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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 153 155 it is the complementary color RGB 61 102 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 153 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 194 153 155: RGB 199 153 150, RGB 216 171 169, RGB 233 189 188, RGB 250 207 207 and RGB 255 225 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 153 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 194 153 155: RGB 194 153 155, RGB 177 135 136, RGB 160 117 117, RGB 143 99 98 and RGB 126 81 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 20 / 24

HEX #C2999B

RGB 194 153 155

HSL 357.07, 0.25%, 0.68%

LAB 66.99, 15.59, 4.8

 

Complementary color

CMYK 40 / 0 / 2 / 60

HEX #3D6664

RGB 61 102 100

HSL 177.07, 0.25%, 0.32%

LAB 40.27, -14.85, -3.41

 

CMYK 0 / 23 / 25 / 22

HEX #C79996

RGB 199 153 150

HSL 3.67, 0.3%, 0.68%

LAB 67.37, 16.73, 8.21

 

CMYK 0 / 21 / 22 / 15

HEX #D8ABA9

RGB 216 171 169

HSL 2.55, 0.38%, 0.75%

LAB 73.93, 16.13, 7.3

 

CMYK 0 / 19 / 19 / 9

HEX #E9BDBC

RGB 233 189 188

HSL 1.33, 0.51%, 0.83%

LAB 80.38, 15.59, 6.46

 

CMYK 0 / 17 / 17 / 2

HEX #FACFCF

RGB 250 207 207

HSL 0, 0.81%, 0.9%

LAB 86.73, 15.1, 5.67

 

CMYK 0 / 12 / 11 / 0

HEX #FFE1E2

RGB 255 225 226

HSL 358, 1%, 0.94%

LAB 91.95, 10.46, 3.29

 

CMYK 0 / 21 / 20 / 24

HEX #C2999B

RGB 194 153 155

HSL 357.07, 0.25%, 0.68%

LAB 66.99, 15.59, 4.8

 

CMYK 0 / 24 / 23 / 31

HEX #B18788

RGB 177 135 136

HSL 358.57, 0.21%, 0.61%

LAB 60.3, 16.2, 5.68

 

CMYK 0 / 27 / 27 / 37

HEX #A07575

RGB 160 117 117

HSL 0, 0.18%, 0.54%

LAB 53.47, 16.89, 6.65

 

CMYK 0 / 31 / 31 / 44

HEX #8F6362

RGB 143 99 98

HSL 1.33, 0.19%, 0.47%

LAB 46.51, 17.68, 7.73

 

CMYK 0 / 36 / 37 / 51

HEX #7E514F

RGB 126 81 79

HSL 2.55, 0.23%, 0.4%

LAB 39.39, 18.6, 8.97

 

CMYK 0 / 21 / 20 / 24

HEX #C2999B

RGB 194 153 155

HSL 357.07, 0.25%, 0.68%

LAB 66.99, 15.59, 4.8

 

CMYK 0 / 19 / 21 / 24

HEX #C19D99

RGB 193 157 153

HSL 6, 0.24%, 0.68%

LAB 67.84, 12.7, 7.12

 

CMYK 0 / 15 / 21 / 24

HEX #C1A499

RGB 193 164 153

HSL 16.5, 0.24%, 0.68%

LAB 69.6, 8.86, 9.64

 

CMYK 0 / 11 / 21 / 24

HEX #C1AB99

RGB 193 171 153

HSL 27, 0.24%, 0.68%

LAB 71.39, 5.06, 12.18

 

CMYK 0 / 8 / 21 / 24

HEX #C1B299

RGB 193 178 153

HSL 37.5, 0.24%, 0.68%

LAB 73.21, 1.29, 14.72

 

CMYK 0 / 21 / 20 / 24

HEX #C2999B

RGB 194 153 155

HSL 357.07, 0.25%, 0.68%

LAB 66.99, 15.59, 4.8

 

CMYK 0 / 21 / 20 / 4

HEX #F5C1C4

RGB 245 193 196

HSL 356.54, 0.72%, 0.86%

LAB 82.67, 19.01, 5.61

 

CMYK 0 / 22 / 20 / 84

HEX #292021

RGB 41 32 33

HSL 353.33, 0.12%, 0.14%

LAB 13.32, 4.53, 0.95

 

CMYK 0 / 21 / 20 / 64

HEX #5C494A

RGB 92 73 74

HSL 356.84, 0.12%, 0.32%

LAB 32.99, 8.23, 2.45

 

CMYK 0 / 21 / 20 / 44

HEX #8F7172

RGB 143 113 114

HSL 358, 0.12%, 0.5%

LAB 50.53, 11.97, 3.95

 

CMYK 0 / 21 / 20 / 24

HEX #C2999B

RGB 194 153 155

HSL 357.07, 0.25%, 0.68%

LAB 66.99, 15.59, 4.8

 

CMYK 3 / 0 / 21 / 24

HEX #BBC199

RGB 187 193 153

HSL 69, 0.24%, 0.68%

LAB 76.68, -8.89, 19.49

 

CMYK 21 / 11 / 0 / 24

HEX #99ABC1

RGB 153 171 193

HSL 213, 0.24%, 0.68%

LAB 69.29, -1.48, -13.34

 

CMYK 0 / 21 / 20 / 24

HEX #C2999B

RGB 194 153 155

HSL 357.07, 0.25%, 0.68%

LAB 66.99, 15.59, 4.8

 

CMYK 20 / 0 / 21 / 24

HEX #9BC199

RGB 155 193 153

HSL 117, 0.24%, 0.68%

LAB 74.45, -20.44, 16.05

 

CMYK 21 / 20 / 0 / 24

HEX #999BC1

RGB 153 155 193

HSL 237, 0.24%, 0.68%

LAB 65.01, 7.41, -19.8

 

CMYK 0 / 21 / 20 / 24

HEX #C2999B

RGB 194 153 155

HSL 357.07, 0.25%, 0.68%

LAB 66.99, 15.59, 4.8

 

CMYK 3 / 0 / 21 / 24

HEX #BBC199

RGB 187 193 153

HSL 69, 0.24%, 0.68%

LAB 76.68, -8.89, 19.49

 

CMYK 21 / 0 / 1 / 24

HEX #99C1BF

RGB 153 193 191

HSL 177, 0.24%, 0.68%

LAB 75.25, -13.65, -3.38

 

CMYK 18 / 21 / 0 / 24

HEX #9F99C1

RGB 159 153 193

HSL 249, 0.24%, 0.68%

LAB 64.97, 10.46, -19.83

 

CMYK 0 / 21 / 20 / 24

HEX #C2999B

RGB 194 153 155

HSL 357.07, 0.25%, 0.68%

LAB 66.99, 15.59, 4.8

 

CMYK 9 / 0 / 21 / 24

HEX #AFC199

RGB 175 193 153

HSL 87, 0.24%, 0.68%

LAB 75.79, -13.33, 18.12

 

CMYK 21 / 0 / 1 / 24

HEX #99C1BF

RGB 153 193 191

HSL 177, 0.24%, 0.68%

LAB 75.25, -13.65, -3.38

 

CMYK 11 / 21 / 0 / 24

HEX #AB99C1

RGB 171 153 193

HSL 267, 0.24%, 0.68%

LAB 65.97, 14.39, -18.21

 

Description

Color code: RGB 194 153 155 | qconv.com Color code: RGB 194 153 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 153 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 153 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 20 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 20% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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