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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 43 / 0 / 52 / 23 it is the complementary color CMYK 11 / 63 / 0 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 43 / 0 / 52 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 43 / 0 / 52 / 23: CMYK 40 / 0 / 55 / 23, CMYK 37 / 0 / 50 / 16, CMYK 35 / 0 / 45 / 9, CMYK 33 / 0 / 42 / 2 and CMYK 27 / 0 / 35 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 43 / 0 / 52 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 43 / 0 / 52 / 23: CMYK 43 / 0 / 52 / 23, CMYK 47 / 0 / 58 / 30, CMYK 51 / 0 / 65 / 37, CMYK 57 / 0 / 74 / 44 and CMYK 65 / 0 / 85 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 52 / 23

HEX #70C45E

RGB 112 196 94

HSL 109.41, 0.46%, 0.57%

LAB 72.05, -45.09, 43

 

Complementary color

CMYK 11 / 63 / 0 / 37

HEX #8F3BA1

RGB 143 59 161

HSL 289.41, 0.46%, 0.43%

LAB 40.48, 50.58, -39.54

 

CMYK 40 / 0 / 55 / 23

HEX #75C459

RGB 117 196 89

HSL 104.3, 0.48%, 0.56%

LAB 72.22, -44.11, 45.65

 

CMYK 37 / 0 / 50 / 16

HEX #86D66C

RGB 134 214 108

HSL 105.28, 0.56%, 0.63%

LAB 78.6, -44.06, 44.47

 

CMYK 35 / 0 / 45 / 9

HEX #97E87F

RGB 151 232 127

HSL 106.29, 0.7%, 0.7%

LAB 84.91, -43.95, 43.28

 

CMYK 33 / 0 / 42 / 2

HEX #A8FA92

RGB 168 250 146

HSL 107.31, 0.91%, 0.78%

LAB 91.13, -43.8, 42.1

 

CMYK 27 / 0 / 35 / 0

HEX #B9FFA5

RGB 185 255 165

HSL 106.67, 1%, 0.82%

LAB 93.69, -37.87, 36.25

 

CMYK 43 / 0 / 52 / 23

HEX #70C45E

RGB 112 196 94

HSL 109.41, 0.46%, 0.57%

LAB 72.05, -45.09, 43

 

CMYK 47 / 0 / 58 / 30

HEX #5FB24B

RGB 95 178 75

HSL 108.35, 0.41%, 0.5%

LAB 65.58, -45.06, 44.19

 

CMYK 51 / 0 / 65 / 37

HEX #4EA038

RGB 78 160 56

HSL 107.31, 0.48%, 0.42%

LAB 59.02, -44.84, 45.24

 

CMYK 57 / 0 / 74 / 44

HEX #3D8E25

RGB 61 142 37

HSL 106.29, 0.59%, 0.35%

LAB 52.37, -44.33, 45.91

 

CMYK 65 / 0 / 85 / 51

HEX #2C7C12

RGB 44 124 18

HSL 105.28, 0.75%, 0.28%

LAB 45.63, -43.31, 45.67

 

CMYK 43 / 0 / 52 / 23

HEX #70C45E

RGB 112 196 94

HSL 109.41, 0.46%, 0.57%

LAB 72.05, -45.09, 43

 

CMYK 51 / 0 / 52 / 24

HEX #60C35E

RGB 96 195 94

HSL 118.81, 0.46%, 0.57%

LAB 71.09, -49.34, 41.69

 

CMYK 52 / 0 / 44 / 24

HEX #5EC36E

RGB 94 195 110

HSL 129.5, 0.46%, 0.57%

LAB 71.24, -47.57, 33.87

 

CMYK 52 / 0 / 35 / 24

HEX #5EC37E

RGB 94 195 126

HSL 139.01, 0.46%, 0.57%

LAB 71.5, -44.86, 25.91

 

CMYK 52 / 0 / 27 / 24

HEX #5EC38F

RGB 94 195 143

HSL 149.11, 0.46%, 0.57%

LAB 71.82, -41.59, 17.3

 

