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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 110 57 it is the complementary color RGB 58 145 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 110 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 197 110 57: RGB 202 110 52, RGB 219 128 71, RGB 236 146 90, RGB 253 164 109 and RGB 255 182 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 110 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 197 110 57: RGB 197 110 57, RGB 180 92 38, RGB 163 74 19, RGB 146 56 0 and RGB 129 38 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 71 / 23

HEX #C56E39

RGB 197 110 57

HSL 22.71, 0.55%, 0.5%

LAB 55.4, 30.17, 43.65

 

Complementary color

CMYK 71 / 27 / 0 / 22

HEX #3A91C6

RGB 58 145 198

HSL 202.71, 0.55%, 0.5%

LAB 57.3, -8.64, -34.94

 

CMYK 0 / 46 / 74 / 21

HEX #CA6E34

RGB 202 110 52

HSL 23.2, 0.59%, 0.5%

LAB 56.04, 31.98, 47.01

 

CMYK 0 / 42 / 68 / 14

HEX #DB8047

RGB 219 128 71

HSL 23.11, 0.67%, 0.57%

LAB 62.47, 30.34, 45.27

 

CMYK 0 / 38 / 62 / 7

HEX #EC925A

RGB 236 146 90

HSL 23.01, 0.79%, 0.64%

LAB 68.84, 28.88, 43.54

 

CMYK 0 / 35 / 57 / 1

HEX #FDA46D

RGB 253 164 109

HSL 22.92, 0.97%, 0.71%

LAB 75.16, 27.58, 41.89

 

CMYK 0 / 29 / 50 / 0

HEX #FFB680

RGB 255 182 128

HSL 25.51, 1%, 0.75%

LAB 79.77, 20.51, 37.9

 

CMYK 0 / 44 / 71 / 23

HEX #C56E39

RGB 197 110 57

HSL 22.71, 0.55%, 0.5%

LAB 55.4, 30.17, 43.65

 

CMYK 0 / 49 / 79 / 29

HEX #B45C26

RGB 180 92 38

HSL 22.82, 0.65%, 0.43%

LAB 48.88, 31.92, 45.38

 

CMYK 0 / 55 / 88 / 36

HEX #A34A13

RGB 163 74 19

HSL 22.92, 0.79%, 0.36%

LAB 42.36, 33.84, 46.62

 

CMYK 0 / 62 / 100 / 43

HEX #923800

RGB 146 56 0

HSL 23.01, 1%, 0.29%

LAB 35.87, 35.81, 47.18

 

CMYK 0 / 71 / 100 / 49

HEX #812600

RGB 129 38 0

HSL 17.67, 1%, 0.25%

LAB 29.55, 37.71, 41.58

 

CMYK 0 / 44 / 71 / 23

HEX #C56E39

RGB 197 110 57

HSL 22.71, 0.55%, 0.5%

LAB 55.4, 30.17, 43.65

 

CMYK 0 / 33 / 71 / 23

HEX #C58439

RGB 197 132 57

HSL 32.14, 0.55%, 0.5%

LAB 60.49, 18.2, 49.11

 

CMYK 0 / 21 / 71 / 23

HEX #C59B39

RGB 197 155 57

HSL 42, 0.55%, 0.5%

LAB 66.22, 5.64, 55.05

 

CMYK 0 / 10 / 71 / 23

HEX #C5B239

RGB 197 178 57

HSL 51.86, 0.55%, 0.5%

LAB 72.23, -6.61, 61.08

 

CMYK 3 / 0 / 71 / 23

HEX #C0C539

RGB 192 197 57

HSL 62.14, 0.55%, 0.5%

LAB 76.94, -18.44, 65.54

 

CMYK 0 / 44 / 71 / 23

HEX #C56E39

RGB 197 110 57

HSL 22.71, 0.55%, 0.5%

LAB 55.4, 30.17, 43.65

 

CMYK 0 / 44 / 71 / 3

HEX #F88A48

RGB 248 138 72

HSL 22.5, 0.93%, 0.63%

LAB 68.46, 36.78, 52.47

 

CMYK 0 / 43 / 70 / 83

HEX #2C190D

RGB 44 25 13

HSL 23.23, 0.54%, 0.11%

LAB 10.99, 7.92, 11.13

 

CMYK 0 / 44 / 72 / 63

HEX #5F351B

RGB 95 53 27

HSL 22.94, 0.56%, 0.24%

LAB 26.9, 16.25, 24.11

 

CMYK 0 / 44 / 71 / 43

HEX #92522A

RGB 146 82 42

HSL 23.08, 0.55%, 0.37%

LAB 41.71, 23.18, 34.36

 

CMYK 0 / 44 / 71 / 23

HEX #C56E39

RGB 197 110 57

HSL 22.71, 0.55%, 0.5%

LAB 55.4, 30.17, 43.65

 

CMYK 40 / 0 / 71 / 23

HEX #76C539

RGB 118 197 57

HSL 93.86, 0.55%, 0.5%

LAB 72.28, -47.14, 59.36

 

CMYK 71 / 69 / 0 / 23

HEX #393EC5

RGB 57 62 197

HSL 237.86, 0.55%, 0.5%

LAB 34.69, 42.29, -70.64

 

CMYK 0 / 44 / 71 / 23

HEX #C56E39

RGB 197 110 57

HSL 22.71, 0.55%, 0.5%

LAB 55.4, 30.17, 43.65

 

CMYK 71 / 0 / 45 / 23

HEX #39C56C

RGB 57 197 108

HSL 141.86, 0.55%, 0.5%

LAB 70.79, -56.5, 34.11

 

CMYK 45 / 71 / 0 / 23

HEX #6C39C5

RGB 108 57 197

HSL 261.86, 0.55%, 0.5%

LAB 38.1, 52.46, -64.88

 

CMYK 0 / 44 / 71 / 23

HEX #C56E39

RGB 197 110 57

HSL 22.71, 0.55%, 0.5%

LAB 55.4, 30.17, 43.65

 

CMYK 40 / 0 / 71 / 23

HEX #76C539

RGB 118 197 57

HSL 93.86, 0.55%, 0.5%

LAB 72.28, -47.14, 59.36

 

CMYK 71 / 26 / 0 / 23

HEX #3992C5

RGB 57 146 197

HSL 201.86, 0.55%, 0.5%

LAB 57.52, -9.69, -34.03

 

CMYK 31 / 71 / 0 / 23

HEX #8839C5

RGB 136 57 197

HSL 273.86, 0.55%, 0.5%

LAB 41.52, 57.64, -59.17

 

CMYK 0 / 44 / 71 / 23

HEX #C56E39

RGB 197 110 57

HSL 22.71, 0.55%, 0.5%

LAB 55.4, 30.17, 43.65

 

CMYK 61 / 0 / 71 / 23

HEX #4CC539

RGB 76 197 57

HSL 111.86, 0.55%, 0.5%

LAB 70.71, -59.1, 57.25

 

CMYK 71 / 26 / 0 / 23

HEX #3992C5

RGB 57 146 197

HSL 201.86, 0.55%, 0.5%

LAB 57.52, -9.69, -34.03

 

CMYK 10 / 71 / 0 / 23

HEX #B239C5

RGB 178 57 197

HSL 291.86, 0.55%, 0.5%

LAB 47.52, 66.25, -49.19

 

Description

Color code: RGB 197 110 57 | qconv.com Color code: RGB 197 110 57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 110 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 110 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 71 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 71% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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