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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 249 81 it is the complementary color RGB 59 6 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 249 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 196 249 81: RGB 201 249 76, RGB 218 255 95, RGB 235 255 114, RGB 252 255 133 and RGB 255 255 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 249 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 196 249 81: RGB 196 249 81, RGB 179 231 62, RGB 162 213 43, RGB 145 195 24 and RGB 128 177 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 67 / 2

HEX #C4F951

RGB 196 249 81

HSL 78.93, 0.93%, 0.65%

LAB 91.72, -39.91, 71.7

 

Complementary color

CMYK 66 / 97 / 0 / 32

HEX #3B06AE

RGB 59 6 174

HSL 258.93, 0.93%, 0.35%

LAB 24.05, 59.48, -74.59

 

CMYK 19 / 0 / 69 / 2

HEX #C9F94C

RGB 201 249 76

HSL 76.65, 0.94%, 0.64%

LAB 91.99, -38.33, 73.87

 

CMYK 15 / 0 / 63 / 0

HEX #DAFF5F

RGB 218 255 95

HSL 73.88, 1%, 0.69%

LAB 94.84, -33.37, 70.05

 

CMYK 8 / 0 / 55 / 0

HEX #EBFF72

RGB 235 255 114

HSL 68.51, 1%, 0.72%

LAB 96.16, -25.44, 63.94

 

CMYK 1 / 0 / 48 / 0

HEX #FCFF85

RGB 252 255 133

HSL 61.48, 1%, 0.76%

LAB 97.6, -17.28, 57.44

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 21 / 0 / 67 / 2

HEX #C4F951

RGB 196 249 81

HSL 78.93, 0.93%, 0.65%

LAB 91.72, -39.91, 71.7

 

CMYK 23 / 0 / 73 / 9

HEX #B3E73E

RGB 179 231 62

HSL 78.46, 0.78%, 0.57%

LAB 85.55, -39.43, 71.85

 

CMYK 24 / 0 / 80 / 16

HEX #A2D52B

RGB 162 213 43

HSL 78, 0.67%, 0.5%

LAB 79.3, -38.8, 71.37

 

CMYK 26 / 0 / 88 / 24

HEX #91C318

RGB 145 195 24

HSL 77.54, 0.78%, 0.43%

LAB 72.97, -37.99, 69.91

 

CMYK 28 / 0 / 97 / 31

HEX #80B105

RGB 128 177 5

HSL 77.09, 0.95%, 0.36%

LAB 66.55, -36.97, 67.08

 

CMYK 21 / 0 / 67 / 2

HEX #C4F951

RGB 196 249 81

HSL 78.93, 0.93%, 0.65%

LAB 91.72, -39.91, 71.7

 

CMYK 31 / 0 / 67 / 3

HEX #ABF852

RGB 171 248 82

HSL 87.83, 0.92%, 0.65%

LAB 90.05, -48.46, 69.16

 

CMYK 42 / 0 / 67 / 3

HEX #8FF852

RGB 143 248 82

HSL 97.95, 0.92%, 0.65%

LAB 88.73, -57.65, 67.37

 

CMYK 54 / 0 / 67 / 3

HEX #73F852

RGB 115 248 82

HSL 108.07, 0.92%, 0.65%

LAB 87.67, -65.55, 65.94

 

CMYK 65 / 0 / 67 / 3

HEX #58F852

RGB 88 248 82

HSL 117.83, 0.92%, 0.65%

LAB 86.91, -71.66, 64.89

 

CMYK 21 / 0 / 67 / 2

HEX #C4F951

RGB 196 249 81

HSL 78.93, 0.93%, 0.65%

LAB 91.72, -39.91, 71.7

 

CMYK 22 / 0 / 67 / 82

HEX #232D0F

RGB 35 45 15

HSL 80, 0.5%, 0.12%

LAB 16.84, -10.33, 17.6

 

CMYK 21 / 0 / 68 / 62

HEX #4C601F

RGB 76 96 31

HSL 78.46, 0.51%, 0.25%

LAB 37.84, -18.48, 33.55

 

CMYK 21 / 0 / 67 / 42

HEX #749330

RGB 116 147 48

HSL 78.79, 0.51%, 0.38%

LAB 56.87, -26.08, 46.98

 

CMYK 21 / 0 / 68 / 22

HEX #9CC640

RGB 156 198 64

HSL 78.81, 0.54%, 0.51%

LAB 74.72, -33.21, 59.86

 

CMYK 21 / 0 / 67 / 2

HEX #C4F951

RGB 196 249 81

HSL 78.93, 0.93%, 0.65%

LAB 91.72, -39.91, 71.7

 

CMYK 67 / 0 / 33 / 3

HEX #52F8A5

RGB 82 248 165

HSL 150, 0.92%, 0.65%

LAB 87.8, -61.09, 27.69

 

CMYK 6 / 67 / 0 / 3

HEX #E852F8

RGB 232 82 248

HSL 294.22, 0.92%, 0.65%

LAB 61.63, 77.57, -55.09

 

CMYK 21 / 0 / 67 / 2

HEX #C4F951

RGB 196 249 81

HSL 78.93, 0.93%, 0.65%

LAB 91.72, -39.91, 71.7

 

CMYK 67 / 20 / 0 / 3

HEX #52C6F8

RGB 82 198 248

HSL 198.07, 0.92%, 0.65%

LAB 75.43, -17.47, -34.23

 

CMYK 0 / 67 / 20 / 3

HEX #F852C6

RGB 248 82 198

HSL 318.07, 0.92%, 0.65%

LAB 61.71, 73.76, -26.72

 

CMYK 21 / 0 / 67 / 2

HEX #C4F951

RGB 196 249 81

HSL 78.93, 0.93%, 0.65%

LAB 91.72, -39.91, 71.7

 

CMYK 67 / 0 / 33 / 3

HEX #52F8A5

RGB 82 248 165

HSL 150, 0.92%, 0.65%

LAB 87.8, -61.09, 27.69

 

CMYK 47 / 67 / 0 / 3

HEX #8452F8

RGB 132 82 248

HSL 258.07, 0.92%, 0.65%

LAB 49.15, 57.61, -75.83

 

CMYK 0 / 67 / 33 / 3

HEX #F852A5

RGB 248 82 165

HSL 330, 0.92%, 0.65%

LAB 60.52, 69.77, -9.59

 

CMYK 21 / 0 / 67 / 2

HEX #C4F951

RGB 196 249 81

HSL 78.93, 0.93%, 0.65%

LAB 91.72, -39.91, 71.7

 

CMYK 67 / 0 / 13 / 3

HEX #52F8D7

RGB 82 248 215

HSL 168.07, 0.92%, 0.65%

LAB 88.84, -50.15, 3.4

 

CMYK 47 / 67 / 0 / 3

HEX #8452F8

RGB 132 82 248

HSL 258.07, 0.92%, 0.65%

LAB 49.15, 57.61, -75.83

 

CMYK 0 / 67 / 54 / 3

HEX #F85273

RGB 248 82 115

HSL 348.07, 0.92%, 0.65%

LAB 59.19, 65.11, 17.65

 

Description

Color code: RGB 196 249 81 | qconv.com Color code: RGB 196 249 81 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 249 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 249 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 67 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 67% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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