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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195.7 128.6 93 it is the complementary color RGB 59.3 126.4 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195.7 128.6 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195.7 128.6 93 shade: RGB 200.7 128.6 88, RGB 217.7 146.6 107, RGB 234.7 164.6 126, RGB 251.7 182.6 145 and RGB 255 200.6 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195.7 128.6 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195.7 128.6 93 shade: RGB 195.7 128.6 93, RGB 178.7 110.6 74, RGB 161.7 92.6 55, RGB 144.7 74.6 36 and RGB 127.7 56.6 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195.7 128.6 93 shade: RGB 196 130 95, RGB 196 103 95 and RGB 196 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195.7 128.6 93 shade: RGB 196 130 95, RGB 196 157 95, RGB 196 184 95, RGB 180 196 95 and RGB 153 196 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195.7 128.6 93 shade matches the following richer shades: RGB 196 130 95, RGB 214 124 77, RGB 231 119 59 and RGB 249 114 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195.7 128.6 93 shade: RGB 196 130 95, RGB 178 135 113, RGB 160 141 130, RGB 143 146 148 and RGB 125 152 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195.7 128.6 93 shade: RGB 196 95 115, RGB 196 102 95, RGB 196 129 95, RGB 196 155 95 and RGB 196 182 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195.7 128.6 93 shade: RGB 152 89 56, RGB 182 107 67, RGB 196 130 95, RGB 207 153 125 and RGB 218 177 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195.7 128.6 93 shade: RGB 195.7 128.6 93, RGB 142 196 95 and RGB 95 102 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195.7 128.6 93 shade: RGB 195.7 128.6 93, RGB 95 196 129 and RGB 129 95 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195.7 128.6 93 shade: RGB 195.7 128.6 93, RGB 142 196 95, RGB 95 162 196 and RGB 149 95 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195.7 128.6 93 shade: RGB 195.7 128.6 93, RGB 112 196 95, RGB 95 162 196 and RGB 179 95 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 52 / 23

HEX #C3805D

RGB 195.7 128.6 93

HSL 20.8, 0.46%, 0.57%

LAB 59.96, 22.07, 29.87

 

Complementary color

CMYK 63 / 22 / 0 / 36

HEX #3B7EA2

RGB 59.3 126.4 162

HSL 200.8, 0.46%, 0.43%

LAB 50.18, -10.03, -25.37

 

CMYK 0 / 36 / 56 / 21

HEX #C88058

RGB 200.7 128.6 88

HSL 21.61, 0.51%, 0.57%

LAB 60.49, 23.7, 33.41

 

CMYK 0 / 33 / 51 / 15

HEX #D9926B

RGB 217.7 146.6 107

HSL 21.46, 0.6%, 0.64%

LAB 67.02, 22.52, 31.81

 

CMYK 0 / 30 / 46 / 8

HEX #EAA47E

RGB 234.7 164.6 126

HSL 21.31, 0.73%, 0.71%

LAB 73.47, 21.48, 30.35

 

CMYK 0 / 27 / 42 / 1

HEX #FBB691

RGB 251.7 182.6 145

HSL 21.14, 0.94%, 0.78%

LAB 79.83, 20.55, 29.01

 

CMYK 0 / 21 / 36 / 0

HEX #FFC8A4

RGB 255 200.6 164

HSL 24.13, 1%, 0.82%

LAB 84.75, 14.51, 25.69

 

CMYK 0 / 34 / 52 / 23

HEX #C3805D

RGB 195.7 128.6 93

HSL 20.8, 0.46%, 0.57%

LAB 59.96, 22.07, 29.87

 

CMYK 0 / 38 / 59 / 30

HEX #B26E4A

RGB 178.7 110.6 74

HSL 20.97, 0.41%, 0.5%

LAB 53.3, 23.33, 31.55

 

CMYK 0 / 43 / 66 / 37

HEX #A15C37

RGB 161.7 92.6 55

HSL 21.14, 0.49%, 0.42%

LAB 46.56, 24.79, 33.4

 

CMYK 0 / 48 / 75 / 43

HEX #904A24

RGB 144.7 74.6 36

HSL 21.31, 0.6%, 0.35%

LAB 39.74, 26.47, 35.37

 

