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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 50 80 it is the complementary color RGB 60 205 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 50 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 195 50 80: RGB 200 50 75, RGB 217 68 94, RGB 234 86 113, RGB 251 104 132 and RGB 255 122 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 50 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 195 50 80: RGB 195 50 80, RGB 178 32 61, RGB 161 14 42, RGB 144 0 23 and RGB 127 0 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 59 / 24

HEX #C33250

RGB 195 50 80

HSL 347.59, 0.59%, 0.48%

LAB 44.89, 58.31, 17.67

 

Complementary color

CMYK 71 / 0 / 15 / 20

HEX #3CCDAF

RGB 60 205 175

HSL 167.59, 0.59%, 0.52%

LAB 74.65, -44.95, 3.96

 

CMYK 0 / 75 / 63 / 22

HEX #C8324B

RGB 200 50 75

HSL 350, 0.6%, 0.49%

LAB 45.73, 59.46, 22.03

 

CMYK 0 / 69 / 57 / 15

HEX #D9445E

RGB 217 68 94

HSL 349.53, 0.66%, 0.56%

LAB 51.49, 59.46, 18.73

 

CMYK 0 / 63 / 52 / 8

HEX #EA5671

RGB 234 86 113

HSL 349.05, 0.78%, 0.63%

LAB 57.41, 59.04, 16

 

CMYK 0 / 59 / 47 / 2

HEX #FB6884

RGB 251 104 132

HSL 348.57, 0.95%, 0.7%

LAB 63.41, 58.38, 13.72

 

CMYK 0 / 52 / 41 / 0

HEX #FF7A97

RGB 255 122 151

HSL 346.92, 1%, 0.74%

LAB 67.59, 53.28, 8.87

 

CMYK 0 / 74 / 59 / 24

HEX #C33250

RGB 195 50 80

HSL 347.59, 0.59%, 0.48%

LAB 44.89, 58.31, 17.67

 

CMYK 0 / 82 / 66 / 30

HEX #B2203D

RGB 178 32 61

HSL 348.08, 0.7%, 0.41%

LAB 39.3, 57.63, 21.56

 

CMYK 0 / 91 / 74 / 37

HEX #A10E2A

RGB 161 14 42

HSL 348.57, 0.84%, 0.34%

LAB 34.1, 55.86, 26.38

 

CMYK 0 / 100 / 84 / 44

HEX #900017

RGB 144 0 23

HSL 350.42, 1%, 0.28%

LAB 29.39, 52.77, 31.94

 

CMYK 0 / 100 / 97 / 50

HEX #7F0004

RGB 127 0 4

HSL 358.11, 1%, 0.25%

LAB 25.32, 47.86, 36.15

 

CMYK 0 / 74 / 59 / 24

HEX #C33250

RGB 195 50 80

HSL 347.59, 0.59%, 0.48%

LAB 44.89, 58.31, 17.67

 

CMYK 0 / 74 / 71 / 24

HEX #C23239

RGB 194 50 57

HSL 357.08, 0.59%, 0.48%

LAB 44.3, 56.68, 30.89

 

CMYK 0 / 65 / 74 / 24

HEX #C24332

RGB 194 67 50

HSL 7.08, 0.59%, 0.48%

LAB 46.6, 49.82, 37.56

 

CMYK 0 / 53 / 74 / 24

HEX #C25B32

RGB 194 91 50

HSL 17.08, 0.59%, 0.48%

LAB 50.9, 38.55, 42.23

 

CMYK 0 / 41 / 74 / 24

HEX #C27332

RGB 194 115 50

HSL 27.08, 0.59%, 0.48%

LAB 56.05, 25.88, 47.63

 

CMYK 0 / 74 / 59 / 24

HEX #C33250

RGB 195 50 80

HSL 347.59, 0.59%, 0.48%

LAB 44.89, 58.31, 17.67

 

CMYK 0 / 74 / 59 / 4

HEX #F63F65

RGB 246 63 101

HSL 347.54, 0.91%, 0.61%

LAB 56.18, 70.14, 21.75

 

CMYK 0 / 74 / 60 / 84

HEX #2A0B11

RGB 42 11 17

HSL 348.39, 0.58%, 0.1%

LAB 6.97, 16.61, 3.19

 

CMYK 0 / 74 / 59 / 64

HEX #5D1826

RGB 93 24 38

HSL 347.83, 0.59%, 0.23%

LAB 20.52, 32.29, 8.8

 

CMYK 0 / 74 / 59 / 44

HEX #90253B

RGB 144 37 59

HSL 347.66, 0.59%, 0.35%

LAB 33.07, 45.81, 13.38

 

CMYK 0 / 74 / 59 / 24

HEX #C33250

RGB 195 50 80

HSL 347.59, 0.59%, 0.48%

LAB 44.89, 58.31, 17.67

 

CMYK 0 / 1 / 74 / 24

HEX #C2C032

RGB 194 192 50

HSL 59.17, 0.59%, 0.48%

LAB 75.7, -15.4, 66.81

 

CMYK 74 / 28 / 0 / 24

HEX #328BC2

RGB 50 139 194

HSL 202.92, 0.59%, 0.48%

LAB 55.11, -7.71, -36.11

 

CMYK 0 / 74 / 59 / 24

HEX #C33250

RGB 195 50 80

HSL 347.59, 0.59%, 0.48%

LAB 44.89, 58.31, 17.67

 

CMYK 58 / 0 / 74 / 24

HEX #51C232

RGB 81 194 50

HSL 107.08, 0.59%, 0.48%

LAB 69.87, -57.37, 58.97

 

CMYK 74 / 58 / 0 / 24

HEX #3251C2

RGB 50 81 194

HSL 227.08, 0.59%, 0.48%

LAB 38.65, 28.46, -62.42

 

CMYK 0 / 74 / 59 / 24

HEX #C33250

RGB 195 50 80

HSL 347.59, 0.59%, 0.48%

LAB 44.89, 58.31, 17.67

 

CMYK 0 / 1 / 74 / 24

HEX #C2C032

RGB 194 192 50

HSL 59.17, 0.59%, 0.48%

LAB 75.7, -15.4, 66.81

 

CMYK 74 / 0 / 16 / 24

HEX #32C2A3

RGB 50 194 163

HSL 167.08, 0.59%, 0.48%

LAB 70.81, -44.6, 4.89

 

CMYK 74 / 73 / 0 / 24

HEX #3234C2

RGB 50 52 194

HSL 239.17, 0.59%, 0.48%

LAB 31.87, 46.43, -73.54

 

CMYK 0 / 74 / 59 / 24

HEX #C33250

RGB 195 50 80

HSL 347.59, 0.59%, 0.48%

LAB 44.89, 58.31, 17.67

 

CMYK 21 / 0 / 74 / 24

HEX #99C232

RGB 153 194 50

HSL 77.08, 0.59%, 0.48%

LAB 73.28, -33.37, 63.46

 

CMYK 74 / 0 / 16 / 24

HEX #32C2A3

RGB 50 194 163

HSL 167.08, 0.59%, 0.48%

LAB 70.81, -44.6, 4.89

 

CMYK 53 / 74 / 0 / 24

HEX #5B32C2

RGB 91 50 194

HSL 257.08, 0.59%, 0.48%

LAB 34.8, 52.37, -68.6

 

Description

Color code: RGB 195 50 80 | qconv.com Color code: RGB 195 50 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 50 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 50 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 59 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 59% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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