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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 128 157 it is the complementary color RGB 61 127 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 128 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 194 128 157: RGB 199 128 152, RGB 216 146 171, RGB 233 164 190, RGB 250 182 209 and RGB 255 200 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 128 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 194 128 157: RGB 194 128 157, RGB 177 110 138, RGB 160 92 119, RGB 143 74 100 and RGB 126 56 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

Complementary color

CMYK 52 / 0 / 23 / 50

HEX #3D7F62

RGB 61 127 98

HSL 153.64, 0.35%, 0.37%

LAB 48.33, -28.41, 9.41

 

CMYK 0 / 36 / 24 / 22

HEX #C78098

RGB 199 128 152

HSL 339.72, 0.39%, 0.64%

LAB 61.52, 30.74, -1.39

 

CMYK 0 / 32 / 21 / 15

HEX #D892AB

RGB 216 146 171

HSL 338.57, 0.47%, 0.71%

LAB 68.09, 29.95, -2.27

 

CMYK 0 / 30 / 18 / 9

HEX #E9A4BE

RGB 233 164 190

HSL 337.39, 0.61%, 0.78%

LAB 74.57, 29.23, -3.07

 

CMYK 0 / 27 / 16 / 2

HEX #FAB6D1

RGB 250 182 209

HSL 336.18, 0.87%, 0.85%

LAB 80.95, 28.55, -3.82

 

CMYK 0 / 22 / 11 / 0

HEX #FFC8E4

RGB 255 200 228

HSL 329.45, 1%, 0.89%

LAB 86.09, 23.83, -6.35

 

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

CMYK 0 / 38 / 22 / 31

HEX #B16E8A

RGB 177 110 138

HSL 334.93, 0.3%, 0.56%

LAB 54.38, 30.5, -4.1

 

CMYK 0 / 43 / 26 / 37

HEX #A05C77

RGB 160 92 119

HSL 336.18, 0.27%, 0.49%

LAB 47.57, 31.36, -3.1

 

CMYK 0 / 48 / 30 / 44

HEX #8F4A64

RGB 143 74 100

HSL 337.39, 0.32%, 0.43%

LAB 40.67, 32.27, -1.93

 

CMYK 0 / 56 / 36 / 51

HEX #7E3851

RGB 126 56 81

HSL 338.57, 0.38%, 0.36%

LAB 33.69, 33.16, -0.46

 

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

CMYK 0 / 34 / 24 / 24

HEX #C17F92

RGB 193 127 146

HSL 342.73, 0.35%, 0.63%

LAB 60.42, 28.2, 0.36

 

CMYK 0 / 34 / 30 / 24

HEX #C17F87

RGB 193 127 135

HSL 352.73, 0.35%, 0.63%

LAB 60.13, 26.64, 6.25

 

CMYK 0 / 33 / 34 / 24

HEX #C1827F

RGB 193 130 127

HSL 2.73, 0.35%, 0.63%

LAB 60.64, 23.93, 11.55

 

CMYK 0 / 27 / 34 / 24

HEX #C18D7F

RGB 193 141 127

HSL 12.73, 0.35%, 0.63%

LAB 63.28, 17.86, 15.24

 

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

CMYK 0 / 34 / 19 / 4

HEX #F5A2C6

RGB 245 162 198

HSL 333.98, 0.81%, 0.8%

LAB 75.66, 35.67, -5.71

 

CMYK 0 / 34 / 20 / 84

HEX #291B21

RGB 41 27 33

HSL 334.29, 0.21%, 0.13%

LAB 11.72, 8.13, -1.38

 

CMYK 0 / 34 / 20 / 64

HEX #5C3D4A

RGB 92 61 74

HSL 334.84, 0.2%, 0.3%

LAB 29.68, 15.81, -2.38

 

CMYK 0 / 34 / 19 / 44

HEX #8F5E74

RGB 143 94 116

HSL 333.06, 0.21%, 0.46%

LAB 45.78, 23.39, -4.19

 

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

CMYK 0 / 8 / 34 / 24

HEX #C1B17F

RGB 193 177 127

HSL 45.45, 0.35%, 0.63%

LAB 72.44, -1.74, 27.7

 

CMYK 34 / 5 / 0 / 24

HEX #7FB7C1

RGB 127 183 193

HSL 189.09, 0.35%, 0.63%

LAB 71.03, -15.68, -10.9

 

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

CMYK 19 / 0 / 34 / 24

HEX #9DC17F

RGB 157 193 127

HSL 92.73, 0.35%, 0.63%

LAB 74.09, -23.87, 29.39

 

CMYK 34 / 19 / 0 / 24

HEX #7F9DC1

RGB 127 157 193

HSL 212.73, 0.35%, 0.63%

LAB 63.73, -1.61, -21.92

 

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

CMYK 0 / 8 / 34 / 24

HEX #C1B17F

RGB 193 177 127

HSL 45.45, 0.35%, 0.63%

LAB 72.44, -1.74, 27.7

 

CMYK 34 / 0 / 16 / 24

HEX #7FC1A3

RGB 127 193 163

HSL 152.73, 0.35%, 0.63%

LAB 73.09, -27.56, 8.5

 

CMYK 34 / 25 / 0 / 24

HEX #7F90C1

RGB 127 144 193

HSL 224.55, 0.35%, 0.63%

LAB 60.17, 5.77, -27.4

 

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

CMYK 2 / 0 / 34 / 24

HEX #BEC17F

RGB 190 193 127

HSL 62.73, 0.35%, 0.63%

LAB 76.45, -11.29, 32.94

 

CMYK 34 / 0 / 16 / 24

HEX #7FC1A3

RGB 127 193 163

HSL 152.73, 0.35%, 0.63%

LAB 73.09, -27.56, 8.5

 

CMYK 33 / 34 / 0 / 24

HEX #827FC1

RGB 130 127 193

HSL 242.73, 0.35%, 0.63%

LAB 55.86, 16.57, -34.07

 

Description

Color code: RGB 194 128 157 | qconv.com Color code: RGB 194 128 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 128 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 128 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 19 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 19% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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