CMYK 0 / 56 / 87 / 50

HEX #7F3811

RGB 127.7 56.6 17

HSL 21.46, 0.77%, 0.28%

LAB 32.9, 28.37, 37.15

 

CMYK 0 / 34 / 52 / 23

HEX #C4825F

RGB 196 130 95

HSL 20.79, 0.46%, 0.57%

LAB 60.36, 21.61, 29.28

 

CMYK 0 / 47 / 52 / 23

HEX #C4675F

RGB 196 103 95

HSL 4.75, 0.46%, 0.57%

LAB 54.3, 36.18, 21.34

 

CMYK 0 / 52 / 52 / 23

HEX #C45F5F

RGB 196 95 95

HSL 0, 0.46%, 0.57%

LAB 52.67, 40.31, 19.15

 

CMYK 0 / 34 / 52 / 23

HEX #C4825F

RGB 196 130 95

HSL 20.79, 0.46%, 0.57%

LAB 60.36, 21.61, 29.28

 

CMYK 0 / 20 / 52 / 23

HEX #C49D5F

RGB 196 157 95

HSL 36.83, 0.46%, 0.57%

LAB 67.03, 6.81, 37.71

 

CMYK 0 / 6 / 52 / 23

HEX #C4B85F

RGB 196 184 95

HSL 52.87, 0.46%, 0.57%

LAB 74.09, -7.57, 46.26

 

CMYK 8 / 0 / 52 / 23

HEX #B4C45F

RGB 180 196 95

HSL 69.5, 0.46%, 0.57%

LAB 76.08, -20.23, 48.3

 

CMYK 22 / 0 / 52 / 23

HEX #99C45F

RGB 153 196 95

HSL 85.54, 0.46%, 0.57%

LAB 74.24, -30.78, 45.67

 

CMYK 0 / 34 / 52 / 23

HEX #C4825F

RGB 196 130 95

HSL 20.79, 0.46%, 0.57%

LAB 60.36, 21.61, 29.28

 

CMYK 0 / 42 / 64 / 16

HEX #D67C4D

RGB 214 124 77

HSL 20.58, 0.63%, 0.57%

LAB 61, 30.8, 40.31

 

CMYK 0 / 48 / 74 / 9

HEX #E7773B

RGB 231 119 59

HSL 20.93, 0.78%, 0.57%

LAB 62.08, 39.2, 51.21

 

CMYK 0 / 54 / 83 / 2

HEX #F9722A

RGB 249 114 42

HSL 20.87, 0.95%, 0.57%

LAB 63.62, 47.93, 61.03

 

CMYK 0 / 34 / 52 / 23

HEX #C4825F

RGB 196 130 95

HSL 20.79, 0.46%, 0.57%

LAB 60.36, 21.61, 29.28

 

CMYK 0 / 24 / 37 / 30

HEX #B28771

RGB 178 135 113

HSL 20.31, 0.3%, 0.57%

LAB 59.88, 13.4, 18.2

 

CMYK 0 / 12 / 19 / 37

HEX #A08D82

RGB 160 141 130

HSL 22, 0.14%, 0.57%

LAB 60.01, 5.26, 8.47

 

CMYK 3 / 1 / 0 / 42

HEX #8F9294

RGB 143 146 148

HSL 204, 0.02%, 0.57%

LAB 60.37, -0.69, -1.44

 

CMYK 25 / 8 / 0 / 35

HEX #7D98A6

RGB 125 152 166

HSL 200.49, 0.19%, 0.57%

LAB 61.28, -6.18, -10.45

 

CMYK 0 / 52 / 41 / 23

HEX #C45F73

RGB 196 95 115

HSL 348.12, 0.46%, 0.57%

LAB 53.12, 42.31, 7.96

 

CMYK 0 / 48 / 52 / 23

HEX #C4665F

RGB 196 102 95

HSL 4.16, 0.46%, 0.57%

LAB 54.1, 36.71, 21.06

 

CMYK 0 / 34 / 52 / 23

HEX #C4815F

RGB 196 129 95

HSL 20.2, 0.46%, 0.57%

LAB 60.13, 22.16, 28.98

 

CMYK 0 / 21 / 52 / 23

HEX #C49B5F

RGB 196 155 95

HSL 35.64, 0.46%, 0.57%

LAB 66.52, 7.9, 37.07

 

