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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 248 185 it is the complementary color RGB 59 7 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 248 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 196 248 185: RGB 201 248 180, RGB 218 255 199, RGB 235 255 218, RGB 252 255 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 248 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 196 248 185: RGB 196 248 185, RGB 179 230 166, RGB 162 212 147, RGB 145 194 128 and RGB 128 176 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 25 / 3

HEX #C4F8B9

RGB 196 248 185

HSL 109.52, 0.82%, 0.85%

LAB 92.74, -27.99, 25.01

 

Complementary color

CMYK 16 / 90 / 0 / 73

HEX #3B0746

RGB 59 7 70

HSL 289.52, 0.82%, 0.15%

LAB 12.76, 33.79, -26.23

 

CMYK 19 / 0 / 27 / 3

HEX #C9F8B4

RGB 201 248 180

HSL 101.47, 0.83%, 0.84%

LAB 92.95, -27.08, 27.89

 

CMYK 15 / 0 / 22 / 0

HEX #DAFFC7

RGB 218 255 199

HSL 99.64, 1%, 0.89%

LAB 96.22, -21.72, 22.91

 

CMYK 8 / 0 / 15 / 0

HEX #EBFFDA

RGB 235 255 218

HSL 92.43, 1%, 0.93%

LAB 97.73, -12.93, 15.49

 

CMYK 1 / 0 / 7 / 0

HEX #FCFFED

RGB 252 255 237

HSL 70, 1%, 0.96%

LAB 99.35, -4.06, 8.24

 

CMYK 21 / 0 / 25 / 3

HEX #C4F8B9

RGB 196 248 185

HSL 109.52, 0.82%, 0.85%

LAB 92.74, -27.99, 25.01

 

CMYK 22 / 0 / 28 / 10

HEX #B3E6A6

RGB 179 230 166

HSL 107.81, 0.56%, 0.78%

LAB 86.47, -28.15, 26.01

 

CMYK 24 / 0 / 31 / 17

HEX #A2D493

RGB 162 212 147

HSL 106.15, 0.43%, 0.7%

LAB 80.11, -28.33, 27.05

 

CMYK 25 / 0 / 34 / 24

HEX #91C280

RGB 145 194 128

HSL 104.55, 0.35%, 0.63%

LAB 73.65, -28.5, 28.16

 

CMYK 27 / 0 / 38 / 31

HEX #80B06D

RGB 128 176 109

HSL 102.99, 0.3%, 0.56%

LAB 67.08, -28.68, 29.32

 

CMYK 21 / 0 / 25 / 3

HEX #C4F8B9

RGB 196 248 185

HSL 109.52, 0.82%, 0.85%

LAB 92.74, -27.99, 25.01

 

CMYK 25 / 0 / 25 / 3

HEX #BAF8B9

RGB 186 248 185

HSL 119.05, 0.82%, 0.85%

LAB 92.17, -31.27, 24.13

 

CMYK 25 / 0 / 22 / 3

HEX #B9F8C2

RGB 185 248 194

HSL 128.57, 0.82%, 0.85%

LAB 92.28, -30.07, 19.69

 

CMYK 25 / 0 / 17 / 3

HEX #B9F8CD

RGB 185 248 205

HSL 139.05, 0.82%, 0.85%

LAB 92.51, -28.12, 14.35

 

CMYK 25 / 0 / 13 / 3

HEX #B9F8D7

RGB 185 248 215

HSL 148.57, 0.82%, 0.85%

LAB 92.73, -26.26, 9.5

 

CMYK 21 / 0 / 25 / 3

HEX #C4F8B9

RGB 196 248 185

HSL 109.52, 0.82%, 0.85%

LAB 92.74, -27.99, 25.01

 

CMYK 20 / 0 / 25 / 83

HEX #232C21

RGB 35 44 33

HSL 109.09, 0.14%, 0.15%

LAB 16.84, -6.6, 5.87

 

CMYK 21 / 0 / 25 / 63

HEX #4B5F47

RGB 75 95 71

HSL 110, 0.14%, 0.33%

LAB 38.08, -12.81, 11.3

 

CMYK 21 / 0 / 25 / 43

HEX #73926D

RGB 115 146 109

HSL 110.27, 0.15%, 0.5%

LAB 57.37, -18.33, 16.15

 

CMYK 21 / 0 / 25 / 23

HEX #9CC593

RGB 156 197 147

HSL 109.2, 0.3%, 0.67%

LAB 75.52, -23.11, 20.75

 

CMYK 21 / 0 / 25 / 3

HEX #C4F8B9

RGB 196 248 185

HSL 109.52, 0.82%, 0.85%

LAB 92.74, -27.99, 25.01

 

CMYK 25 / 0 / 0 / 3

HEX #B9F7F8

RGB 185 247 248

HSL 180.95, 0.82%, 0.85%

LAB 93.28, -19.06, -6.79

 

CMYK 0 / 25 / 11 / 3

HEX #F8B9DD

RGB 248 185 221

HSL 325.71, 0.82%, 0.85%

LAB 81.77, 28.19, -9.09

 

CMYK 21 / 0 / 25 / 3

HEX #C4F8B9

RGB 196 248 185

HSL 109.52, 0.82%, 0.85%

LAB 92.74, -27.99, 25.01

 

CMYK 25 / 21 / 0 / 3

HEX #B9C4F8

RGB 185 196 248

HSL 229.52, 0.82%, 0.85%

LAB 79.94, 7.36, -26.86

 

CMYK 0 / 25 / 21 / 3

HEX #F8B9C4

RGB 248 185 196

HSL 349.52, 0.82%, 0.85%

LAB 81.09, 24.31, 3.38

 

CMYK 21 / 0 / 25 / 3

HEX #C4F8B9

RGB 196 248 185

HSL 109.52, 0.82%, 0.85%

LAB 92.74, -27.99, 25.01

 

CMYK 25 / 0 / 0 / 3

HEX #B9F7F8

RGB 185 247 248

HSL 180.95, 0.82%, 0.85%

LAB 93.28, -19.06, -6.79

 

CMYK 5 / 25 / 0 / 3

HEX #ECB9F8

RGB 236 185 248

HSL 288.57, 0.82%, 0.85%

LAB 81.46, 29.03, -24.16

 

CMYK 0 / 25 / 25 / 3

HEX #F8BAB9

RGB 248 186 185

HSL 0.95, 0.82%, 0.85%

LAB 81.06, 22.22, 9.25

 

CMYK 21 / 0 / 25 / 3

HEX #C4F8B9

RGB 196 248 185

HSL 109.52, 0.82%, 0.85%

LAB 92.74, -27.99, 25.01

 

CMYK 25 / 8 / 0 / 3

HEX #B9E4F8

RGB 185 228 248

HSL 199.05, 0.82%, 0.85%

LAB 88.25, -9.51, -14.29

 

CMYK 5 / 25 / 0 / 3

HEX #ECB9F8

RGB 236 185 248

HSL 288.57, 0.82%, 0.85%

LAB 81.46, 29.03, -24.16

 

CMYK 0 / 17 / 25 / 3

HEX #F8CDB9

RGB 248 205 185

HSL 19.05, 0.82%, 0.85%

LAB 85.57, 12.24, 15.64

 

Description

Color code: RGB 196 248 185 | qconv.com Color code: RGB 196 248 185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 248 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 248 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 25 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 25% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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