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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 227 152 it is the complementary color RGB 60 28 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 227 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 195 227 152: RGB 200 227 147, RGB 217 245 166, RGB 234 255 185, RGB 251 255 204 and RGB 255 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 227 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 195 227 152: RGB 195 227 152, RGB 178 209 133, RGB 161 191 114, RGB 144 173 95 and RGB 127 155 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 33 / 11

HEX #C3E398

RGB 195 227 152

HSL 85.6, 0.57%, 0.74%

LAB 86.41, -23.14, 33.26

 

Complementary color

CMYK 42 / 73 / 0 / 60

HEX #3C1C67

RGB 60 28 103

HSL 265.6, 0.57%, 0.26%

LAB 19.1, 32.58, -38.26

 

CMYK 12 / 0 / 35 / 11

HEX #C8E393

RGB 200 227 147

HSL 80.25, 0.59%, 0.73%

LAB 86.66, -21.97, 36.19

 

CMYK 11 / 0 / 32 / 4

HEX #D9F5A6

RGB 217 245 166

HSL 81.27, 0.8%, 0.81%

LAB 92.93, -22.01, 35.1

 

CMYK 8 / 0 / 27 / 0

HEX #EAFFB9

RGB 234 255 185

HSL 78, 1%, 0.86%

LAB 97.03, -18.19, 31.26

 

CMYK 2 / 0 / 20 / 0

HEX #FBFFCC

RGB 251 255 204

HSL 64.71, 1%, 0.9%

LAB 98.59, -9.47, 23.99

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 14 / 0 / 33 / 11

HEX #C3E398

RGB 195 227 152

HSL 85.6, 0.57%, 0.74%

LAB 86.41, -23.14, 33.26

 

CMYK 15 / 0 / 36 / 18

HEX #B2D185

RGB 178 209 133

HSL 84.47, 0.45%, 0.67%

LAB 80.04, -23.15, 34.37

 

CMYK 16 / 0 / 40 / 25

HEX #A1BF72

RGB 161 191 114

HSL 83.38, 0.38%, 0.6%

LAB 73.58, -23.14, 35.52

 

CMYK 17 / 0 / 45 / 32

HEX #90AD5F

RGB 144 173 95

HSL 82.31, 0.32%, 0.53%

LAB 67.01, -23.09, 36.71

 

CMYK 18 / 0 / 51 / 39

HEX #7F9B4C

RGB 127 155 76

HSL 81.27, 0.34%, 0.45%

LAB 60.32, -22.99, 37.91

 

CMYK 14 / 0 / 33 / 11

HEX #C3E398

RGB 195 227 152

HSL 85.6, 0.57%, 0.74%

LAB 86.41, -23.14, 33.26

 

CMYK 19 / 0 / 34 / 11

HEX #B6E296

RGB 182 226 150

HSL 94.74, 0.57%, 0.74%

LAB 85.27, -27.59, 32.62

 

CMYK 25 / 0 / 34 / 11

HEX #A9E296

RGB 169 226 150

HSL 105, 0.57%, 0.74%

LAB 84.5, -32.09, 31.46

 

CMYK 31 / 0 / 34 / 11

HEX #9DE296

RGB 157 226 150

HSL 114.47, 0.57%, 0.74%

LAB 83.84, -36.07, 30.46

 

CMYK 34 / 0 / 31 / 11

HEX #96E29D

RGB 150 226 157

HSL 125.53, 0.57%, 0.74%

LAB 83.61, -37.17, 26.49

 

CMYK 14 / 0 / 33 / 11

HEX #C3E398

RGB 195 227 152

HSL 85.6, 0.57%, 0.74%

LAB 86.41, -23.14, 33.26

 

CMYK 13 / 0 / 35 / 91

HEX #14170F

RGB 20 23 15

HSL 82.5, 0.21%, 0.07%

LAB 7.19, -3.09, 4.25

 

CMYK 14 / 0 / 32 / 71

HEX #404A32

RGB 64 74 50

HSL 85, 0.19%, 0.24%

LAB 29.96, -9.02, 13.04

 

CMYK 14 / 0 / 33 / 51

HEX #6B7D54

RGB 107 125 84

HSL 86.34, 0.2%, 0.41%

LAB 50.02, -14.37, 20.24

 

CMYK 14 / 0 / 33 / 31

HEX #97B076

RGB 151 176 118

HSL 85.86, 0.27%, 0.58%

LAB 68.71, -18.89, 26.95

 

CMYK 14 / 0 / 33 / 11

HEX #C3E398

RGB 195 227 152

HSL 85.6, 0.57%, 0.74%

LAB 86.41, -23.14, 33.26

 

CMYK 34 / 0 / 13 / 11

HEX #96E2C5

RGB 150 226 197

HSL 157.11, 0.57%, 0.74%

LAB 84.44, -29.69, 6.75

 

CMYK 0 / 34 / 0 / 11

HEX #E296E1

RGB 226 150 225

HSL 300.79, 0.57%, 0.74%

LAB 71.84, 40.21, -26.49

 

CMYK 14 / 0 / 33 / 11

HEX #C3E398

RGB 195 227 152

HSL 85.6, 0.57%, 0.74%

LAB 86.41, -23.14, 33.26

 

CMYK 34 / 14 / 0 / 11

HEX #96C2E2

RGB 150 194 226

HSL 205.26, 0.57%, 0.74%

LAB 76.41, -6.91, -20.62

 

CMYK 0 / 34 / 14 / 11

HEX #E296C2

RGB 226 150 194

HSL 325.26, 0.57%, 0.74%

LAB 70.79, 34.88, -10.97

 

CMYK 14 / 0 / 33 / 11

HEX #C3E398

RGB 195 227 152

HSL 85.6, 0.57%, 0.74%

LAB 86.41, -23.14, 33.26

 

CMYK 34 / 0 / 13 / 11

HEX #96E2C5

RGB 150 226 197

HSL 157.11, 0.57%, 0.74%

LAB 84.44, -29.69, 6.75

 

CMYK 19 / 34 / 0 / 11

HEX #B696E2

RGB 182 150 226

HSL 265.26, 0.57%, 0.74%

LAB 67.46, 26.81, -34.15

 

CMYK 0 / 34 / 21 / 11

HEX #E296B3

RGB 226 150 179

HSL 337.11, 0.57%, 0.74%

LAB 70.34, 32.56, -3.3

 

CMYK 14 / 0 / 33 / 11

HEX #C3E398

RGB 195 227 152

HSL 85.6, 0.57%, 0.74%

LAB 86.41, -23.14, 33.26

 

CMYK 34 / 0 / 3 / 11

HEX #96E2DC

RGB 150 226 220

HSL 175.26, 0.57%, 0.74%

LAB 85.02, -24.68, -4.54

 

CMYK 19 / 34 / 0 / 11

HEX #B696E2

RGB 182 150 226

HSL 265.26, 0.57%, 0.74%

LAB 67.46, 26.81, -34.15

 

CMYK 0 / 34 / 31 / 11

HEX #E2969D

RGB 226 150 157

HSL 354.47, 0.57%, 0.74%

LAB 69.76, 29.48, 8.12

 

Description

Color code: RGB 195 227 152 | qconv.com Color code: RGB 195 227 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 227 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 227 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 33 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 33% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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