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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 139 77 it is the complementary color RGB 61 116 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 139 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 194 139 77: RGB 199 139 72, RGB 216 157 91, RGB 233 175 110, RGB 250 193 129 and RGB 255 211 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 139 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 194 139 77: RGB 194 139 77, RGB 177 121 58, RGB 160 103 39, RGB 143 85 20 and RGB 126 67 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 60 / 24

HEX #C28B4D

RGB 194 139 77

HSL 31.79, 0.49%, 0.53%

LAB 62.06, 14.33, 40.95

 

Complementary color

CMYK 66 / 35 / 0 / 30

HEX #3D74B2

RGB 61 116 178

HSL 211.79, 0.49%, 0.47%

LAB 47.88, 1.93, -38.28

 

CMYK 0 / 30 / 64 / 22

HEX #C78B48

RGB 199 139 72

HSL 31.65, 0.53%, 0.53%

LAB 62.57, 16.11, 44.22

 

CMYK 0 / 27 / 58 / 15

HEX #D89D5B

RGB 216 157 91

HSL 31.68, 0.62%, 0.6%

LAB 69.09, 14.87, 42.75

 

CMYK 0 / 25 / 53 / 9

HEX #E9AF6E

RGB 233 175 110

HSL 31.71, 0.74%, 0.67%

LAB 75.52, 13.8, 41.32

 

CMYK 0 / 23 / 48 / 2

HEX #FAC181

RGB 250 193 129

HSL 31.74, 0.92%, 0.74%

LAB 81.86, 12.86, 39.95

 

CMYK 0 / 17 / 42 / 0

HEX #FFD394

RGB 255 211 148

HSL 35.33, 1%, 0.79%

LAB 86.99, 7.35, 36.95

 

CMYK 0 / 28 / 60 / 24

HEX #C28B4D

RGB 194 139 77

HSL 31.79, 0.49%, 0.53%

LAB 62.06, 14.33, 40.95

 

CMYK 0 / 32 / 67 / 31

HEX #B1793A

RGB 177 121 58

HSL 31.76, 0.51%, 0.46%

LAB 55.41, 15.67, 42.43

 

CMYK 0 / 36 / 76 / 37

HEX #A06727

RGB 160 103 39

HSL 31.74, 0.61%, 0.39%

LAB 48.66, 17.26, 43.78

 

CMYK 0 / 41 / 86 / 44

HEX #8F5514

RGB 143 85 20

HSL 31.71, 0.75%, 0.32%

LAB 41.82, 19.16, 44.59

 

CMYK 0 / 47 / 99 / 51

HEX #7E4301

RGB 126 67 1

HSL 31.68, 0.98%, 0.25%

LAB 34.91, 21.37, 44.53

 

CMYK 0 / 28 / 60 / 24

HEX #C28B4D

RGB 194 139 77

HSL 31.79, 0.49%, 0.53%

LAB 62.06, 14.33, 40.95

 

CMYK 0 / 19 / 61 / 24

HEX #C19C4C

RGB 193 156 76

HSL 41.03, 0.49%, 0.53%

LAB 66.24, 4.53, 46.28

 

CMYK 0 / 9 / 61 / 24

HEX #C1B04C

RGB 193 176 76

HSL 51.28, 0.49%, 0.53%

LAB 71.49, -6.15, 52.18

 

CMYK 1 / 0 / 61 / 24

HEX #BFC14C

RGB 191 193 76

HSL 61.03, 0.49%, 0.53%

LAB 75.91, -15.74, 56.96

 

CMYK 11 / 0 / 61 / 24

HEX #ACC14C

RGB 172 193 76

HSL 70.77, 0.49%, 0.53%

LAB 74.47, -23.58, 54.98

 

CMYK 0 / 28 / 60 / 24

HEX #C28B4D

RGB 194 139 77

HSL 31.79, 0.49%, 0.53%

LAB 62.06, 14.33, 40.95

 

CMYK 0 / 28 / 60 / 4

HEX #F5B061

RGB 245 176 97

HSL 32.03, 0.88%, 0.67%

LAB 76.88, 17.18, 49.76

 

CMYK 0 / 29 / 61 / 84

HEX #291D10

RGB 41 29 16

HSL 31.2, 0.44%, 0.11%

LAB 11.87, 3.78, 10.72

 

CMYK 0 / 28 / 60 / 64

HEX #5C4225

RGB 92 66 37

HSL 31.64, 0.43%, 0.25%

LAB 30.17, 7.49, 21.9

 

CMYK 0 / 29 / 60 / 44

HEX #8F6639

RGB 143 102 57

HSL 31.4, 0.43%, 0.39%

LAB 46.5, 11.32, 31.63

 

CMYK 0 / 28 / 60 / 24

HEX #C28B4D

RGB 194 139 77

HSL 31.79, 0.49%, 0.53%

LAB 62.06, 14.33, 40.95

 

CMYK 44 / 0 / 61 / 24

HEX #6DC14C

RGB 109 193 76

HSL 103.08, 0.49%, 0.53%

LAB 70.81, -46.8, 49.89

 

CMYK 53 / 61 / 0 / 24

HEX #5A4CC1

RGB 90 76 193

HSL 247.18, 0.49%, 0.53%

LAB 39.9, 37.55, -59.69

 

CMYK 0 / 28 / 60 / 24

HEX #C28B4D

RGB 194 139 77

HSL 31.79, 0.49%, 0.53%

LAB 62.06, 14.33, 40.95

 

CMYK 61 / 0 / 29 / 24

HEX #4CC189

RGB 76 193 137

HSL 151.28, 0.49%, 0.53%

LAB 70.51, -45.99, 18.62

 

CMYK 29 / 61 / 0 / 24

HEX #894CC1

RGB 137 76 193

HSL 271.28, 0.49%, 0.53%

LAB 44.71, 47.73, -51.69

 

CMYK 0 / 28 / 60 / 24

HEX #C28B4D

RGB 194 139 77

HSL 31.79, 0.49%, 0.53%

LAB 62.06, 14.33, 40.95

 

CMYK 44 / 0 / 61 / 24

HEX #6DC14C

RGB 109 193 76

HSL 103.08, 0.49%, 0.53%

LAB 70.81, -46.8, 49.89

 

CMYK 61 / 31 / 0 / 24

HEX #4C85C1

RGB 76 133 193

HSL 210.77, 0.49%, 0.53%

LAB 54.2, -0.34, -36.91

 

CMYK 17 / 61 / 0 / 24

HEX #A04CC1

RGB 160 76 193

HSL 283.08, 0.49%, 0.53%

LAB 47.61, 53.29, -46.88

 

CMYK 0 / 28 / 60 / 24

HEX #C28B4D

RGB 194 139 77

HSL 31.79, 0.49%, 0.53%

LAB 62.06, 14.33, 40.95

 

CMYK 61 / 0 / 60 / 24

HEX #4CC14E

RGB 76 193 78

HSL 121.03, 0.49%, 0.53%

LAB 69.63, -55.61, 47.33

 

CMYK 61 / 31 / 0 / 24

HEX #4C85C1

RGB 76 133 193

HSL 210.77, 0.49%, 0.53%

LAB 54.2, -0.34, -36.91

 

CMYK 0 / 61 / 1 / 24

HEX #C14CBF

RGB 193 76 191

HSL 301.03, 0.49%, 0.53%

LAB 52.14, 61.17, -38.26

 

Description

Color code: RGB 194 139 77 | qconv.com Color code: RGB 194 139 77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 139 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 139 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 60 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 60% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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