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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 240 228 it is the complementary color RGB 58 15 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 240 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 197 240 228: RGB 202 240 223, RGB 219 255 242, RGB 236 255 255, RGB 253 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 240 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 197 240 228: RGB 197 240 228, RGB 180 222 209, RGB 163 204 190, RGB 146 186 171 and RGB 129 168 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 5 / 6

HEX #C5F0E4

RGB 197 240 228

HSL 163.26, 0.59%, 0.86%

LAB 91.59, -16.15, 1.2

 

Complementary color

CMYK 0 / 74 / 53 / 77

HEX #3A0F1B

RGB 58 15 27

HSL 343.26, 0.59%, 0.14%

LAB 11.42, 22.43, 3.01

 

CMYK 16 / 0 / 7 / 6

HEX #CAF0DF

RGB 202 240 223

HSL 153.16, 0.56%, 0.87%

LAB 91.78, -15.54, 4.11

 

CMYK 14 / 0 / 5 / 0

HEX #DBFFF2

RGB 219 255 242

HSL 158.33, 1%, 0.93%

LAB 97.22, -13.99, 2.32

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 18 / 0 / 5 / 6

HEX #C5F0E4

RGB 197 240 228

HSL 163.26, 0.59%, 0.86%

LAB 91.59, -16.15, 1.2

 

CMYK 19 / 0 / 6 / 13

HEX #B4DED1

RGB 180 222 209

HSL 161.43, 0.39%, 0.79%

LAB 85.28, -16.24, 1.84

 

CMYK 20 / 0 / 7 / 20

HEX #A3CCBE

RGB 163 204 190

HSL 159.51, 0.29%, 0.72%

LAB 78.86, -16.35, 2.51

 

CMYK 22 / 0 / 8 / 27

HEX #92BAAB

RGB 146 186 171

HSL 157.5, 0.22%, 0.65%

LAB 72.34, -16.48, 3.21

 

CMYK 23 / 0 / 10 / 34

HEX #81A898

RGB 129 168 152

HSL 155.38, 0.18%, 0.58%

LAB 65.7, -16.63, 3.94

 

CMYK 18 / 0 / 5 / 6

HEX #C5F0E4

RGB 197 240 228

HSL 163.26, 0.59%, 0.86%

LAB 91.59, -16.15, 1.2

 

CMYK 18 / 0 / 2 / 6

HEX #C6F0EB

RGB 198 240 235

HSL 172.86, 0.58%, 0.86%

LAB 91.83, -14.45, -2.09

 

CMYK 18 / 1 / 0 / 6

HEX #C6EEF0

RGB 198 238 240

HSL 182.86, 0.58%, 0.86%

LAB 91.44, -12.43, -5.27

 

CMYK 18 / 4 / 0 / 6

HEX #C6E7F0

RGB 198 231 240

HSL 192.86, 0.58%, 0.86%

LAB 89.6, -8.89, -7.98

 

CMYK 18 / 7 / 0 / 6

HEX #C6E0F0

RGB 198 224 240

HSL 202.86, 0.58%, 0.86%

LAB 87.78, -5.3, -10.69

 

CMYK 18 / 0 / 5 / 6

HEX #C5F0E4

RGB 197 240 228

HSL 163.26, 0.59%, 0.86%

LAB 91.59, -16.15, 1.2

 

CMYK 17 / 0 / 6 / 86

HEX #1E2422

RGB 30 36 34

HSL 160, 0.09%, 0.13%

LAB 13.55, -3.22, 0.42

 

CMYK 18 / 0 / 5 / 66

HEX #475753

RGB 71 87 83

HSL 165, 0.1%, 0.31%

LAB 35.56, -7.13, 0.25

 

CMYK 18 / 0 / 5 / 46

HEX #718A83

RGB 113 138 131

HSL 163.2, 0.1%, 0.49%

LAB 55.41, -10.42, 0.78

 

CMYK 18 / 0 / 5 / 26

HEX #9BBDB4

RGB 155 189 180

HSL 164.12, 0.2%, 0.67%

LAB 73.97, -13.26, 0.74

 

CMYK 18 / 0 / 5 / 6

HEX #C5F0E4

RGB 197 240 228

HSL 163.26, 0.59%, 0.86%

LAB 91.59, -16.15, 1.2

 

CMYK 18 / 16 / 0 / 6

HEX #C6C9F0

RGB 198 201 240

HSL 235.71, 0.58%, 0.86%

LAB 81.88, 6.81, -19.55

 

CMYK 0 / 12 / 18 / 6

HEX #F0D3C6

RGB 240 211 198

HSL 18.57, 0.58%, 0.86%

LAB 86.6, 8.05, 10.13

 

CMYK 18 / 0 / 5 / 6

HEX #C5F0E4

RGB 197 240 228

HSL 163.26, 0.59%, 0.86%

LAB 91.59, -16.15, 1.2

 

CMYK 5 / 18 / 0 / 6

HEX #E4C6F0

RGB 228 198 240

HSL 282.86, 0.58%, 0.86%

LAB 83.53, 17.99, -16.82

 

CMYK 0 / 5 / 18 / 6

HEX #F0E4C6

RGB 240 228 198

HSL 42.86, 0.58%, 0.86%

LAB 90.82, -0.72, 16.11

 

CMYK 18 / 0 / 5 / 6

HEX #C5F0E4

RGB 197 240 228

HSL 163.26, 0.59%, 0.86%

LAB 91.59, -16.15, 1.2

 

CMYK 18 / 16 / 0 / 6

HEX #C6C9F0

RGB 198 201 240

HSL 235.71, 0.58%, 0.86%

LAB 81.88, 6.81, -19.55

 

CMYK 0 / 18 / 13 / 6

HEX #F0C6D2

RGB 240 198 210

HSL 342.86, 0.58%, 0.86%

LAB 83.74, 16.76, -0.38

 

CMYK 0 / 2 / 18 / 6

HEX #F0ECC6

RGB 240 236 198

HSL 54.29, 0.58%, 0.86%

LAB 92.84, -4.79, 18.94

 

CMYK 18 / 0 / 5 / 6

HEX #C5F0E4

RGB 197 240 228

HSL 163.26, 0.59%, 0.86%

LAB 91.59, -16.15, 1.2

 

CMYK 14 / 18 / 0 / 6

HEX #CFC6F0

RGB 207 198 240

HSL 252.86, 0.58%, 0.86%

LAB 81.81, 11.24, -19.59

 

CMYK 0 / 18 / 13 / 6

HEX #F0C6D2

RGB 240 198 210

HSL 342.86, 0.58%, 0.86%

LAB 83.74, 16.76, -0.38

 

CMYK 4 / 0 / 18 / 6

HEX #E7F0C6

RGB 231 240 198

HSL 72.86, 0.58%, 0.86%

LAB 93.18, -10, 19.32

 

Description

Color code: RGB 197 240 228 | qconv.com Color code: RGB 197 240 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 240 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 240 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 5 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 5% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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