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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 173 244 it is the complementary color RGB 61 82 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 173 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 194 173 244: RGB 199 173 239, RGB 216 191 255, RGB 233 209 255, RGB 250 227 255 and RGB 255 245 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 173 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 194 173 244: RGB 194 173 244, RGB 177 155 225, RGB 160 137 206, RGB 143 119 187 and RGB 126 101 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 29 / 0 / 4

HEX #C2ADF4

RGB 194 173 244

HSL 257.75, 0.76%, 0.82%

LAB 74.75, 21.7, -32.61

 

Complementary color

CMYK 26 / 0 / 87 / 68

HEX #3D520B

RGB 61 82 11

HSL 77.75, 0.76%, 0.18%

LAB 31.92, -19.19, 35.62

 

CMYK 17 / 28 / 0 / 6

HEX #C7ADEF

RGB 199 173 239

HSL 263.64, 0.67%, 0.81%

LAB 74.99, 22.12, -29.51

 

CMYK 15 / 25 / 0 / 0

HEX #D8BFFF

RGB 216 191 255

HSL 263.44, 1%, 0.87%

LAB 81.34, 20.96, -28.25

 

CMYK 9 / 18 / 0 / 0

HEX #E9D1FF

RGB 233 209 255

HSL 271.3, 1%, 0.91%

LAB 87.07, 16.66, -19.4

 

CMYK 2 / 11 / 0 / 0

HEX #FAE3FF

RGB 250 227 255

HSL 289.29, 1%, 0.95%

LAB 92.79, 12.7, -10.69

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 20 / 29 / 0 / 4

HEX #C2ADF4

RGB 194 173 244

HSL 257.75, 0.76%, 0.82%

LAB 74.75, 21.7, -32.61

 

CMYK 21 / 31 / 0 / 12

HEX #B19BE1

RGB 177 155 225

HSL 258.86, 0.54%, 0.75%

LAB 68.19, 22.28, -32.51

 

CMYK 22 / 33 / 0 / 19

HEX #A089CE

RGB 160 137 206

HSL 260, 0.41%, 0.67%

LAB 61.5, 22.9, -32.44

 

CMYK 24 / 36 / 0 / 27

HEX #8F77BB

RGB 143 119 187

HSL 261.18, 0.33%, 0.6%

LAB 54.68, 23.6, -32.4

 

CMYK 25 / 40 / 0 / 34

HEX #7E65A8

RGB 126 101 168

HSL 262.39, 0.28%, 0.53%

LAB 47.71, 24.37, -32.39

 

CMYK 20 / 29 / 0 / 4

HEX #C2ADF4

RGB 194 173 244

HSL 257.75, 0.76%, 0.82%

LAB 74.75, 21.7, -32.61

 

CMYK 16 / 28 / 0 / 5

HEX #CDAEF3

RGB 205 174 243

HSL 266.96, 0.74%, 0.82%

LAB 75.9, 24.27, -30.23

 

CMYK 11 / 28 / 0 / 5

HEX #D9AEF3

RGB 217 174 243

HSL 277.39, 0.74%, 0.82%

LAB 76.98, 27.98, -28.48

 

CMYK 6 / 28 / 0 / 5

HEX #E4AEF3

RGB 228 174 243

HSL 286.96, 0.74%, 0.82%

LAB 78.01, 31.43, -26.8

 

CMYK 1 / 28 / 0 / 5

HEX #F0AEF3

RGB 240 174 243

HSL 297.39, 0.74%, 0.82%

LAB 79.2, 35.21, -24.89

 

CMYK 20 / 29 / 0 / 4

HEX #C2ADF4

RGB 194 173 244

HSL 257.75, 0.76%, 0.82%

LAB 74.75, 21.7, -32.61

 

CMYK 20 / 30 / 0 / 84

HEX #201C28

RGB 32 28 40

HSL 260, 0.18%, 0.13%

LAB 11.21, 5.1, -7.42

 

CMYK 21 / 29 / 0 / 64

HEX #48415B

RGB 72 65 91

HSL 256.15, 0.17%, 0.31%

LAB 29.19, 9.16, -14.37

 

CMYK 20 / 29 / 0 / 44

HEX #71658E

RGB 113 101 142

HSL 257.56, 0.17%, 0.48%

LAB 45.32, 13.75, -20.82

 

CMYK 21 / 29 / 0 / 24

HEX #9989C1

RGB 153 137 193

HSL 257.14, 0.31%, 0.65%

LAB 60.35, 17.68, -26.95

 

CMYK 20 / 29 / 0 / 4

HEX #C2ADF4

RGB 194 173 244

HSL 257.75, 0.76%, 0.82%

LAB 74.75, 21.7, -32.61

 

CMYK 0 / 28 / 14 / 5

HEX #F3AED2

RGB 243 174 210

HSL 328.7, 0.74%, 0.82%

LAB 78.45, 30.52, -8.14

 

CMYK 25 / 0 / 28 / 5

HEX #B6F3AE

RGB 182 243 174

HSL 113.04, 0.74%, 0.82%

LAB 90.37, -32.01, 27.25

 

CMYK 20 / 29 / 0 / 4

HEX #C2ADF4

RGB 194 173 244

HSL 257.75, 0.76%, 0.82%

LAB 74.75, 21.7, -32.61

 

CMYK 0 / 21 / 28 / 5

HEX #F3C1AE

RGB 243 193 174

HSL 16.52, 0.74%, 0.82%

LAB 81.97, 15.19, 16.37

 

CMYK 28 / 0 / 21 / 5

HEX #AEF3C1

RGB 174 243 193

HSL 136.52, 0.74%, 0.82%

LAB 90.3, -31.34, 17.34

 

CMYK 20 / 29 / 0 / 4

HEX #C2ADF4

RGB 194 173 244

HSL 257.75, 0.76%, 0.82%

LAB 74.75, 21.7, -32.61

 

CMYK 0 / 28 / 14 / 5

HEX #F3AED2

RGB 243 174 210

HSL 328.7, 0.74%, 0.82%

LAB 78.45, 30.52, -8.14

 

CMYK 8 / 0 / 28 / 5

HEX #E0F3AE

RGB 224 243 174

HSL 76.52, 0.74%, 0.82%

LAB 93.02, -17.44, 31.27

 

CMYK 28 / 0 / 15 / 5

HEX #AEF3CF

RGB 174 243 207

HSL 148.7, 0.74%, 0.82%

LAB 90.6, -28.74, 10.52

 

CMYK 20 / 29 / 0 / 4

HEX #C2ADF4

RGB 194 173 244

HSL 257.75, 0.76%, 0.82%

LAB 74.75, 21.7, -32.61

 

CMYK 0 / 28 / 22 / 5

HEX #F3AEBD

RGB 243 174 189

HSL 346.96, 0.74%, 0.82%

LAB 77.88, 27.32, 2.43

 

CMYK 8 / 0 / 28 / 5

HEX #E0F3AE

RGB 224 243 174

HSL 76.52, 0.74%, 0.82%

LAB 93.02, -17.44, 31.27

 

CMYK 28 / 0 / 6 / 5

HEX #AEF3E4

RGB 174 243 228

HSL 166.96, 0.74%, 0.82%

LAB 91.1, -24.51, 0.32

 

Description

Color code: RGB 194 173 244 | qconv.com Color code: RGB 194 173 244 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 173 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 173 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 29 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 29% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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