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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 40 3 it is the complementary color RGB 58 215 252. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 40 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 197 40 3: RGB 202 40 0, RGB 219 58 17, RGB 236 76 36, RGB 253 94 55 and RGB 255 112 74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 40 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 197 40 3: RGB 197 40 3, RGB 180 22 0, RGB 163 4 0, RGB 146 0 0 and RGB 129 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 98 / 23

HEX #C52803

RGB 197 40 3

HSL 11.44, 0.97%, 0.39%

LAB 43.35, 59.33, 55.29

 

Complementary color

CMYK 77 / 15 / 0 / 1

HEX #3AD7FC

RGB 58 215 252

HSL 191.44, 0.97%, 0.61%

LAB 79.91, -27.76, -29.5

 

CMYK 0 / 80 / 100 / 21

HEX #CA2800

RGB 202 40 0

HSL 11.88, 1%, 0.4%

LAB 44.34, 60.77, 57.26

 

CMYK 0 / 74 / 92 / 14

HEX #DB3A11

RGB 219 58 17

HSL 12.18, 0.86%, 0.46%

LAB 49.65, 60.56, 57.08

 

CMYK 0 / 68 / 85 / 7

HEX #EC4C24

RGB 236 76 36

HSL 12, 0.84%, 0.53%

LAB 55.21, 59.78, 55.42

 

CMYK 0 / 63 / 78 / 1

HEX #FD5E37

RGB 253 94 55

HSL 11.82, 0.98%, 0.6%

LAB 60.93, 58.7, 53.04

 

CMYK 0 / 56 / 71 / 0

HEX #FF704A

RGB 255 112 74

HSL 12.6, 1%, 0.65%

LAB 64.44, 52.2, 47.35

 

CMYK 0 / 80 / 98 / 23

HEX #C52803

RGB 197 40 3

HSL 11.44, 0.97%, 0.39%

LAB 43.35, 59.33, 55.29

 

CMYK 0 / 88 / 100 / 29

HEX #B41600

RGB 180 22 0

HSL 7.33, 1%, 0.35%

LAB 38.34, 58.71, 52.13

 

CMYK 0 / 98 / 100 / 36

HEX #A30400

RGB 163 4 0

HSL 1.47, 1%, 0.32%

LAB 33.72, 56.78, 47.82

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 80 / 98 / 23

HEX #C52803

RGB 197 40 3

HSL 11.44, 0.97%, 0.39%

LAB 43.35, 59.33, 55.29

 

CMYK 0 / 64 / 99 / 24

HEX #C34602

RGB 195 70 2

HSL 21.14, 0.98%, 0.39%

LAB 46.96, 47.73, 57.21

 

CMYK 0 / 48 / 99 / 24

HEX #C36602

RGB 195 102 2

HSL 31.09, 0.98%, 0.39%

LAB 53.07, 32.06, 60.8

 

CMYK 0 / 31 / 99 / 24

HEX #C38602

RGB 195 134 2

HSL 41.04, 0.98%, 0.39%

LAB 60.48, 14.68, 65.64

 

CMYK 0 / 15 / 99 / 24

HEX #C3A602

RGB 195 166 2

HSL 50.98, 0.98%, 0.39%

LAB 68.66, -2.65, 71.35

 

CMYK 0 / 80 / 98 / 23

HEX #C52803

RGB 197 40 3

HSL 11.44, 0.97%, 0.39%

LAB 43.35, 59.33, 55.29

 

CMYK 0 / 80 / 98 / 3

HEX #F83204

RGB 248 50 4

HSL 11.31, 0.97%, 0.49%

LAB 54.29, 71.34, 65.84

 

CMYK 0 / 80 / 98 / 83

HEX #2C0901

RGB 44 9 1

HSL 11.16, 0.96%, 0.09%

LAB 6.62, 17.01, 9.84

 

CMYK 0 / 80 / 99 / 63

HEX #5F1301

RGB 95 19 1

HSL 11.49, 0.98%, 0.19%

LAB 19.64, 33.19, 29.18

 

CMYK 0 / 79 / 99 / 43

HEX #921E02

RGB 146 30 2

HSL 11.67, 0.97%, 0.29%

LAB 31.91, 46.61, 44.04

 

CMYK 0 / 80 / 98 / 23

HEX #C52803

RGB 197 40 3

HSL 11.44, 0.97%, 0.39%

LAB 43.35, 59.33, 55.29

 

CMYK 38 / 0 / 99 / 24

HEX #79C302

RGB 121 195 2

HSL 83.01, 0.98%, 0.39%

LAB 71.62, -47.34, 71.21

 

CMYK 99 / 77 / 0 / 24

HEX #022CC3

RGB 2 44 195

HSL 226.94, 0.98%, 0.39%

LAB 28.78, 48.96, -79.29

 

CMYK 0 / 80 / 98 / 23

HEX #C52803

RGB 197 40 3

HSL 11.44, 0.97%, 0.39%

LAB 43.35, 59.33, 55.29

 

CMYK 99 / 0 / 81 / 24

HEX #02C326

RGB 2 195 38

HSL 131.19, 0.98%, 0.39%

LAB 68.88, -69.03, 61.38

 

CMYK 81 / 99 / 0 / 24

HEX #2602C3

RGB 38 2 195

HSL 251.19, 0.98%, 0.39%

LAB 24.94, 64.75, -85.66

 

CMYK 0 / 80 / 98 / 23

HEX #C52803

RGB 197 40 3

HSL 11.44, 0.97%, 0.39%

LAB 43.35, 59.33, 55.29

 

CMYK 38 / 0 / 99 / 24

HEX #79C302

RGB 121 195 2

HSL 83.01, 0.98%, 0.39%

LAB 71.62, -47.34, 71.21

 

CMYK 99 / 18 / 0 / 24

HEX #02A0C3

RGB 2 160 195

HSL 190.88, 0.98%, 0.39%

LAB 60.87, -22.26, -27.77

 

CMYK 61 / 99 / 0 / 24

HEX #4C02C3

RGB 76 2 195

HSL 263.01, 0.98%, 0.39%

LAB 28.17, 66.26, -80.2

 

CMYK 0 / 80 / 98 / 23

HEX #C52803

RGB 197 40 3

HSL 11.44, 0.97%, 0.39%

LAB 43.35, 59.33, 55.29

 

CMYK 67 / 0 / 99 / 24

HEX #40C302

RGB 64 195 2

HSL 100.73, 0.98%, 0.39%

LAB 69.56, -63.47, 68.71

 

CMYK 99 / 18 / 0 / 24

HEX #02A0C3

RGB 2 160 195

HSL 190.88, 0.98%, 0.39%

LAB 60.87, -22.26, -27.77

 

CMYK 31 / 99 / 0 / 24

HEX #8602C3

RGB 134 2 195

HSL 281.04, 0.98%, 0.39%

LAB 36.08, 71.42, -66.87

 

Description

Color code: RGB 197 40 3 | qconv.com Color code: RGB 197 40 3 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 40 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 40 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 98 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 98% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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