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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 30 118 it is the complementary color RGB 61 225 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 30 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 194 30 118: RGB 199 30 113, RGB 216 48 132, RGB 233 66 151, RGB 250 84 170 and RGB 255 102 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 30 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 194 30 118: RGB 194 30 118, RGB 177 12 99, RGB 160 0 80, RGB 143 0 61 and RGB 126 0 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 39 / 24

HEX #C21E76

RGB 194 30 118

HSL 327.8, 0.73%, 0.44%

LAB 43.81, 66.71, -7.49

 

Complementary color

CMYK 73 / 0 / 39 / 12

HEX #3DE189

RGB 61 225 137

HSL 147.8, 0.73%, 0.56%

LAB 79.98, -61, 31.36

 

CMYK 0 / 85 / 43 / 22

HEX #C71E71

RGB 199 30 113

HSL 330.53, 0.74%, 0.45%

LAB 44.61, 67.44, -3.1

 

CMYK 0 / 78 / 39 / 15

HEX #D83084

RGB 216 48 132

HSL 330, 0.68%, 0.52%

LAB 49.95, 69.05, -6.44

 

CMYK 0 / 72 / 35 / 9

HEX #E94297

RGB 233 66 151

HSL 329.46, 0.79%, 0.59%

LAB 55.54, 69.87, -9.13

 

CMYK 0 / 66 / 32 / 2

HEX #FA54AA

RGB 250 84 170

HSL 328.92, 0.94%, 0.65%

LAB 61.28, 70.13, -11.31

 

CMYK 0 / 60 / 26 / 0

HEX #FF66BD

RGB 255 102 189

HSL 325.88, 1%, 0.7%

LAB 65.31, 66.64, -16.03

 

CMYK 0 / 85 / 39 / 24

HEX #C21E76

RGB 194 30 118

HSL 327.8, 0.73%, 0.44%

LAB 43.81, 66.71, -7.49

 

CMYK 0 / 93 / 44 / 31

HEX #B10C63

RGB 177 12 99

HSL 328.36, 0.87%, 0.37%

LAB 38.74, 63.96, -3.47

 

CMYK 0 / 100 / 50 / 37

HEX #A00050

RGB 160 0 80

HSL 330, 1%, 0.31%

LAB 34.09, 59.85, 1.55

 

CMYK 0 / 100 / 57 / 44

HEX #8F003D

RGB 143 0 61

HSL 334.41, 1%, 0.28%

LAB 29.85, 54.37, 7.6

 

CMYK 0 / 100 / 67 / 51

HEX #7E002A

RGB 126 0 42

HSL 340, 1%, 0.25%

LAB 25.57, 48.89, 14.06

 

CMYK 0 / 85 / 39 / 24

HEX #C21E76

RGB 194 30 118

HSL 327.8, 0.73%, 0.44%

LAB 43.81, 66.71, -7.49

 

CMYK 0 / 85 / 52 / 24

HEX #C21E5D

RGB 194 30 93

HSL 336.95, 0.73%, 0.44%

LAB 43.05, 64.52, 6.99

 

CMYK 0 / 85 / 66 / 24

HEX #C21E41

RGB 194 30 65

HSL 347.2, 0.73%, 0.44%

LAB 42.43, 62.71, 23.71

 

CMYK 0 / 85 / 80 / 24

HEX #C21E26

RGB 194 30 38

HSL 357.07, 0.73%, 0.44%

LAB 42.06, 61.61, 39.44

 

CMYK 0 / 75 / 85 / 24

HEX #C2311E

RGB 194 49 30

HSL 6.95, 0.73%, 0.44%

LAB 43.89, 56.05, 45.36

 

CMYK 0 / 85 / 39 / 24

HEX #C21E76

RGB 194 30 118

HSL 327.8, 0.73%, 0.44%

LAB 43.81, 66.71, -7.49

 

CMYK 0 / 84 / 39 / 4

HEX #F52695

RGB 245 38 149

HSL 327.83, 0.91%, 0.55%

LAB 55.04, 79.92, -8.46

 

CMYK 0 / 85 / 39 / 84

HEX #290619

RGB 41 6 25

HSL 327.43, 0.74%, 0.09%

LAB 6.07, 19.83, -3.67

 

CMYK 0 / 85 / 39 / 64

HEX #5C0E38

RGB 92 14 56

HSL 327.69, 0.74%, 0.21%

LAB 19.54, 37.66, -5.32

 

CMYK 0 / 85 / 39 / 44

HEX #8F1657

RGB 143 22 87

HSL 327.77, 0.73%, 0.32%

LAB 32.04, 52.75, -6.45

 

CMYK 0 / 85 / 39 / 24

HEX #C21E76

RGB 194 30 118

HSL 327.8, 0.73%, 0.44%

LAB 43.81, 66.71, -7.49

 

CMYK 0 / 30 / 85 / 24

HEX #C2881E

RGB 194 136 30

HSL 38.78, 0.73%, 0.44%

LAB 60.93, 13.63, 60.03

 

CMYK 85 / 5 / 0 / 24

HEX #1EB9C2

RGB 30 185 194

HSL 183.29, 0.73%, 0.44%

LAB 68.66, -33.71, -15.31

 

CMYK 0 / 85 / 39 / 24

HEX #C21E76

RGB 194 30 118

HSL 327.8, 0.73%, 0.44%

LAB 43.81, 66.71, -7.49

 

CMYK 38 / 0 / 85 / 24

HEX #78C21E

RGB 120 194 30

HSL 87.07, 0.73%, 0.44%

LAB 71.33, -46.64, 66.71

 

CMYK 85 / 38 / 0 / 24

HEX #1E78C2

RGB 30 120 194

HSL 207.07, 0.73%, 0.44%

LAB 49.01, 1.43, -45.77

 

CMYK 0 / 85 / 39 / 24

HEX #C21E76

RGB 194 30 118

HSL 327.8, 0.73%, 0.44%

LAB 43.81, 66.71, -7.49

 

CMYK 0 / 30 / 85 / 24

HEX #C2881E

RGB 194 136 30

HSL 38.78, 0.73%, 0.44%

LAB 60.93, 13.63, 60.03

 

CMYK 85 / 0 / 46 / 24

HEX #1EC268

RGB 30 194 104

HSL 147.07, 0.73%, 0.44%

LAB 69.37, -59.47, 34.24

 

CMYK 85 / 55 / 0 / 24

HEX #1E57C2

RGB 30 87 194

HSL 219.15, 0.73%, 0.44%

LAB 39.56, 22.56, -60.98

 

CMYK 0 / 85 / 39 / 24

HEX #C21E76

RGB 194 30 118

HSL 327.8, 0.73%, 0.44%

LAB 43.81, 66.71, -7.49

 

CMYK 0 / 5 / 85 / 24

HEX #C2B91E

RGB 194 185 30

HSL 56.71, 0.73%, 0.44%

LAB 73.71, -12.53, 70.71

 

CMYK 85 / 0 / 46 / 24

HEX #1EC268

RGB 30 194 104

HSL 147.07, 0.73%, 0.44%

LAB 69.37, -59.47, 34.24

 

CMYK 85 / 80 / 0 / 24

HEX #1E26C2

RGB 30 38 194

HSL 237.07, 0.73%, 0.44%

LAB 28.27, 52.61, -79.54

 

Description

Color code: RGB 194 30 118 | qconv.com Color code: RGB 194 30 118 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 30 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 30 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 39 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 39% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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