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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 106 121 it is the complementary color RGB 61 149 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 106 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 194 106 121: RGB 199 106 116, RGB 216 124 135, RGB 233 142 154, RGB 250 160 173 and RGB 255 178 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 106 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 194 106 121: RGB 194 106 121, RGB 177 88 102, RGB 160 70 83, RGB 143 52 64 and RGB 126 34 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 38 / 24

HEX #C26A79

RGB 194 106 121

HSL 349.77, 0.42%, 0.59%

LAB 55.23, 36.58, 7.39

 

Complementary color

CMYK 59 / 0 / 10 / 42

HEX #3D9586

RGB 61 149 134

HSL 169.77, 0.42%, 0.41%

LAB 56.3, -30.04, 0.04

 

CMYK 0 / 47 / 42 / 22

HEX #C76A74

RGB 199 106 116

HSL 353.55, 0.45%, 0.6%

LAB 55.8, 37.85, 11.21

 

CMYK 0 / 43 / 38 / 15

HEX #D87C87

RGB 216 124 135

HSL 352.83, 0.54%, 0.67%

LAB 62.31, 36.85, 9.74

 

CMYK 0 / 39 / 34 / 9

HEX #E98E9A

RGB 233 142 154

HSL 352.09, 0.67%, 0.74%

LAB 68.75, 35.9, 8.46

 

CMYK 0 / 36 / 31 / 2

HEX #FAA0AD

RGB 250 160 173

HSL 351.33, 0.9%, 0.8%

LAB 75.13, 35.02, 7.31

 

CMYK 0 / 30 / 25 / 0

HEX #FFB2C0

RGB 255 178 192

HSL 349.09, 1%, 0.85%

LAB 80.13, 29.93, 4.23

 

CMYK 0 / 45 / 38 / 24

HEX #C26A79

RGB 194 106 121

HSL 349.77, 0.42%, 0.59%

LAB 55.23, 36.58, 7.39

 

CMYK 0 / 50 / 42 / 31

HEX #B15866

RGB 177 88 102

HSL 350.56, 0.36%, 0.52%

LAB 48.62, 37.59, 8.95

 

CMYK 0 / 56 / 48 / 37

HEX #A04653

RGB 160 70 83

HSL 351.33, 0.39%, 0.45%

LAB 41.97, 38.59, 10.83

 

CMYK 0 / 64 / 55 / 44

HEX #8F3440

RGB 143 52 64

HSL 352.09, 0.47%, 0.38%

LAB 35.33, 39.49, 13.2

 

CMYK 0 / 73 / 64 / 51

HEX #7E222D

RGB 126 34 45

HSL 352.83, 0.58%, 0.31%

LAB 28.82, 40.06, 16.29

 

CMYK 0 / 45 / 38 / 24

HEX #C26A79

RGB 194 106 121

HSL 349.77, 0.42%, 0.59%

LAB 55.23, 36.58, 7.39

 

CMYK 0 / 45 / 44 / 24

HEX #C26A6C

RGB 194 106 108

HSL 358.64, 0.42%, 0.59%

LAB 54.93, 35.12, 14.57

 

CMYK 0 / 39 / 45 / 24

HEX #C2776A

RGB 194 119 106

HSL 8.86, 0.42%, 0.59%

LAB 57.75, 27.91, 19.6

 

CMYK 0 / 31 / 45 / 24

HEX #C2866A

RGB 194 134 106

HSL 19.09, 0.42%, 0.59%

LAB 61.27, 19.67, 24.32

 

CMYK 0 / 24 / 45 / 24

HEX #C2946A

RGB 194 148 106

HSL 28.64, 0.42%, 0.59%

LAB 64.72, 11.96, 28.85

 

CMYK 0 / 45 / 38 / 24

HEX #C26A79

RGB 194 106 121

HSL 349.77, 0.42%, 0.59%

LAB 55.23, 36.58, 7.39

 

CMYK 0 / 45 / 38 / 4

HEX #F58699

RGB 245 134 153

HSL 349.73, 0.85%, 0.74%

LAB 68.58, 44.19, 8.98

 

CMYK 0 / 46 / 37 / 84

HEX #29161A

RGB 41 22 26

HSL 347.37, 0.3%, 0.12%

LAB 9.95, 10.35, 1.25

 

CMYK 0 / 46 / 38 / 64

HEX #5C3239

RGB 92 50 57

HSL 350, 0.3%, 0.28%

LAB 26.31, 19.91, 3.92

 

CMYK 0 / 45 / 38 / 44

HEX #8F4E59

RGB 143 78 89

HSL 349.85, 0.29%, 0.43%

LAB 41.23, 28.55, 5.71

 

CMYK 0 / 45 / 38 / 24

HEX #C26A79

RGB 194 106 121

HSL 349.77, 0.42%, 0.59%

LAB 55.23, 36.58, 7.39

 

CMYK 1 / 0 / 45 / 24

HEX #C0C26A

RGB 192 194 106

HSL 61.36, 0.42%, 0.59%

LAB 76.58, -13.33, 43.79

 

CMYK 45 / 19 / 0 / 24

HEX #6A9DC2

RGB 106 157 194

HSL 205.23, 0.42%, 0.59%

LAB 62.57, -7.01, -24.37

 

CMYK 0 / 45 / 38 / 24

HEX #C26A79

RGB 194 106 121

HSL 349.77, 0.42%, 0.59%

LAB 55.23, 36.58, 7.39

 

CMYK 37 / 0 / 45 / 24

HEX #7AC26A

RGB 122 194 106

HSL 109.09, 0.42%, 0.59%

LAB 72.07, -39.48, 37.2

 

CMYK 45 / 37 / 0 / 24

HEX #6A7AC2

RGB 106 122 194

HSL 229.09, 0.42%, 0.59%

LAB 52.82, 13.33, -39.54

 

CMYK 0 / 45 / 38 / 24

HEX #C26A79

RGB 194 106 121

HSL 349.77, 0.42%, 0.59%

LAB 55.23, 36.58, 7.39

 

CMYK 1 / 0 / 45 / 24

HEX #C0C26A

RGB 192 194 106

HSL 61.36, 0.42%, 0.59%

LAB 76.58, -13.33, 43.79

 

CMYK 45 / 0 / 8 / 24

HEX #6AC2B2

RGB 106 194 178

HSL 169.09, 0.42%, 0.59%

LAB 72.8, -30.38, -0.19

 

CMYK 44 / 45 / 0 / 24

HEX #6C6AC2

RGB 108 106 194

HSL 241.36, 0.42%, 0.59%

LAB 48.75, 23.54, -45.97

 

CMYK 0 / 45 / 38 / 24

HEX #C26A79

RGB 194 106 121

HSL 349.77, 0.42%, 0.59%

LAB 55.23, 36.58, 7.39

 

CMYK 14 / 0 / 45 / 24

HEX #A6C26A

RGB 166 194 106

HSL 79.09, 0.42%, 0.59%

LAB 74.66, -23.65, 40.99

 

CMYK 45 / 0 / 8 / 24

HEX #6AC2B2

RGB 106 194 178

HSL 169.09, 0.42%, 0.59%

LAB 72.8, -30.38, -0.19

 

CMYK 31 / 45 / 0 / 24

HEX #866AC2

RGB 134 106 194

HSL 259.09, 0.42%, 0.59%

LAB 51, 30.37, -42.25

 

Description

Color code: RGB 194 106 121 | qconv.com Color code: RGB 194 106 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 106 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 106 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 38 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 38% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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