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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 131 97 it is the complementary color RGB 58 124 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 131 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 197 131 97: RGB 202 131 92, RGB 219 149 111, RGB 236 167 130, RGB 253 185 149 and RGB 255 203 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 131 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 197 131 97: RGB 197 131 97, RGB 180 113 78, RGB 163 95 59, RGB 146 77 40 and RGB 129 59 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 51 / 23

HEX #C58361

RGB 197 131 97

HSL 20.4, 0.46%, 0.58%

LAB 60.75, 21.66, 28.7

 

Complementary color

CMYK 63 / 22 / 0 / 38

HEX #3A7C9E

RGB 58 124 158

HSL 200.4, 0.46%, 0.42%

LAB 49.23, -10.23, -24.51

 

CMYK 0 / 35 / 54 / 21

HEX #CA835C

RGB 202 131 92

HSL 21.27, 0.51%, 0.58%

LAB 61.27, 23.26, 32.24

 

CMYK 0 / 32 / 49 / 14

HEX #DB956F

RGB 219 149 111

HSL 21.11, 0.6%, 0.65%

LAB 67.8, 22.12, 30.68

 

CMYK 0 / 29 / 45 / 7

HEX #ECA782

RGB 236 167 130

HSL 20.94, 0.74%, 0.72%

LAB 74.24, 21.11, 29.26

 

CMYK 0 / 27 / 41 / 1

HEX #FDB995

RGB 253 185 149

HSL 20.77, 0.96%, 0.79%

LAB 80.6, 20.22, 27.94

 

CMYK 0 / 20 / 34 / 0

HEX #FFCBA8

RGB 255 203 168

HSL 24.14, 1%, 0.83%

LAB 85.4, 13.73, 24.47

 

CMYK 0 / 34 / 51 / 23

HEX #C58361

RGB 197 131 97

HSL 20.4, 0.46%, 0.58%

LAB 60.75, 21.66, 28.7

 

CMYK 0 / 37 / 57 / 29

HEX #B4714E

RGB 180 113 78

HSL 20.59, 0.4%, 0.51%

LAB 54.09, 22.87, 30.35

 

CMYK 0 / 42 / 64 / 36

HEX #A35F3B

RGB 163 95 59

HSL 20.77, 0.47%, 0.44%

LAB 47.35, 24.27, 32.16

 

CMYK 0 / 47 / 73 / 43

HEX #924D28

RGB 146 77 40

HSL 20.94, 0.57%, 0.36%

LAB 40.53, 25.89, 34.14

 

CMYK 0 / 54 / 84 / 49

HEX #813B15

RGB 129 59 21

HSL 21.11, 0.72%, 0.29%

LAB 33.67, 27.74, 36.06

 

CMYK 0 / 34 / 51 / 23

HEX #C58361

RGB 197 131 97

HSL 20.4, 0.46%, 0.58%

LAB 60.75, 21.66, 28.7

 

CMYK 0 / 25 / 50 / 23

HEX #C59362

RGB 197 147 98

HSL 29.7, 0.46%, 0.58%

LAB 64.66, 12.97, 33.17

 

CMYK 0 / 17 / 50 / 23

HEX #C5A462

RGB 197 164 98

HSL 40, 0.46%, 0.58%

LAB 68.97, 3.72, 38.57

 

CMYK 0 / 9 / 50 / 23

HEX #C5B462

RGB 197 180 98

HSL 49.7, 0.46%, 0.58%

LAB 73.15, -4.79, 43.68

 

CMYK 0 / 0 / 50 / 23

HEX #C5C562

RGB 197 197 98

HSL 60, 0.46%, 0.58%

LAB 77.69, -13.56, 49.1

 

CMYK 0 / 34 / 51 / 23

HEX #C58361

RGB 197 131 97

HSL 20.4, 0.46%, 0.58%

LAB 60.75, 21.66, 28.7

 

CMYK 0 / 33 / 51 / 3

HEX #F8A57A

RGB 248 165 122

HSL 20.48, 0.9%, 0.73%

LAB 75, 26.14, 34.76

 

CMYK 0 / 34 / 50 / 83

HEX #2C1D16

RGB 44 29 22

HSL 19.09, 0.33%, 0.13%

LAB 12.43, 6.21, 7.73

 

CMYK 0 / 34 / 51 / 63

HEX #5F3F2F

RGB 95 63 47

HSL 20, 0.34%, 0.28%

LAB 29.89, 11.86, 15.44

 

CMYK 0 / 34 / 51 / 43

HEX #926148

RGB 146 97 72

HSL 20.27, 0.34%, 0.43%

LAB 45.81, 16.93, 22.32

 

CMYK 0 / 34 / 51 / 23

HEX #C58361

RGB 197 131 97

HSL 20.4, 0.46%, 0.58%

LAB 60.75, 21.66, 28.7

 

CMYK 27 / 0 / 50 / 23

HEX #90C562

RGB 144 197 98

HSL 92.12, 0.46%, 0.58%

LAB 74.03, -34.25, 43.84

 

CMYK 50 / 47 / 0 / 23

HEX #6269C5

RGB 98 105 197

HSL 235.76, 0.46%, 0.58%

LAB 47.92, 22.7, -49.07

 

CMYK 0 / 34 / 51 / 23

HEX #C58361

RGB 197 131 97

HSL 20.4, 0.46%, 0.58%

LAB 60.75, 21.66, 28.7

 

CMYK 50 / 0 / 34 / 23

HEX #62C583

RGB 98 197 131

HSL 140, 0.46%, 0.58%

LAB 72.34, -43.78, 24.43

 

CMYK 34 / 50 / 0 / 23

HEX #8362C5

RGB 131 98 197

HSL 260, 0.46%, 0.58%

LAB 49, 35.01, -47.18

 

CMYK 0 / 34 / 51 / 23

HEX #C58361

RGB 197 131 97

HSL 20.4, 0.46%, 0.58%

LAB 60.75, 21.66, 28.7

 

CMYK 27 / 0 / 50 / 23

HEX #90C562

RGB 144 197 98

HSL 92.12, 0.46%, 0.58%

LAB 74.03, -34.25, 43.84

 

CMYK 50 / 17 / 0 / 23

HEX #62A4C5

RGB 98 164 197

HSL 200, 0.46%, 0.58%

LAB 64.31, -11.91, -23.42

 

CMYK 23 / 50 / 0 / 23

HEX #9762C5

RGB 151 98 197

HSL 272.12, 0.46%, 0.58%

LAB 51.09, 40.35, -43.73

 

CMYK 0 / 34 / 51 / 23

HEX #C58361

RGB 197 131 97

HSL 20.4, 0.46%, 0.58%

LAB 60.75, 21.66, 28.7

 

CMYK 42 / 0 / 50 / 23

HEX #73C562

RGB 115 197 98

HSL 109.7, 0.46%, 0.58%

LAB 72.53, -44.08, 41.68

 

CMYK 50 / 17 / 0 / 23

HEX #62A4C5

RGB 98 164 197

HSL 200, 0.46%, 0.58%

LAB 64.31, -11.91, -23.42

 

CMYK 9 / 50 / 0 / 23

HEX #B462C5

RGB 180 98 197

HSL 289.7, 0.46%, 0.58%

LAB 54.52, 48.4, -38.08

 

Description

Color code: RGB 197 131 97 | qconv.com Color code: RGB 197 131 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 131 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 131 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 51 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 51% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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