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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 173 116 it is the complementary color RGB 59 82 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 173 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 196 173 116: RGB 201 173 111, RGB 218 191 130, RGB 235 209 149, RGB 252 227 168 and RGB 255 245 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 173 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 196 173 116: RGB 196 173 116, RGB 179 155 97, RGB 162 137 78, RGB 145 119 59 and RGB 128 101 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 41 / 23

HEX #C4AD74

RGB 196 173 116

HSL 42.75, 0.4%, 0.61%

LAB 71.48, 0.31, 32.32

 

Complementary color

CMYK 58 / 41 / 0 / 45

HEX #3B528B

RGB 59 82 139

HSL 222.75, 0.4%, 0.39%

LAB 35.65, 9.25, -34.43

 

CMYK 0 / 14 / 45 / 21

HEX #C9AD6F

RGB 201 173 111

HSL 41.33, 0.45%, 0.61%

LAB 71.86, 1.83, 35.53

 

CMYK 0 / 12 / 40 / 15

HEX #DABF82

RGB 218 191 130

HSL 41.59, 0.54%, 0.68%

LAB 78.33, 1.21, 34.29

 

CMYK 0 / 11 / 37 / 8

HEX #EBD195

RGB 235 209 149

HSL 41.86, 0.68%, 0.75%

LAB 84.71, 0.68, 33.1

 

CMYK 0 / 10 / 33 / 1

HEX #FCE3A8

RGB 252 227 168

HSL 42.14, 0.93%, 0.82%

LAB 90.99, 0.22, 31.98

 

CMYK 0 / 4 / 27 / 0

HEX #FFF5BB

RGB 255 245 187

HSL 51.18, 1%, 0.87%

LAB 96.06, -5.37, 29.2

 

CMYK 0 / 12 / 41 / 23

HEX #C4AD74

RGB 196 173 116

HSL 42.75, 0.4%, 0.61%

LAB 71.48, 0.31, 32.32

 

CMYK 0 / 13 / 46 / 30

HEX #B39B61

RGB 179 155 97

HSL 42.44, 0.35%, 0.54%

LAB 64.87, 0.93, 33.59

 

CMYK 0 / 15 / 52 / 36

HEX #A2894E

RGB 162 137 78

HSL 42.14, 0.35%, 0.47%

LAB 58.15, 1.67, 34.93

 

CMYK 0 / 18 / 59 / 43

HEX #91773B

RGB 145 119 59

HSL 41.86, 0.42%, 0.4%

LAB 51.3, 2.59, 36.29

 

CMYK 0 / 21 / 69 / 50

HEX #806528

RGB 128 101 40

HSL 41.59, 0.52%, 0.33%

LAB 44.3, 3.74, 37.57

 

CMYK 0 / 12 / 41 / 23

HEX #C4AD74

RGB 196 173 116

HSL 42.75, 0.4%, 0.61%

LAB 71.48, 0.31, 32.32

 

CMYK 0 / 6 / 41 / 24

HEX #C3B873

RGB 195 184 115

HSL 51.75, 0.4%, 0.61%

LAB 74.27, -6.02, 36.41

 

CMYK 2 / 0 / 41 / 24

HEX #C0C373

RGB 192 195 115

HSL 62.25, 0.4%, 0.61%

LAB 76.97, -12.91, 39.78

 

CMYK 8 / 0 / 41 / 24

HEX #B3C373

RGB 179 195 115

HSL 72, 0.4%, 0.61%

LAB 75.98, -18.05, 38.33

 

CMYK 15 / 0 / 41 / 24

HEX #A6C373

RGB 166 195 115

HSL 81.75, 0.4%, 0.61%

LAB 75.06, -23.08, 36.97

 

CMYK 0 / 12 / 41 / 23

HEX #C4AD74

RGB 196 173 116

HSL 42.75, 0.4%, 0.61%

LAB 71.48, 0.31, 32.32

 

CMYK 0 / 12 / 41 / 3

HEX #F7DA92

RGB 247 218 146

HSL 42.77, 0.86%, 0.77%

LAB 87.96, 0.42, 39.09

 

CMYK 0 / 12 / 42 / 83

HEX #2B2619

RGB 43 38 25

HSL 43.33, 0.26%, 0.13%

LAB 15.33, -0.18, 9.49

 

CMYK 0 / 12 / 40 / 63

HEX #5E5338

RGB 94 83 56

HSL 42.63, 0.25%, 0.29%

LAB 35.7, 0.09, 17.48

 

CMYK 0 / 12 / 41 / 43

HEX #918056

RGB 145 128 86

HSL 42.71, 0.26%, 0.45%

LAB 54.16, 0.2, 25.18

 

CMYK 0 / 12 / 41 / 23

HEX #C4AD74

RGB 196 173 116

HSL 42.75, 0.4%, 0.61%

LAB 71.48, 0.31, 32.32

 

CMYK 37 / 0 / 41 / 24

HEX #7BC373

RGB 123 195 115

HSL 114, 0.4%, 0.61%

LAB 72.55, -38.32, 33.24

 

CMYK 29 / 41 / 0 / 24

HEX #8B73C3

RGB 139 115 195

HSL 258, 0.4%, 0.61%

LAB 53.7, 26.75, -38.54

 

CMYK 0 / 12 / 41 / 23

HEX #C4AD74

RGB 196 173 116

HSL 42.75, 0.4%, 0.61%

LAB 71.48, 0.31, 32.32

 

CMYK 41 / 0 / 12 / 24

HEX #73C3AB

RGB 115 195 171

HSL 162, 0.4%, 0.61%

LAB 73.3, -30.18, 4.38

 

CMYK 12 / 41 / 0 / 24

HEX #AB73C3

RGB 171 115 195

HSL 282, 0.4%, 0.61%

LAB 56.94, 36.23, -33.24

 

CMYK 0 / 12 / 41 / 23

HEX #C4AD74

RGB 196 173 116

HSL 42.75, 0.4%, 0.61%

LAB 71.48, 0.31, 32.32

 

CMYK 37 / 0 / 41 / 24

HEX #7BC373

RGB 123 195 115

HSL 114, 0.4%, 0.61%

LAB 72.55, -38.32, 33.24

 

CMYK 41 / 29 / 0 / 24

HEX #738BC3

RGB 115 139 195

HSL 222, 0.4%, 0.61%

LAB 58.08, 5.88, -31.82

 

CMYK 4 / 41 / 0 / 24

HEX #BB73C3

RGB 187 115 195

HSL 294, 0.4%, 0.61%

LAB 58.76, 41.12, -30.27

 

CMYK 0 / 12 / 41 / 23

HEX #C4AD74

RGB 196 173 116

HSL 42.75, 0.4%, 0.61%

LAB 71.48, 0.31, 32.32

 

CMYK 41 / 0 / 33 / 24

HEX #73C383

RGB 115 195 131

HSL 132, 0.4%, 0.61%

LAB 72.44, -38.2, 24.68

 

CMYK 41 / 29 / 0 / 24

HEX #738BC3

RGB 115 139 195

HSL 222, 0.4%, 0.61%

LAB 58.08, 5.88, -31.82

 

CMYK 0 / 41 / 8 / 24

HEX #C373B3

RGB 195 115 179

HSL 312, 0.4%, 0.61%

LAB 59.08, 40.7, -20.56

 

Description

Color code: RGB 196 173 116 | qconv.com Color code: RGB 196 173 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 173 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 173 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 41 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 41% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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