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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 82 25 it is the complementary color RGB 61 173 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 82 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 194 82 25: RGB 199 82 20, RGB 216 100 39, RGB 233 118 58, RGB 250 136 77 and RGB 255 154 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 82 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 194 82 25: RGB 194 82 25, RGB 177 64 6, RGB 160 46 0, RGB 143 28 0 and RGB 126 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 87 / 24

HEX #C25219

RGB 194 82 25

HSL 20.24, 0.77%, 0.43%

LAB 48.98, 42.17, 51.82

 

Complementary color

CMYK 73 / 25 / 0 / 10

HEX #3DADE6

RGB 61 173 230

HSL 200.24, 0.77%, 0.57%

LAB 66.97, -12.9, -37.63

 

CMYK 0 / 59 / 90 / 22

HEX #C75214

RGB 199 82 20

HSL 20.78, 0.82%, 0.43%

LAB 49.77, 43.96, 54.56

 

CMYK 0 / 54 / 82 / 15

HEX #D86427

RGB 216 100 39

HSL 20.68, 0.69%, 0.5%

LAB 55.95, 42.16, 53.53

 

CMYK 0 / 49 / 75 / 9

HEX #E9763A

RGB 233 118 58

HSL 20.57, 0.8%, 0.57%

LAB 62.16, 40.44, 51.85

 

CMYK 0 / 46 / 69 / 2

HEX #FA884D

RGB 250 136 77

HSL 20.46, 0.95%, 0.64%

LAB 68.36, 38.82, 50.01

 

CMYK 0 / 40 / 62 / 0

HEX #FF9A60

RGB 255 154 96

HSL 21.89, 1%, 0.69%

LAB 73.03, 32.66, 46.02

 

CMYK 0 / 58 / 87 / 24

HEX #C25219

RGB 194 82 25

HSL 20.24, 0.77%, 0.43%

LAB 48.98, 42.17, 51.82

 

CMYK 0 / 64 / 97 / 31

HEX #B14006

RGB 177 64 6

HSL 20.35, 0.93%, 0.36%

LAB 42.8, 43.92, 52.07

 

CMYK 0 / 71 / 100 / 37

HEX #A02E00

RGB 160 46 0

HSL 17.25, 1%, 0.31%

LAB 36.79, 45.46, 49.08

 

CMYK 0 / 80 / 100 / 44

HEX #8F1C00

RGB 143 28 0

HSL 11.75, 1%, 0.28%

LAB 31.04, 46.25, 43.96

 

CMYK 0 / 92 / 100 / 51

HEX #7E0A00

RGB 126 10 0

HSL 4.76, 1%, 0.25%

LAB 25.72, 45.61, 38.07

 

CMYK 0 / 58 / 87 / 24

HEX #C25219

RGB 194 82 25

HSL 20.24, 0.77%, 0.43%

LAB 48.98, 42.17, 51.82

 

CMYK 0 / 44 / 87 / 24

HEX #C26D19

RGB 194 109 25

HSL 29.82, 0.77%, 0.43%

LAB 54.53, 28.26, 56.31

 

CMYK 0 / 29 / 87 / 24

HEX #C28919

RGB 194 137 25

HSL 39.76, 0.77%, 0.43%

LAB 61.16, 12.95, 61.67

 

CMYK 0 / 15 / 87 / 24

HEX #C2A519

RGB 194 165 25

HSL 49.7, 0.77%, 0.43%

LAB 68.35, -2.22, 67.47

 

CMYK 0 / 0 / 87 / 24

HEX #C2C219

RGB 194 194 25

HSL 60, 0.77%, 0.43%

LAB 76.14, -17.2, 73.74

 

CMYK 0 / 58 / 87 / 24

HEX #C25219

RGB 194 82 25

HSL 20.24, 0.77%, 0.43%

LAB 48.98, 42.17, 51.82

 

CMYK 0 / 58 / 87 / 4

HEX #F56820

RGB 245 104 32

HSL 20.28, 0.91%, 0.54%

LAB 61.15, 50.91, 62.43

 

CMYK 0 / 59 / 88 / 84

HEX #291105

RGB 41 17 5

HSL 20, 0.78%, 0.09%

LAB 7.98, 11.17, 10.12

 

CMYK 0 / 58 / 87 / 64

HEX #5C270C

RGB 92 39 12

HSL 20.25, 0.77%, 0.2%

LAB 22.84, 22.48, 27.96

 

CMYK 0 / 58 / 87 / 44

HEX #8F3C12

RGB 143 60 18

HSL 20.16, 0.78%, 0.32%

LAB 36.2, 32.94, 40.58

 

CMYK 0 / 58 / 87 / 24

HEX #C25219

RGB 194 82 25

HSL 20.24, 0.77%, 0.43%

LAB 48.98, 42.17, 51.82

 

CMYK 46 / 0 / 87 / 24

HEX #68C219

RGB 104 194 25

HSL 91.95, 0.77%, 0.43%

LAB 70.59, -52.13, 66.87

 

CMYK 87 / 81 / 0 / 24

HEX #1924C2

RGB 25 36 194

HSL 236.09, 0.77%, 0.43%

LAB 27.75, 53.39, -80.41

 

CMYK 0 / 58 / 87 / 24

HEX #C25219

RGB 194 82 25

HSL 20.24, 0.77%, 0.43%

LAB 48.98, 42.17, 51.82

 

CMYK 87 / 0 / 58 / 24

HEX #19C251

RGB 25 194 81

HSL 139.88, 0.77%, 0.43%

LAB 69.03, -63.38, 45.01

 

CMYK 58 / 87 / 0 / 24

HEX #5119C2

RGB 81 25 194

HSL 259.88, 0.77%, 0.43%

LAB 30.25, 61.37, -76.13

 

CMYK 0 / 58 / 87 / 24

HEX #C25219

RGB 194 82 25

HSL 20.24, 0.77%, 0.43%

LAB 48.98, 42.17, 51.82

 

CMYK 46 / 0 / 87 / 24

HEX #68C219

RGB 104 194 25

HSL 91.95, 0.77%, 0.43%

LAB 70.59, -52.13, 66.87

 

CMYK 87 / 29 / 0 / 24

HEX #1989C2

RGB 25 137 194

HSL 200.24, 0.77%, 0.43%

LAB 54.02, -9.02, -37.86

 

CMYK 41 / 87 / 0 / 24

HEX #7319C2

RGB 115 25 194

HSL 271.95, 0.77%, 0.43%

LAB 34.47, 65.04, -69.04

 

CMYK 0 / 58 / 87 / 24

HEX #C25219

RGB 194 82 25

HSL 20.24, 0.77%, 0.43%

LAB 48.98, 42.17, 51.82

 

CMYK 73 / 0 / 87 / 24

HEX #35C219

RGB 53 194 25

HSL 110.06, 0.77%, 0.43%

LAB 69.05, -64.62, 64.93

 

CMYK 87 / 29 / 0 / 24

HEX #1989C2

RGB 25 137 194

HSL 200.24, 0.77%, 0.43%

LAB 54.02, -9.02, -37.86

 

CMYK 15 / 87 / 0 / 24

HEX #A519C2

RGB 165 25 194

HSL 289.7, 0.77%, 0.43%

LAB 42.14, 72.32, -56.21

 

Description

Color code: RGB 194 82 25 | qconv.com Color code: RGB 194 82 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 82 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 82 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 87 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 87% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

46% - Web Kodevian
Link: http://kodevian.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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