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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 79 166 it is the complementary color RGB 61 176 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 79 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 194 79 166: RGB 199 79 161, RGB 216 97 180, RGB 233 115 199, RGB 250 133 218 and RGB 255 151 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 79 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 194 79 166: RGB 194 79 166, RGB 177 61 147, RGB 160 43 128, RGB 143 25 109 and RGB 126 7 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 14 / 24

HEX #C24FA6

RGB 194 79 166

HSL 314.61, 0.49%, 0.54%

LAB 51.63, 56.08, -24.48

 

Complementary color

CMYK 65 / 0 / 49 / 31

HEX #3DB059

RGB 61 176 89

HSL 134.61, 0.49%, 0.46%

LAB 63.97, -51.05, 35.14

 

CMYK 0 / 60 / 19 / 22

HEX #C74FA1

RGB 199 79 161

HSL 319, 0.52%, 0.55%

LAB 52.18, 56.76, -20.62

 

CMYK 0 / 55 / 17 / 15

HEX #D861B4

RGB 216 97 180

HSL 318.15, 0.6%, 0.61%

LAB 58.46, 56.34, -21.84

 

CMYK 0 / 51 / 15 / 9

HEX #E973C7

RGB 233 115 199

HSL 317.29, 0.73%, 0.68%

LAB 64.73, 55.77, -22.84

 

CMYK 0 / 47 / 13 / 2

HEX #FA85DA

RGB 250 133 218

HSL 316.41, 0.92%, 0.75%

LAB 70.98, 55.11, -23.69

 

CMYK 0 / 41 / 7 / 0

HEX #FF97ED

RGB 255 151 237

HSL 310.38, 1%, 0.8%

LAB 75.77, 50.75, -26.74

 

CMYK 0 / 59 / 14 / 24

HEX #C24FA6

RGB 194 79 166

HSL 314.61, 0.49%, 0.54%

LAB 51.63, 56.08, -24.48

 

CMYK 0 / 66 / 17 / 31

HEX #B13D93

RGB 177 61 147

HSL 315.52, 0.49%, 0.47%

LAB 45.35, 56.22, -23.11

 

CMYK 0 / 73 / 20 / 37

HEX #A02B80

RGB 160 43 128

HSL 316.41, 0.58%, 0.4%

LAB 39.17, 55.85, -21.31

 

CMYK 0 / 83 / 24 / 44

HEX #8F196D

RGB 143 25 109

HSL 317.29, 0.7%, 0.33%

LAB 33.22, 54.62, -18.85

 

CMYK 0 / 94 / 29 / 51

HEX #7E075A

RGB 126 7 90

HSL 318.15, 0.89%, 0.26%

LAB 27.64, 51.99, -15.43

 

CMYK 0 / 59 / 14 / 24

HEX #C24FA6

RGB 194 79 166

HSL 314.61, 0.49%, 0.54%

LAB 51.63, 56.08, -24.48

 

CMYK 0 / 59 / 24 / 24

HEX #C35095

RGB 195 80 149

HSL 324, 0.49%, 0.54%

LAB 51.28, 53.44, -14.97

 

CMYK 0 / 59 / 33 / 24

HEX #C35082

RGB 195 80 130

HSL 333.91, 0.49%, 0.54%

LAB 50.63, 50.96, -4.62

 

CMYK 0 / 59 / 44 / 24

HEX #C3506E

RGB 195 80 110

HSL 344.35, 0.49%, 0.54%

LAB 50.06, 48.72, 6.55

 

CMYK 0 / 59 / 53 / 24

HEX #C3505B

RGB 195 80 91

HSL 354.26, 0.49%, 0.54%

LAB 49.61, 46.94, 17.36

 

CMYK 0 / 59 / 14 / 24

HEX #C24FA6

RGB 194 79 166

HSL 314.61, 0.49%, 0.54%

LAB 51.63, 56.08, -24.48

 

CMYK 0 / 59 / 14 / 4

HEX #F564D2

RGB 245 100 210

HSL 314.48, 0.88%, 0.68%

LAB 64.31, 67.57, -29.54

 

CMYK 0 / 59 / 15 / 84

HEX #291123

RGB 41 17 35

HSL 315, 0.41%, 0.11%

LAB 8.94, 15.6, -7.06

 

CMYK 0 / 60 / 14 / 64

HEX #5C254F

RGB 92 37 79

HSL 314.18, 0.43%, 0.25%

LAB 24.2, 31.04, -13.96

 

CMYK 0 / 59 / 15 / 44

HEX #8F3A7A

RGB 143 58 122

HSL 314.82, 0.42%, 0.39%

LAB 38.32, 43.94, -19.13

 

CMYK 0 / 59 / 14 / 24

HEX #C24FA6

RGB 194 79 166

HSL 314.61, 0.49%, 0.54%

LAB 51.63, 56.08, -24.48

 

CMYK 0 / 33 / 59 / 24

HEX #C38250

RGB 195 130 80

HSL 26.09, 0.49%, 0.54%

LAB 60.02, 19.93, 36.98

 

CMYK 59 / 0 / 10 / 24

HEX #50C3B0

RGB 80 195 176

HSL 170.09, 0.49%, 0.54%

LAB 72.14, -37.01, -0.17

 

CMYK 0 / 59 / 14 / 24

HEX #C24FA6

RGB 194 79 166

HSL 314.61, 0.49%, 0.54%

LAB 51.63, 56.08, -24.48

 

CMYK 14 / 0 / 59 / 24

HEX #A8C350

RGB 168 195 80

HSL 74.09, 0.49%, 0.54%

LAB 74.78, -25.86, 53.49

 

CMYK 59 / 14 / 0 / 24

HEX #50A8C3

RGB 80 168 195

HSL 194.09, 0.49%, 0.54%

LAB 64.68, -18.44, -21.79

 

CMYK 0 / 59 / 14 / 24

HEX #C24FA6

RGB 194 79 166

HSL 314.61, 0.49%, 0.54%

LAB 51.63, 56.08, -24.48

 

CMYK 0 / 33 / 59 / 24

HEX #C38250

RGB 195 130 80

HSL 26.09, 0.49%, 0.54%

LAB 60.02, 19.93, 36.98

 

CMYK 59 / 0 / 45 / 24

HEX #50C36B

RGB 80 195 107

HSL 134.09, 0.49%, 0.54%

LAB 70.73, -51.46, 34.66

 

CMYK 59 / 26 / 0 / 24

HEX #5091C3

RGB 80 145 195

HSL 206.09, 0.49%, 0.54%

LAB 57.94, -5.85, -32.19

 

CMYK 0 / 59 / 14 / 24

HEX #C24FA6

RGB 194 79 166

HSL 314.61, 0.49%, 0.54%

LAB 51.63, 56.08, -24.48

 

CMYK 0 / 16 / 59 / 24

HEX #C3A450

RGB 195 164 80

HSL 43.83, 0.49%, 0.54%

LAB 68.56, 1.37, 47.05

 

CMYK 59 / 0 / 45 / 24

HEX #50C36B

RGB 80 195 107

HSL 134.09, 0.49%, 0.54%

LAB 70.73, -51.46, 34.66

 

CMYK 59 / 44 / 0 / 24

HEX #506EC3

RGB 80 110 195

HSL 224.35, 0.49%, 0.54%

LAB 48, 15.11, -47.85

 

Description

Color code: RGB 194 79 166 | qconv.com Color code: RGB 194 79 166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 79 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 79 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 14 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 14% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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