CMYK 43 / 0 / 52 / 23

HEX #70C45E

RGB 112 196 94

HSL 109.41, 0.46%, 0.57%

LAB 72.05, -45.09, 43

 

CMYK 43 / 0 / 52 / 3

HEX #8DF776

RGB 141 247 118

HSL 109.3, 0.89%, 0.72%

LAB 88.68, -54.39, 52.07

 

CMYK 42 / 0 / 51 / 83

HEX #192B15

RGB 25 43 21

HSL 109.09, 0.34%, 0.13%

LAB 15.43, -12.89, 12.03

 

CMYK 43 / 0 / 52 / 63

HEX #365E2D

RGB 54 94 45

HSL 108.98, 0.35%, 0.27%

LAB 35.94, -24.84, 23.63

 

CMYK 43 / 0 / 52 / 43

HEX #539146

RGB 83 145 70

HSL 109.6, 0.35%, 0.42%

LAB 54.59, -35.27, 33.42

 

CMYK 43 / 0 / 52 / 23

HEX #70C45E

RGB 112 196 94

HSL 109.41, 0.46%, 0.57%

LAB 72.05, -45.09, 43

 

CMYK 52 / 1 / 0 / 24

HEX #5EC2C3

RGB 94 194 195

HSL 180.59, 0.46%, 0.57%

LAB 72.83, -28.79, -9.45

 

CMYK 0 / 52 / 22 / 24

HEX #C35E99

RGB 195 94 153

HSL 324.95, 0.46%, 0.57%

LAB 53.93, 47.35, -13.32

 

CMYK 43 / 0 / 52 / 23

HEX #70C45E

RGB 112 196 94

HSL 109.41, 0.46%, 0.57%

LAB 72.05, -45.09, 43

 

CMYK 52 / 42 / 0 / 24

HEX #5E71C3

RGB 94 113 195

HSL 228.71, 0.46%, 0.57%

LAB 49.65, 16.24, -45.17

 

CMYK 0 / 52 / 42 / 24

HEX #C35E71

RGB 195 94 113

HSL 348.71, 0.46%, 0.57%

LAB 52.73, 42.24, 8.56

 

CMYK 43 / 0 / 52 / 23

HEX #70C45E

RGB 112 196 94

HSL 109.41, 0.46%, 0.57%

LAB 72.05, -45.09, 43

 

CMYK 52 / 1 / 0 / 24

HEX #5EC2C3

RGB 94 194 195

HSL 180.59, 0.46%, 0.57%

LAB 72.83, -28.79, -9.45

 

CMYK 9 / 52 / 0 / 24

HEX #B15EC3

RGB 177 94 195

HSL 289.31, 0.46%, 0.57%

LAB 53.27, 49.21, -38.93

 

CMYK 0 / 51 / 52 / 24

HEX #C3605E

RGB 195 96 94

HSL 1.19, 0.46%, 0.57%

LAB 52.7, 39.34, 19.75

 

CMYK 43 / 0 / 52 / 23

HEX #70C45E

RGB 112 196 94

HSL 109.41, 0.46%, 0.57%

LAB 72.05, -45.09, 43

 

CMYK 52 / 16 / 0 / 24

HEX #5EA3C3

RGB 94 163 195

HSL 199.01, 0.46%, 0.57%

LAB 63.77, -12.86, -23.14

 

CMYK 9 / 52 / 0 / 24

HEX #B15EC3

RGB 177 94 195

HSL 289.31, 0.46%, 0.57%

LAB 53.27, 49.21, -38.93

 

CMYK 0 / 35 / 52 / 24

HEX #C37E5E

RGB 195 126 94

HSL 19.01, 0.46%, 0.57%

LAB 59.28, 23.3, 28.42

 

Description

Color code: CMYK 43 / 0 / 52 / 23 | qconv.com Color code: CMYK 43 / 0 / 52 / 23 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 196 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 196 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 52 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 52% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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