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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 67 108 it is the complementary color RGB 58 188 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 67 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 197 67 108: RGB 202 67 103, RGB 219 85 122, RGB 236 103 141, RGB 253 121 160 and RGB 255 139 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 67 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 197 67 108: RGB 197 67 108, RGB 180 49 89, RGB 163 31 70, RGB 146 13 51 and RGB 129 0 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 45 / 23

HEX #C5436C

RGB 197 67 108

HSL 341.08, 0.53%, 0.52%

LAB 48.22, 54.85, 5.18

 

Complementary color

CMYK 69 / 0 / 22 / 26

HEX #3ABC93

RGB 58 188 147

HSL 161.08, 0.53%, 0.48%

LAB 68.73, -44.89, 10.66

 

CMYK 0 / 67 / 49 / 21

HEX #CA4367

RGB 202 67 103

HSL 344, 0.56%, 0.53%

LAB 48.95, 55.94, 9.37

 

CMYK 0 / 61 / 44 / 14

HEX #DB557A

RGB 219 85 122

HSL 343.43, 0.65%, 0.6%

LAB 55.03, 55.5, 7.01

 

CMYK 0 / 56 / 40 / 7

HEX #EC678D

RGB 236 103 141

HSL 342.86, 0.78%, 0.66%

LAB 61.18, 54.84, 5.06

 

CMYK 0 / 52 / 37 / 1

HEX #FD79A0

RGB 253 121 160

HSL 342.27, 0.97%, 0.73%

LAB 67.35, 54.06, 3.4

 

CMYK 0 / 45 / 30 / 0

HEX #FF8BB3

RGB 255 139 179

HSL 339.31, 1%, 0.77%

LAB 71.54, 48.24, -1.13

 

CMYK 0 / 66 / 45 / 23

HEX #C5436C

RGB 197 67 108

HSL 341.08, 0.53%, 0.52%

LAB 48.22, 54.85, 5.18

 

CMYK 0 / 73 / 51 / 29

HEX #B43159

RGB 180 49 89

HSL 341.68, 0.57%, 0.45%

LAB 42.19, 54.9, 7.91

 

CMYK 0 / 81 / 57 / 36

HEX #A31F46

RGB 163 31 70

HSL 342.27, 0.68%, 0.38%

LAB 36.38, 54.26, 11.39

 

CMYK 0 / 91 / 65 / 43

HEX #920D33

RGB 146 13 51

HSL 342.86, 0.84%, 0.31%

LAB 30.97, 52.47, 15.91

 

CMYK 0 / 100 / 75 / 49

HEX #810020

RGB 129 0 32

HSL 345.12, 1%, 0.25%

LAB 26.07, 49.17, 21.62

 

CMYK 0 / 66 / 45 / 23

HEX #C5436C

RGB 197 67 108

HSL 341.08, 0.53%, 0.52%

LAB 48.22, 54.85, 5.18

 

CMYK 0 / 66 / 56 / 23

HEX #C54357

RGB 197 67 87

HSL 350.77, 0.53%, 0.52%

LAB 47.72, 53.04, 17.26

 

CMYK 0 / 65 / 66 / 23

HEX #C54543

RGB 197 69 67

HSL 0.92, 0.53%, 0.52%

LAB 47.66, 50.85, 29.18

 

CMYK 0 / 54 / 66 / 23

HEX #C55B43

RGB 197 91 67

HSL 11.08, 0.53%, 0.52%

LAB 51.56, 40.6, 33.92

 

CMYK 0 / 43 / 66 / 23

HEX #C57143

RGB 197 113 67

HSL 21.23, 0.53%, 0.52%

LAB 56.17, 29.13, 39.36

 

CMYK 0 / 66 / 45 / 23

HEX #C5436C

RGB 197 67 108

HSL 341.08, 0.53%, 0.52%

LAB 48.22, 54.85, 5.18

 

CMYK 0 / 66 / 45 / 3

HEX #F85488

RGB 248 84 136

HSL 340.98, 0.92%, 0.65%

LAB 59.96, 66.09, 6.45

 

CMYK 0 / 66 / 45 / 83

HEX #2C0F18

RGB 44 15 24

HSL 341.38, 0.49%, 0.12%

LAB 8.51, 16.18, 0.74

 

CMYK 0 / 66 / 45 / 63

HEX #5F2034

RGB 95 32 52

HSL 340.95, 0.5%, 0.25%

LAB 22.7, 30.66, 2.2

 

CMYK 0 / 66 / 45 / 43

HEX #923250

RGB 146 50 80

HSL 341.25, 0.49%, 0.38%

LAB 35.93, 42.98, 3.86

 

CMYK 0 / 66 / 45 / 23

HEX #C5436C

RGB 197 67 108

HSL 341.08, 0.53%, 0.52%

LAB 48.22, 54.85, 5.18

 

CMYK 0 / 8 / 66 / 23

HEX #C5B643

RGB 197 182 67

HSL 53.08, 0.53%, 0.52%

LAB 73.37, -8.15, 58.23

 

CMYK 66 / 19 / 0 / 23

HEX #43A0C5

RGB 67 160 197

HSL 197.08, 0.53%, 0.52%

LAB 61.97, -15.87, -27.11

 

CMYK 0 / 66 / 45 / 23

HEX #C5436C

RGB 197 67 108

HSL 341.08, 0.53%, 0.52%

LAB 48.22, 54.85, 5.18

 

CMYK 45 / 0 / 66 / 23

HEX #6CC543

RGB 108 197 67

HSL 101.08, 0.53%, 0.52%

LAB 71.91, -49.58, 54.94

 

CMYK 66 / 45 / 0 / 23

HEX #436CC5

RGB 67 108 197

HSL 221.08, 0.53%, 0.52%

LAB 46.91, 14.67, -50.79

 

CMYK 0 / 66 / 45 / 23

HEX #C5436C

RGB 197 67 108

HSL 341.08, 0.53%, 0.52%

LAB 48.22, 54.85, 5.18

 

CMYK 0 / 8 / 66 / 23

HEX #C5B643

RGB 197 182 67

HSL 53.08, 0.53%, 0.52%

LAB 73.37, -8.15, 58.23

 

CMYK 66 / 0 / 21 / 23

HEX #43C59C

RGB 67 197 156

HSL 161.08, 0.53%, 0.52%

LAB 71.91, -45.12, 10.31

 

CMYK 66 / 58 / 0 / 23

HEX #4352C5

RGB 67 82 197

HSL 233.08, 0.53%, 0.52%

LAB 40.01, 31.2, -61.91

 

CMYK 0 / 66 / 45 / 23

HEX #C5436C

RGB 197 67 108

HSL 341.08, 0.53%, 0.52%

LAB 48.22, 54.85, 5.18

 

CMYK 12 / 0 / 66 / 23

HEX #ADC543

RGB 173 197 67

HSL 71.08, 0.53%, 0.52%

LAB 75.59, -25.75, 59.95

 

CMYK 66 / 0 / 21 / 23

HEX #43C59C

RGB 67 197 156

HSL 161.08, 0.53%, 0.52%

LAB 71.91, -45.12, 10.31

 

CMYK 54 / 66 / 0 / 23

HEX #5B43C5

RGB 91 67 197

HSL 251.08, 0.53%, 0.52%

LAB 38.32, 44.21, -64.59

 

Description

Color code: RGB 197 67 108 | qconv.com Color code: RGB 197 67 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 67 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 67 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 45 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 45% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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