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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 251 47 it is the complementary color RGB 60 4 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 251 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 195 251 47: RGB 200 251 42, RGB 217 255 61, RGB 234 255 80, RGB 251 255 99 and RGB 255 255 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 251 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 195 251 47: RGB 195 251 47, RGB 178 233 28, RGB 161 215 9, RGB 144 197 0 and RGB 127 179 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 81 / 2

HEX #C3FB2F

RGB 195 251 47

HSL 76.47, 0.96%, 0.58%

LAB 92.04, -42.79, 82.41

 

Complementary color

CMYK 71 / 98 / 0 / 18

HEX #3C04D0

RGB 60 4 208

HSL 256.47, 0.96%, 0.42%

LAB 28.38, 68.22, -87.49

 

CMYK 20 / 0 / 83 / 2

HEX #C8FB2A

RGB 200 251 42

HSL 74.64, 0.96%, 0.57%

LAB 92.33, -41.05, 83.91

 

CMYK 15 / 0 / 76 / 0

HEX #D9FF3D

RGB 217 255 61

HSL 71.75, 1%, 0.62%

LAB 94.57, -35.6, 81.5

 

CMYK 8 / 0 / 69 / 0

HEX #EAFF50

RGB 234 255 80

HSL 67.2, 1%, 0.66%

LAB 95.83, -28.04, 77.01

 

CMYK 2 / 0 / 61 / 0

HEX #FBFF63

RGB 251 255 99

HSL 61.54, 1%, 0.69%

LAB 97.2, -20.22, 71.66

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 22 / 0 / 81 / 2

HEX #C3FB2F

RGB 195 251 47

HSL 76.47, 0.96%, 0.58%

LAB 92.04, -42.79, 82.41

 

CMYK 24 / 0 / 88 / 9

HEX #B2E91C

RGB 178 233 28

HSL 76.1, 0.82%, 0.51%

LAB 85.92, -41.94, 80.71

 

CMYK 25 / 0 / 96 / 16

HEX #A1D709

RGB 161 215 9

HSL 75.73, 0.92%, 0.44%

LAB 79.73, -40.92, 77.77

 

CMYK 27 / 0 / 100 / 23

HEX #90C500

RGB 144 197 0

HSL 76.14, 1%, 0.39%

LAB 73.46, -39.69, 73.38

 

CMYK 29 / 0 / 100 / 30

HEX #7FB300

RGB 127 179 0

HSL 77.43, 1%, 0.35%

LAB 67.09, -38.34, 68.08

 

CMYK 22 / 0 / 81 / 2

HEX #C3FB2F

RGB 195 251 47

HSL 76.47, 0.96%, 0.58%

LAB 92.04, -42.79, 82.41

 

CMYK 36 / 0 / 82 / 2

HEX #A1FA2D

RGB 161 250 45

HSL 86.05, 0.95%, 0.58%

LAB 89.92, -54.68, 80.31

 

CMYK 49 / 0 / 82 / 2

HEX #7FFA2D

RGB 127 250 45

HSL 96, 0.95%, 0.58%

LAB 88.48, -65.3, 78.48

 

CMYK 63 / 0 / 82 / 2

HEX #5DFA2D

RGB 93 250 45

HSL 105.95, 0.95%, 0.58%

LAB 87.43, -73.73, 77.14

 

CMYK 77 / 0 / 82 / 2

HEX #3AFA2D

RGB 58 250 45

HSL 116.2, 0.95%, 0.58%

LAB 86.73, -79.7, 76.25

 

CMYK 22 / 0 / 81 / 2

HEX #C3FB2F

RGB 195 251 47

HSL 76.47, 0.96%, 0.58%

LAB 92.04, -42.79, 82.41

 

CMYK 21 / 0 / 81 / 82

HEX #252F09

RGB 37 47 9

HSL 75.79, 0.68%, 0.11%

LAB 17.67, -11.16, 21.4

 

CMYK 22 / 0 / 82 / 62

HEX #4C6212

RGB 76 98 18

HSL 76.5, 0.69%, 0.23%

LAB 38.4, -20.44, 39.57

 

CMYK 22 / 0 / 81 / 42

HEX #74951C

RGB 116 149 28

HSL 76.36, 0.68%, 0.35%

LAB 57.36, -28.22, 54.75

 

CMYK 23 / 0 / 82 / 22

HEX #9BC825

RGB 155 200 37

HSL 76.56, 0.69%, 0.46%

LAB 75.08, -35.91, 69.04

 

CMYK 22 / 0 / 81 / 2

HEX #C3FB2F

RGB 195 251 47

HSL 76.47, 0.96%, 0.58%

LAB 92.04, -42.79, 82.41

 

CMYK 82 / 0 / 44 / 2

HEX #2DFA8D

RGB 45 250 141

HSL 148.1, 0.95%, 0.58%

LAB 87.41, -70.82, 39.03

 

CMYK 11 / 82 / 0 / 2

HEX #DF2DFA

RGB 223 45 250

HSL 292.1, 0.95%, 0.58%

LAB 56.55, 87.17, -64.4

 

CMYK 22 / 0 / 81 / 2

HEX #C3FB2F

RGB 195 251 47

HSL 76.47, 0.96%, 0.58%

LAB 92.04, -42.79, 82.41

 

CMYK 82 / 22 / 0 / 2

HEX #2DC3FA

RGB 45 195 250

HSL 196.1, 0.95%, 0.58%

LAB 73.86, -19.47, -37.78

 

CMYK 0 / 82 / 22 / 2

HEX #FA2DC3

RGB 250 45 195

HSL 316.1, 0.95%, 0.58%

LAB 58.17, 84.5, -30.46

 

CMYK 22 / 0 / 81 / 2

HEX #C3FB2F

RGB 195 251 47

HSL 76.47, 0.96%, 0.58%

LAB 92.04, -42.79, 82.41

 

CMYK 82 / 0 / 44 / 2

HEX #2DFA8D

RGB 45 250 141

HSL 148.1, 0.95%, 0.58%

LAB 87.41, -70.82, 39.03

 

CMYK 60 / 82 / 0 / 2

HEX #632DFA

RGB 99 45 250

HSL 255.8, 0.95%, 0.58%

LAB 40.3, 70.44, -91.61

 

CMYK 0 / 82 / 38 / 2

HEX #FA2D9A

RGB 250 45 154

HSL 328.1, 0.95%, 0.58%

LAB 56.62, 80.11, -8.97

 

CMYK 22 / 0 / 81 / 2

HEX #C3FB2F

RGB 195 251 47

HSL 76.47, 0.96%, 0.58%

LAB 92.04, -42.79, 82.41

 

CMYK 82 / 0 / 19 / 2

HEX #2DFACA

RGB 45 250 202

HSL 165.95, 0.95%, 0.58%

LAB 88.54, -58.24, 9.64

 

CMYK 60 / 82 / 0 / 2

HEX #632DFA

RGB 99 45 250

HSL 255.8, 0.95%, 0.58%

LAB 40.3, 70.44, -91.61

 

CMYK 0 / 82 / 63 / 2

HEX #FA2D5D

RGB 250 45 93

HSL 345.95, 0.95%, 0.58%

LAB 55.06, 75.55, 25.16

 

Description

Color code: RGB 195 251 47 | qconv.com Color code: RGB 195 251 47 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 251 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 251 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 81 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 81% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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