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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 20 196 it is the complementary color RGB 59 235 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 20 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 196 20 196: RGB 201 20 191, RGB 218 38 210, RGB 235 56 229, RGB 252 74 248 and RGB 255 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 20 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 196 20 196: RGB 196 20 196, RGB 179 2 177, RGB 162 0 158, RGB 145 0 139 and RGB 128 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 0 / 23

HEX #C414C4

RGB 196 20 196

HSL 300, 0.81%, 0.42%

LAB 47.26, 78.66, -48.86

 

Complementary color

CMYK 75 / 0 / 75 / 8

HEX #3BEB3B

RGB 59 235 59

HSL 120, 0.81%, 0.58%

LAB 82.2, -74.34, 68.01

 

CMYK 0 / 90 / 5 / 21

HEX #C914BF

RGB 201 20 191

HSL 303.31, 0.82%, 0.43%

LAB 47.85, 78.8, -44.96

 

CMYK 0 / 83 / 4 / 15

HEX #DA26D2

RGB 218 38 210

HSL 302.67, 0.71%, 0.5%

LAB 52.89, 81.59, -47.74

 

CMYK 0 / 76 / 3 / 8

HEX #EB38E5

RGB 235 56 229

HSL 302.01, 0.82%, 0.57%

LAB 58.18, 83.41, -49.95

 

CMYK 0 / 71 / 2 / 1

HEX #FC4AF8

RGB 252 74 248

HSL 301.35, 0.97%, 0.64%

LAB 63.65, 84.5, -51.7

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 90 / 0 / 23

HEX #C414C4

RGB 196 20 196

HSL 300, 0.81%, 0.42%

LAB 47.26, 78.66, -48.86

 

CMYK 0 / 99 / 1 / 30

HEX #B302B1

RGB 179 2 177

HSL 300.68, 0.98%, 0.35%

LAB 42.46, 74.85, -45.56

 

CMYK 0 / 100 / 2 / 36

HEX #A2009E

RGB 162 0 158

HSL 301.48, 1%, 0.32%

LAB 38.11, 69.38, -41.32

 

CMYK 0 / 100 / 4 / 43

HEX #91008B

RGB 145 0 139

HSL 302.48, 1%, 0.28%

LAB 33.74, 63.61, -36.85

 

CMYK 0 / 100 / 6 / 50

HEX #800078

RGB 128 0 120

HSL 303.75, 1%, 0.25%

LAB 29.27, 57.71, -32.25

 

CMYK 0 / 90 / 0 / 23

HEX #C414C4

RGB 196 20 196

HSL 300, 0.81%, 0.42%

LAB 47.26, 78.66, -48.86

 

CMYK 0 / 90 / 15 / 24

HEX #C114A4

RGB 193 20 164

HSL 310.06, 0.81%, 0.42%

LAB 44.97, 73.6, -33.69

 

CMYK 0 / 90 / 30 / 24

HEX #C11488

RGB 193 20 136

HSL 319.77, 0.81%, 0.42%

LAB 43.68, 70.18, -18.78

 

CMYK 0 / 90 / 45 / 24

HEX #C1146B

RGB 193 20 107

HSL 329.83, 0.81%, 0.42%

LAB 42.61, 67.28, -2.44

 

CMYK 0 / 90 / 60 / 24

HEX #C1144E

RGB 193 20 78

HSL 339.88, 0.81%, 0.42%

LAB 41.83, 65.09, 14.72

 

CMYK 0 / 90 / 0 / 23

HEX #C414C4

RGB 196 20 196

HSL 300, 0.81%, 0.42%

LAB 47.26, 78.66, -48.86

 

CMYK 0 / 90 / 0 / 3

HEX #F719F7

RGB 247 25 247

HSL 300, 0.93%, 0.53%

LAB 59.15, 94, -58.36

 

CMYK 0 / 91 / 0 / 83

HEX #2B042B

RGB 43 4 43

HSL 300, 0.83%, 0.09%

LAB 7, 25.6, -16.09

 

CMYK 0 / 89 / 0 / 63

HEX #5E0A5E

RGB 94 10 94

HSL 300, 0.81%, 0.2%

LAB 21.6, 44.95, -28.02

 

CMYK 0 / 90 / 0 / 43

HEX #910F91

RGB 145 15 145

HSL 300, 0.81%, 0.31%

LAB 34.81, 62.46, -38.84

 

CMYK 0 / 90 / 0 / 23

HEX #C414C4

RGB 196 20 196

HSL 300, 0.81%, 0.42%

LAB 47.26, 78.66, -48.86

 

CMYK 0 / 72 / 90 / 24

HEX #C13714

RGB 193 55 20

HSL 12.14, 0.81%, 0.42%

LAB 44.41, 53.39, 50.09

 

CMYK 90 / 0 / 36 / 24

HEX #14C17C

RGB 20 193 124

HSL 156.07, 0.81%, 0.42%

LAB 69.29, -56.05, 23.72

 

CMYK 0 / 90 / 0 / 23

HEX #C414C4

RGB 196 20 196

HSL 300, 0.81%, 0.42%

LAB 47.26, 78.66, -48.86

 

CMYK 0 / 0 / 90 / 24

HEX #C1C114

RGB 193 193 20

HSL 60, 0.81%, 0.42%

LAB 75.78, -17.23, 74.29

 

CMYK 90 / 0 / 0 / 24

HEX #14C1C1

RGB 20 193 193

HSL 180, 0.81%, 0.42%

LAB 70.97, -38.31, -11.3

 

CMYK 0 / 90 / 0 / 23

HEX #C414C4

RGB 196 20 196

HSL 300, 0.81%, 0.42%

LAB 47.26, 78.66, -48.86

 

CMYK 0 / 72 / 90 / 24

HEX #C13714

RGB 193 55 20

HSL 12.14, 0.81%, 0.42%

LAB 44.41, 53.39, 50.09

 

CMYK 90 / 0 / 90 / 24

HEX #14C114

RGB 20 193 20

HSL 120, 0.81%, 0.42%

LAB 68.27, -68.41, 65.04

 

CMYK 90 / 18 / 0 / 24

HEX #149FC1

RGB 20 159 193

HSL 191.79, 0.81%, 0.42%

LAB 60.6, -21.73, -27.05

 

CMYK 0 / 90 / 0 / 23

HEX #C414C4

RGB 196 20 196

HSL 300, 0.81%, 0.42%

LAB 47.26, 78.66, -48.86

 

CMYK 0 / 45 / 90 / 24

HEX #C16B14

RGB 193 107 20

HSL 30.17, 0.81%, 0.42%

LAB 53.92, 28.81, 57.29

 

CMYK 90 / 0 / 90 / 24

HEX #14C114

RGB 20 193 20

HSL 120, 0.81%, 0.42%

LAB 68.27, -68.41, 65.04

 

CMYK 90 / 45 / 0 / 24

HEX #146BC1

RGB 20 107 193

HSL 209.83, 0.81%, 0.42%

LAB 44.96, 8.46, -51.68

 

Description

Color code: RGB 196 20 196 | qconv.com Color code: RGB 196 20 196 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 20 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 20 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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