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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 213 252 it is the complementary color RGB 61 42 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 213 252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 194 213 252: RGB 199 213 247, RGB 216 231 255, RGB 233 249 255, RGB 250 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 213 252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 194 213 252: RGB 194 213 252, RGB 177 195 233, RGB 160 177 214, RGB 143 159 195 and RGB 126 141 176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 15 / 0 / 1

HEX #C2D5FC

RGB 194 213 252

HSL 220.34, 0.91%, 0.87%

LAB 85.04, 1.84, -21.16

 

Complementary color

CMYK 0 / 31 / 95 / 76

HEX #3D2A03

RGB 61 42 3

HSL 40.34, 0.91%, 0.13%

LAB 18.6, 4.69, 25.6

 

CMYK 19 / 14 / 0 / 3

HEX #C7D5F7

RGB 199 213 247

HSL 222.5, 0.75%, 0.87%

LAB 85.22, 2.25, -18.21

 

CMYK 15 / 9 / 0 / 0

HEX #D8E7FF

RGB 216 231 255

HSL 216.92, 1%, 0.92%

LAB 91.22, -0.24, -13.29

 

CMYK 9 / 2 / 0 / 0

HEX #E9F9FF

RGB 233 249 255

HSL 196.36, 1%, 0.96%

LAB 96.94, -4.09, -4.68

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 23 / 15 / 0 / 1

HEX #C2D5FC

RGB 194 213 252

HSL 220.34, 0.91%, 0.87%

LAB 85.04, 1.84, -21.16

 

CMYK 24 / 16 / 0 / 9

HEX #B1C3E9

RGB 177 195 233

HSL 220.71, 0.56%, 0.8%

LAB 78.61, 2.05, -20.89

 

CMYK 25 / 17 / 0 / 16

HEX #A0B1D6

RGB 160 177 214

HSL 221.11, 0.4%, 0.73%

LAB 72.08, 2.27, -20.62

 

CMYK 27 / 18 / 0 / 24

HEX #8F9FC3

RGB 143 159 195

HSL 221.54, 0.3%, 0.66%

LAB 65.42, 2.52, -20.37

 

CMYK 28 / 20 / 0 / 31

HEX #7E8DB0

RGB 126 141 176

HSL 222, 0.24%, 0.59%

LAB 58.62, 2.79, -20.15

 

CMYK 23 / 15 / 0 / 1

HEX #C2D5FC

RGB 194 213 252

HSL 220.34, 0.91%, 0.87%

LAB 85.04, 1.84, -21.16

 

CMYK 24 / 20 / 0 / 1

HEX #BFC9FC

RGB 191 201 252

HSL 230.16, 0.91%, 0.87%

LAB 81.77, 7.35, -26.15

 

CMYK 24 / 24 / 0 / 1

HEX #BFBFFC

RGB 191 191 252

HSL 240, 0.91%, 0.87%

LAB 79.25, 12.77, -30.01

 

CMYK 20 / 24 / 0 / 1

HEX #C9BFFC

RGB 201 191 252

HSL 249.84, 0.91%, 0.87%

LAB 80.01, 15.75, -28.78

 

CMYK 16 / 24 / 0 / 1

HEX #D3BFFC

RGB 211 191 252

HSL 259.67, 0.91%, 0.87%

LAB 80.82, 18.79, -27.48

 

CMYK 23 / 15 / 0 / 1

HEX #C2D5FC

RGB 194 213 252

HSL 220.34, 0.91%, 0.87%

LAB 85.04, 1.84, -21.16

 

CMYK 23 / 15 / 0 / 81

HEX #252930

RGB 37 41 48

HSL 218.18, 0.13%, 0.17%

LAB 16.47, 0.12, -5.15

 

CMYK 23 / 15 / 0 / 61

HEX #4C5463

RGB 76 84 99

HSL 219.13, 0.13%, 0.34%

LAB 35.55, 0.53, -9.74

 

CMYK 23 / 15 / 0 / 41

HEX #737F96

RGB 115 127 150

HSL 219.43, 0.14%, 0.52%

LAB 52.98, 0.89, -13.84

 

CMYK 23 / 15 / 0 / 21

HEX #9BAAC9

RGB 155 170 201

HSL 220.43, 0.3%, 0.7%

LAB 69.42, 1.54, -17.54

 

CMYK 23 / 15 / 0 / 1

HEX #C2D5FC

RGB 194 213 252

HSL 220.34, 0.91%, 0.87%

LAB 85.04, 1.84, -21.16

 

CMYK 4 / 24 / 0 / 1

HEX #F3BFFC

RGB 243 191 252

HSL 291.15, 0.91%, 0.87%

LAB 83.62, 28.82, -22.94

 

CMYK 7 / 0 / 24 / 1

HEX #EBFCBF

RGB 235 252 191

HSL 76.72, 0.91%, 0.87%

LAB 96.43, -15.54, 27.43

 

CMYK 23 / 15 / 0 / 1

HEX #C2D5FC

RGB 194 213 252

HSL 220.34, 0.91%, 0.87%

LAB 85.04, 1.84, -21.16

 

CMYK 0 / 24 / 16 / 1

HEX #FCBFD3

RGB 252 191 211

HSL 340.33, 0.91%, 0.87%

LAB 83.26, 24.82, -1.47

 

CMYK 16 / 0 / 24 / 1

HEX #D3FCBF

RGB 211 252 191

HSL 100.33, 0.91%, 0.87%

LAB 94.84, -23.9, 24.99

 

CMYK 23 / 15 / 0 / 1

HEX #C2D5FC

RGB 194 213 252

HSL 220.34, 0.91%, 0.87%

LAB 85.04, 1.84, -21.16

 

CMYK 4 / 24 / 0 / 1

HEX #F3BFFC

RGB 243 191 252

HSL 291.15, 0.91%, 0.87%

LAB 83.62, 28.82, -22.94

 

CMYK 0 / 8 / 24 / 1

HEX #FCE7BF

RGB 252 231 191

HSL 39.34, 0.91%, 0.87%

LAB 92.4, 1.12, 22.09

 

CMYK 21 / 0 / 24 / 1

HEX #C7FCBF

RGB 199 252 191

HSL 112.13, 0.91%, 0.87%

LAB 94.11, -27.92, 23.87

 

CMYK 23 / 15 / 0 / 1

HEX #C2D5FC

RGB 194 213 252

HSL 220.34, 0.91%, 0.87%

LAB 85.04, 1.84, -21.16

 

CMYK 0 / 24 / 4 / 1

HEX #FCBFF1

RGB 252 191 241

HSL 310.82, 0.91%, 0.87%

LAB 84.13, 29.75, -16.24

 

CMYK 0 / 8 / 24 / 1

HEX #FCE7BF

RGB 252 231 191

HSL 39.34, 0.91%, 0.87%

LAB 92.4, 1.12, 22.09

 

CMYK 24 / 0 / 20 / 1

HEX #BFFCC9

RGB 191 252 201

HSL 129.84, 0.91%, 0.87%

LAB 93.85, -28.84, 18.33

 

Description

Color code: RGB 194 213 252 | qconv.com Color code: RGB 194 213 252 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 213 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 213 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 15 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 15% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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