 197 108

HSL 105.84, 0.43%, 0.6%

LAB 73.34, -38.24, 37.87

 

CMYK 45 / 12 / 0 / 23

HEX #6CADC5

RGB 108 173 197

HSL 196.18, 0.43%, 0.6%

LAB 67.36, -14.36, -18.72

 

CMYK 11 / 45 / 0 / 23

HEX #B06CC5

RGB 176 108 197

HSL 285.84, 0.43%, 0.6%

LAB 56.07, 41.98, -35.68

 

Description

Color code: RGB 198 133 109 | qconv.com Color code: RGB 198 133 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 133 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 133 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 45 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 45% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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