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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 186 115 it is the complementary color RGB 61 69 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 186 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 194 186 115: RGB 199 186 110, RGB 216 204 129, RGB 233 222 148, RGB 250 240 167 and RGB 255 255 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 186 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 194 186 115: RGB 194 186 115, RGB 177 168 96, RGB 160 150 77, RGB 143 132 58 and RGB 126 114 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 41 / 24

HEX #C2BA73

RGB 194 186 115

HSL 53.92, 0.39%, 0.61%

LAB 74.71, -7.47, 36.97

 

Complementary color

CMYK 56 / 51 / 0 / 45

HEX #3D458C

RGB 61 69 140

HSL 233.92, 0.39%, 0.39%

LAB 32.13, 18.63, -40.66

 

CMYK 0 / 7 / 45 / 22

HEX #C7BA6E

RGB 199 186 110

HSL 51.24, 0.44%, 0.61%

LAB 75.07, -5.96, 40.05

 

CMYK 0 / 6 / 40 / 15

HEX #D8CC81

RGB 216 204 129

HSL 51.72, 0.53%, 0.68%

LAB 81.49, -6.44, 38.84

 

CMYK 0 / 5 / 36 / 9

HEX #E9DE94

RGB 233 222 148

HSL 52.24, 0.66%, 0.75%

LAB 87.83, -6.85, 37.67

 

CMYK 0 / 4 / 33 / 2

HEX #FAF0A7

RGB 250 240 167

HSL 52.77, 0.89%, 0.82%

LAB 94.07, -7.2, 36.55

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 4 / 41 / 24

HEX #C2BA73

RGB 194 186 115

HSL 53.92, 0.39%, 0.61%

LAB 74.71, -7.47, 36.97

 

CMYK 0 / 5 / 46 / 31

HEX #B1A860

RGB 177 168 96

HSL 53.33, 0.34%, 0.54%

LAB 68.17, -6.99, 38.2

 

CMYK 0 / 6 / 52 / 37

HEX #A0964D

RGB 160 150 77

HSL 52.77, 0.35%, 0.46%

LAB 61.5, -6.42, 39.45

 

CMYK 0 / 8 / 59 / 44

HEX #8F843A

RGB 143 132 58

HSL 52.24, 0.42%, 0.39%

LAB 54.71, -5.69, 40.65

 

CMYK 0 / 10 / 69 / 51

HEX #7E7227

RGB 126 114 39

HSL 51.72, 0.53%, 0.32%

LAB 47.77, -4.76, 41.65

 

CMYK 0 / 4 / 41 / 24

HEX #C2BA73

RGB 194 186 115

HSL 53.92, 0.39%, 0.61%

LAB 74.71, -7.47, 36.97

 

CMYK 2 / 0 / 40 / 24

HEX #BEC274

RGB 190 194 116

HSL 63.08, 0.39%, 0.61%

LAB 76.55, -13.09, 38.72

 

CMYK 9 / 0 / 40 / 24

HEX #B1C274

RGB 177 194 116

HSL 73.08, 0.39%, 0.61%

LAB 75.57, -18.22, 37.27

 

CMYK 15 / 0 / 40 / 24

HEX #A4C274

RGB 164 194 116

HSL 83.08, 0.39%, 0.61%

LAB 74.66, -23.22, 35.92

 

CMYK 22 / 0 / 40 / 24

HEX #97C274

RGB 151 194 116

HSL 93.08, 0.39%, 0.61%

LAB 73.82, -28.07, 34.68

 

CMYK 0 / 4 / 41 / 24

HEX #C2BA73

RGB 194 186 115

HSL 53.92, 0.39%, 0.61%

LAB 74.71, -7.47, 36.97

 

CMYK 0 / 4 / 41 / 4

HEX #F5EB91

RGB 245 235 145

HSL 54, 0.83%, 0.76%

LAB 92.08, -9.05, 44.81

 

CMYK 0 / 5 / 41 / 84

HEX #292718

RGB 41 39 24

HSL 52.94, 0.26%, 0.13%

LAB 15.43, -2.06, 10.27

 

CMYK 0 / 4 / 40 / 64

HEX #5C5837

RGB 92 88 55

HSL 53.51, 0.25%, 0.29%

LAB 36.99, -3.98, 19.73

 

CMYK 0 / 4 / 41 / 44

HEX #8F8955

RGB 143 137 85

HSL 53.79, 0.25%, 0.45%

LAB 56.47, -5.79, 28.68

 

CMYK 0 / 4 / 41 / 24

HEX #C2BA73

RGB 194 186 115

HSL 53.92, 0.39%, 0.61%

LAB 74.71, -7.47, 36.97

 

CMYK 40 / 0 / 37 / 24

HEX #74C27B

RGB 116 194 123

HSL 125.38, 0.39%, 0.61%

LAB 72.05, -38.81, 28.37

 

CMYK 21 / 40 / 0 / 24

HEX #9A74C2

RGB 154 116 194

HSL 269.23, 0.39%, 0.61%

LAB 55.33, 30.32, -35.3

 

CMYK 0 / 4 / 41 / 24

HEX #C2BA73

RGB 194 186 115

HSL 53.92, 0.39%, 0.61%

LAB 74.71, -7.47, 36.97

 

CMYK 40 / 0 / 5 / 24

HEX #74C2B9

RGB 116 194 185

HSL 173.08, 0.39%, 0.61%

LAB 73.42, -26.17, -3.04

 

CMYK 5 / 40 / 0 / 24

HEX #B974C2

RGB 185 116 194

HSL 293.08, 0.39%, 0.61%

LAB 58.7, 39.77, -29.81

 

CMYK 0 / 4 / 41 / 24

HEX #C2BA73

RGB 194 186 115

HSL 53.92, 0.39%, 0.61%

LAB 74.71, -7.47, 36.97

 

CMYK 40 / 0 / 37 / 24

HEX #74C27B

RGB 116 194 123

HSL 125.38, 0.39%, 0.61%

LAB 72.05, -38.81, 28.37

 

CMYK 40 / 36 / 0 / 24

HEX #747DC2

RGB 116 125 194

HSL 233.08, 0.39%, 0.61%

LAB 54.32, 14.13, -37.13

 

CMYK 0 / 40 / 4 / 24

HEX #C274BB

RGB 194 116 187

HSL 305.38, 0.39%, 0.61%

LAB 59.48, 41.26, -24.53

 

CMYK 0 / 4 / 41 / 24

HEX #C2BA73

RGB 194 186 115

HSL 53.92, 0.39%, 0.61%

LAB 74.71, -7.47, 36.97

 

CMYK 40 / 0 / 25 / 24

HEX #74C292

RGB 116 194 146

HSL 143.08, 0.39%, 0.61%

LAB 72.48, -34.68, 16.74

 

CMYK 40 / 36 / 0 / 24

HEX #747DC2

RGB 116 125 194

HSL 233.08, 0.39%, 0.61%

LAB 54.32, 14.13, -37.13

 

CMYK 0 / 40 / 15 / 24

HEX #C274A4

RGB 194 116 164

HSL 323.08, 0.39%, 0.61%

LAB 58.64, 37.32, -12.63

 

Description

Color code: RGB 194 186 115 | qconv.com Color code: RGB 194 186 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 186 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 186 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 41 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 41% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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