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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 101 135 it is the complementary color RGB 59 154 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 101 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 196 101 135: RGB 201 101 130, RGB 218 119 149, RGB 235 137 168, RGB 252 155 187 and RGB 255 173 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 101 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 196 101 135: RGB 196 101 135, RGB 179 83 116, RGB 162 65 97, RGB 145 47 78 and RGB 128 29 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 31 / 23

HEX #C46587

RGB 196 101 135

HSL 338.53, 0.45%, 0.58%

LAB 54.86, 41.66, -1.34

 

Complementary color

CMYK 62 / 0 / 22 / 40

HEX #3B9A78

RGB 59 154 120

HSL 158.53, 0.45%, 0.42%

LAB 57.46, -36.32, 9.67

 

CMYK 0 / 50 / 35 / 21

HEX #C96582

RGB 201 101 130

HSL 342.6, 0.48%, 0.59%

LAB 55.42, 42.77, 2.49

 

CMYK 0 / 45 / 32 / 15

HEX #DA7795

RGB 218 119 149

HSL 341.82, 0.57%, 0.66%

LAB 61.89, 41.88, 1.15

 

CMYK 0 / 42 / 29 / 8

HEX #EB89A8

RGB 235 137 168

HSL 341.02, 0.71%, 0.73%

LAB 68.3, 41, -0.02

 

CMYK 0 / 38 / 26 / 1

HEX #FC9BBB

RGB 252 155 187

HSL 340.21, 0.94%, 0.8%

LAB 74.65, 40.16, -1.05

 

CMYK 0 / 32 / 19 / 0

HEX #FFADCE

RGB 255 173 206

HSL 335.85, 1%, 0.84%

LAB 79.39, 34.55, -4.44

 

CMYK 0 / 48 / 31 / 23

HEX #C46587

RGB 196 101 135

HSL 338.53, 0.45%, 0.58%

LAB 54.86, 41.66, -1.34

 

CMYK 0 / 54 / 35 / 30

HEX #B35374

RGB 179 83 116

HSL 339.38, 0.39%, 0.51%

LAB 48.3, 42.51, 0.09

 

CMYK 0 / 60 / 40 / 36

HEX #A24161

RGB 162 65 97

HSL 340.21, 0.43%, 0.45%

LAB 41.73, 43.26, 1.84

 

CMYK 0 / 68 / 46 / 43

HEX #912F4E

RGB 145 47 78

HSL 341.02, 0.51%, 0.38%

LAB 35.21, 43.77, 4.08

 

CMYK 0 / 77 / 54 / 50

HEX #801D3B

RGB 128 29 59

HSL 341.82, 0.63%, 0.31%

LAB 28.86, 43.71, 7.09

 

CMYK 0 / 48 / 31 / 23

HEX #C46587

RGB 196 101 135

HSL 338.53, 0.45%, 0.58%

LAB 54.86, 41.66, -1.34

 

CMYK 0 / 49 / 40 / 23

HEX #C46376

RGB 196 99 118

HSL 348.25, 0.45%, 0.58%

LAB 53.99, 40.61, 7.42

 

CMYK 0 / 49 / 48 / 23

HEX #C46366

RGB 196 99 102

HSL 358.14, 0.45%, 0.58%

LAB 53.62, 38.92, 16.33

 

CMYK 0 / 43 / 49 / 23

HEX #C47063

RGB 196 112 99

HSL 8.04, 0.45%, 0.58%

LAB 56.31, 31.78, 21.71

 

CMYK 0 / 35 / 49 / 23

HEX #C48063

RGB 196 128 99

HSL 17.94, 0.45%, 0.58%

LAB 59.96, 23.08, 26.53

 

CMYK 0 / 48 / 31 / 23

HEX #C46587

RGB 196 101 135

HSL 338.53, 0.45%, 0.58%

LAB 54.86, 41.66, -1.34

 

CMYK 0 / 49 / 31 / 3

HEX #F77FAA

RGB 247 127 170

HSL 338.5, 0.88%, 0.73%

LAB 67.91, 50.37, -1.52

 

CMYK 0 / 49 / 30 / 83

HEX #2B161E

RGB 43 22 30

HSL 337.14, 0.32%, 0.13%

LAB 10.42, 12.03, -1.04

 

CMYK 0 / 49 / 31 / 63

HEX #5E3041

RGB 94 48 65

HSL 337.83, 0.32%, 0.28%

LAB 26.38, 23.14, -1.28

 

CMYK 0 / 48 / 31 / 43

HEX #914B64

RGB 145 75 100

HSL 338.57, 0.32%, 0.43%

LAB 41.17, 32.46, -1.15

 

CMYK 0 / 48 / 31 / 23

HEX #C46587

RGB 196 101 135

HSL 338.53, 0.45%, 0.58%

LAB 54.86, 41.66, -1.34

 

CMYK 0 / 8 / 49 / 23

HEX #C4B463

RGB 196 180 99

HSL 50.1, 0.45%, 0.58%

LAB 73.08, -5.12, 43.07

 

CMYK 49 / 12 / 0 / 23

HEX #63ADC4

RGB 99 173 196

HSL 194.23, 0.45%, 0.58%

LAB 66.92, -16.78, -18.87

 

CMYK 0 / 48 / 31 / 23

HEX #C46587

RGB 196 101 135

HSL 338.53, 0.45%, 0.58%

LAB 54.86, 41.66, -1.34

 

CMYK 31 / 0 / 49 / 23

HEX #87C463

RGB 135 196 99

HSL 97.73, 0.45%, 0.58%

LAB 73.24, -36.88, 42.28

 

CMYK 49 / 31 / 0 / 23

HEX #6387C4

RGB 99 135 196

HSL 217.73, 0.45%, 0.58%

LAB 56.05, 4.45, -35.62

 

CMYK 0 / 48 / 31 / 23

HEX #C46587

RGB 196 101 135

HSL 338.53, 0.45%, 0.58%

LAB 54.86, 41.66, -1.34

 

CMYK 0 / 8 / 49 / 23

HEX #C4B463

RGB 196 180 99

HSL 50.1, 0.45%, 0.58%

LAB 73.08, -5.12, 43.07

 

CMYK 49 / 0 / 18 / 23

HEX #63C4A0

RGB 99 196 160

HSL 157.73, 0.45%, 0.58%

LAB 72.67, -37.19, 9.37

 

CMYK 49 / 41 / 0 / 23

HEX #6373C4

RGB 99 115 196

HSL 230.1, 0.45%, 0.58%

LAB 50.57, 16.48, -44.27

 

CMYK 0 / 48 / 31 / 23

HEX #C46587

RGB 196 101 135

HSL 338.53, 0.45%, 0.58%

LAB 54.86, 41.66, -1.34

 

CMYK 7 / 0 / 49 / 23

HEX #B7C463

RGB 183 196 99

HSL 68.04, 0.45%, 0.58%

LAB 76.34, -18.65, 46.76

 

CMYK 49 / 0 / 18 / 23

HEX #63C4A0

RGB 99 196 160

HSL 157.73, 0.45%, 0.58%

LAB 72.67, -37.19, 9.37

 

CMYK 43 / 49 / 0 / 23

HEX #7063C4

RGB 112 99 196

HSL 248.04, 0.45%, 0.58%

LAB 47.44, 29.36, -49.2

 

Description

Color code: RGB 196 101 135 | qconv.com Color code: RGB 196 101 135 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 101 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 101 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 31 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 31% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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