CMYK 0 / 7 / 52 / 23

HEX #C4B65F

RGB 196 182 95

HSL 51.68, 0.46%, 0.57%

LAB 73.56, -6.52, 45.63

 

CMYK 0 / 41 / 63 / 40

HEX #985938

RGB 152 89 56

HSL 20.63, 0.46%, 0.41%

LAB 44.38, 22.73, 29.93

 

CMYK 0 / 41 / 63 / 29

HEX #B66B43

RGB 182 107 67

HSL 20.87, 0.46%, 0.49%

LAB 52.8, 26.18, 34.89

 

CMYK 0 / 34 / 52 / 23

HEX #C4825F

RGB 196 130 95

HSL 20.79, 0.46%, 0.57%

LAB 60.36, 21.61, 29.28

 

CMYK 0 / 26 / 40 / 19

HEX #CF997D

RGB 207 153 125

HSL 20.49, 0.46%, 0.65%

LAB 67.67, 16.6, 22.63

 

CMYK 0 / 19 / 29 / 15

HEX #DAB19B

RGB 218 177 155

HSL 20.95, 0.46%, 0.73%

LAB 75.27, 11.68, 16.87

 

CMYK 0 / 34 / 52 / 23

HEX #C3805D

RGB 195.7 128.6 93

HSL 20.8, 0.46%, 0.57%

LAB 59.96, 22.07, 29.87

 

CMYK 28 / 0 / 52 / 23

HEX #8EC45F

RGB 142 196 95

HSL 92.08, 0.46%, 0.57%

LAB 73.58, -34.85, 44.73

 

CMYK 52 / 48 / 0 / 23

HEX #5F66C4

RGB 95 102 196

HSL 235.84, 0.46%, 0.57%

LAB 46.87, 23.57, -50.18

 

CMYK 0 / 34 / 52 / 23

HEX #C3805D

RGB 195.7 128.6 93

HSL 20.8, 0.46%, 0.57%

LAB 59.96, 22.07, 29.87

 

CMYK 52 / 0 / 34 / 23

HEX #5FC481

RGB 95 196 129

HSL 140.2, 0.46%, 0.57%

LAB 71.89, -44.49, 24.86

 

CMYK 34 / 52 / 0 / 23

HEX #815FC4

RGB 129 95 196

HSL 260.2, 0.46%, 0.57%

LAB 48.05, 35.98, -48.12

 

CMYK 0 / 34 / 52 / 23

HEX #C3805D

RGB 195.7 128.6 93

HSL 20.8, 0.46%, 0.57%

LAB 59.96, 22.07, 29.87

 

CMYK 28 / 0 / 52 / 23

HEX #8EC45F

RGB 142 196 95

HSL 92.08, 0.46%, 0.57%

LAB 73.58, -34.85, 44.73

 

CMYK 52 / 17 / 0 / 23

HEX #5FA2C4

RGB 95 162 196

HSL 200.2, 0.46%, 0.57%

LAB 63.56, -11.8, -24.02

 

CMYK 24 / 52 / 0 / 23

HEX #955FC4

RGB 149 95 196

HSL 272.08, 0.46%, 0.57%

LAB 50.17, 41.23, -44.63

 

CMYK 0 / 34 / 52 / 23

HEX #C3805D

RGB 195.7 128.6 93

HSL 20.8, 0.46%, 0.57%

LAB 59.96, 22.07, 29.87

 

CMYK 43 / 0 / 52 / 23

HEX #70C45F

RGB 112 196 95

HSL 109.9, 0.46%, 0.57%

LAB 72.06, -44.96, 42.53

 

CMYK 52 / 17 / 0 / 23

HEX #5FA2C4

RGB 95 162 196

HSL 200.2, 0.46%, 0.57%

LAB 63.56, -11.8, -24.02

 

CMYK 9 / 52 / 0 / 23

HEX #B35FC4

RGB 179 95 196

HSL 289.9, 0.46%, 0.57%

LAB 53.76, 49.45, -38.71

 

Description

Color code: RGB 195.7 128.6 93 | qconv.com Color code: RGB 195.7 128.6 93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195.7 red, 128.6 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195.7 128.6 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 52 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 52% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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