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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 179 179 it is the complementary color RGB 61 76 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 179 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 194 179 179: RGB 199 179 174, RGB 216 197 193, RGB 233 215 212, RGB 250 233 231 and RGB 255 251 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 179 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 194 179 179: RGB 194 179 179, RGB 177 161 160, RGB 160 143 141, RGB 143 125 122 and RGB 126 107 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 8 / 24

HEX #C2B3B3

RGB 194 179 179

HSL 0, 0.11%, 0.73%

LAB 74.17, 5.34, 1.92

 

Complementary color

CMYK 20 / 0 / 0 / 70

HEX #3D4C4C

RGB 61 76 76

HSL 180, 0.11%, 0.27%

LAB 31.07, -5.9, -1.98

 

CMYK 0 / 10 / 13 / 22

HEX #C7B3AE

RGB 199 179 174

HSL 12, 0.18%, 0.73%

LAB 74.47, 6.31, 5.15

 

CMYK 0 / 9 / 11 / 15

HEX #D8C5C1

RGB 216 197 193

HSL 10.43, 0.23%, 0.8%

LAB 80.95, 5.99, 4.41

 

CMYK 0 / 8 / 9 / 9

HEX #E9D7D4

RGB 233 215 212

HSL 8.57, 0.32%, 0.87%

LAB 87.33, 5.7, 3.71

 

CMYK 0 / 7 / 8 / 2

HEX #FAE9E7

RGB 250 233 231

HSL 6.32, 0.66%, 0.94%

LAB 93.61, 5.43, 3.03

 

CMYK 0 / 2 / 2 / 0

HEX #FFFBFA

RGB 255 251 250

HSL 12, 1%, 0.99%

LAB 98.89, 1.16, 0.94

 

CMYK 0 / 8 / 8 / 24

HEX #C2B3B3

RGB 194 179 179

HSL 0, 0.11%, 0.73%

LAB 74.17, 5.34, 1.92

 

CMYK 0 / 9 / 10 / 31

HEX #B1A1A0

RGB 177 161 160

HSL 3.53, 0.1%, 0.66%

LAB 67.56, 5.65, 2.63

 

CMYK 0 / 11 / 12 / 37

HEX #A08F8D

RGB 160 143 141

HSL 6.32, 0.09%, 0.59%

LAB 60.82, 5.99, 3.37

 

CMYK 0 / 13 / 15 / 44

HEX #8F7D7A

RGB 143 125 122

HSL 8.57, 0.09%, 0.52%

LAB 53.93, 6.37, 4.16

 

CMYK 0 / 15 / 18 / 51

HEX #7E6B67

RGB 126 107 103

HSL 10.43, 0.1%, 0.45%

LAB 46.88, 6.8, 5.02

 

CMYK 0 / 8 / 8 / 24

HEX #C2B3B3

RGB 194 179 179

HSL 0, 0.11%, 0.73%

LAB 74.17, 5.34, 1.92

 

CMYK 0 / 6 / 8 / 24

HEX #C1B5B2

RGB 193 181 178

HSL 12, 0.11%, 0.73%

LAB 74.57, 3.73, 3.05

 

CMYK 0 / 5 / 8 / 24

HEX #C1B7B2

RGB 193 183 178

HSL 20, 0.11%, 0.73%

LAB 75.09, 2.66, 3.79

 

CMYK 0 / 4 / 8 / 24

HEX #C1BAB2

RGB 193 186 178

HSL 32, 0.11%, 0.73%

LAB 75.87, 1.05, 4.92

 

CMYK 0 / 3 / 8 / 24

HEX #C1BCB2

RGB 193 188 178

HSL 40, 0.11%, 0.73%

LAB 76.39, -0.01, 5.67

 

CMYK 0 / 8 / 8 / 24

HEX #C2B3B3

RGB 194 179 179

HSL 0, 0.11%, 0.73%

LAB 74.17, 5.34, 1.92

 

CMYK 0 / 8 / 8 / 4

HEX #F5E2E2

RGB 245 226 226

HSL 0, 0.49%, 0.92%

LAB 91.37, 6.48, 2.33

 

CMYK 0 / 7 / 7 / 84

HEX #292626

RGB 41 38 38

HSL 0, 0.04%, 0.15%

LAB 15.47, 1.39, 0.49

 

CMYK 0 / 8 / 8 / 64

HEX #5C5555

RGB 92 85 85

HSL 0, 0.04%, 0.35%

LAB 36.8, 2.85, 1.02

 

CMYK 0 / 8 / 8 / 44

HEX #8F8484

RGB 143 132 132

HSL 0, 0.05%, 0.54%

LAB 56.1, 4.14, 1.49

 

CMYK 0 / 8 / 8 / 24

HEX #C2B3B3

RGB 194 179 179

HSL 0, 0.11%, 0.73%

LAB 74.17, 5.34, 1.92

 

CMYK 2 / 0 / 8 / 24

HEX #BEC1B2

RGB 190 193 178

HSL 72, 0.11%, 0.73%

LAB 77.46, -3.73, 7.18

 

CMYK 8 / 5 / 0 / 24

HEX #B2B8C1

RGB 178 184 193

HSL 216, 0.11%, 0.73%

LAB 74.57, -0.32, -5.28

 

CMYK 0 / 8 / 8 / 24

HEX #C2B3B3

RGB 194 179 179

HSL 0, 0.11%, 0.73%

LAB 74.17, 5.34, 1.92

 

CMYK 8 / 0 / 8 / 24

HEX #B2C1B2

RGB 178 193 178

HSL 120, 0.11%, 0.73%

LAB 76.57, -7.97, 5.78

 

CMYK 8 / 8 / 0 / 24

HEX #B2B2C1

RGB 178 178 193

HSL 240, 0.11%, 0.73%

LAB 72.99, 2.92, -7.61

 

CMYK 0 / 8 / 8 / 24

HEX #C2B3B3

RGB 194 179 179

HSL 0, 0.11%, 0.73%

LAB 74.17, 5.34, 1.92

 

CMYK 2 / 0 / 8 / 24

HEX #BEC1B2

RGB 190 193 178

HSL 72, 0.11%, 0.73%

LAB 77.46, -3.73, 7.18

 

CMYK 8 / 0 / 0 / 24

HEX #B2C1C1

RGB 178 193 193

HSL 180, 0.11%, 0.73%

LAB 76.95, -5.12, -1.77

 

CMYK 6 / 8 / 0 / 24

HEX #B5B2C1

RGB 181 178 193

HSL 252, 0.11%, 0.73%

LAB 73.23, 3.94, -7.24

 

CMYK 0 / 8 / 8 / 24

HEX #C2B3B3

RGB 194 179 179

HSL 0, 0.11%, 0.73%

LAB 74.17, 5.34, 1.92

 

CMYK 4 / 0 / 8 / 24

HEX #BAC1B2

RGB 186 193 178

HSL 88, 0.11%, 0.73%

LAB 77.16, -5.16, 6.71

 

CMYK 8 / 0 / 0 / 24

HEX #B2C1C1

RGB 178 193 193

HSL 180, 0.11%, 0.73%

LAB 76.95, -5.12, -1.77

 

CMYK 4 / 8 / 0 / 24

HEX #BAB2C1

RGB 186 178 193

HSL 272, 0.11%, 0.73%

LAB 73.63, 5.65, -6.6

 

Description

Color code: RGB 194 179 179 | qconv.com Color code: RGB 194 179 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 179 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 179 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 8 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 8% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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