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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 64 236 it is the complementary color RGB 62 191 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 64 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 193 64 236: RGB 198 64 231, RGB 215 82 250, RGB 232 100 255, RGB 249 118 255 and RGB 255 136 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 64 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 193 64 236: RGB 193 64 236, RGB 176 46 217, RGB 159 28 198, RGB 142 10 179 and RGB 125 0 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 73 / 0 / 7

HEX #C140EC

RGB 193 64 236

HSL 285, 0.82%, 0.59%

LAB 53.02, 73.96, -62.5

 

Complementary color

CMYK 68 / 0 / 90 / 25

HEX #3EBF13

RGB 62 191 19

HSL 105, 0.82%, 0.41%

LAB 68.27, -62.22, 65.46

 

CMYK 14 / 72 / 0 / 9

HEX #C640E7

RGB 198 64 231

HSL 288.14, 0.78%, 0.58%

LAB 53.43, 74, -58.98

 

CMYK 14 / 67 / 0 / 2

HEX #D752FA

RGB 215 82 250

HSL 287.5, 0.94%, 0.65%

LAB 59.33, 74.3, -60.01

 

CMYK 9 / 61 / 0 / 0

HEX #E864FF

RGB 232 100 255

HSL 291.1, 1%, 0.7%

LAB 64.56, 71.66, -54.3

 

CMYK 2 / 54 / 0 / 0

HEX #F976FF

RGB 249 118 255

HSL 297.37, 1%, 0.73%

LAB 69.69, 67.95, -46.03

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 18 / 73 / 0 / 7

HEX #C140EC

RGB 193 64 236

HSL 285, 0.82%, 0.59%

LAB 53.02, 73.96, -62.5

 

CMYK 19 / 79 / 0 / 15

HEX #B02ED9

RGB 176 46 217

HSL 285.61, 0.69%, 0.52%

LAB 47.23, 73.14, -61.2

 

CMYK 20 / 86 / 0 / 22

HEX #9F1CC6

RGB 159 28 198

HSL 286.24, 0.75%, 0.44%

LAB 41.66, 71.44, -59.37

 

CMYK 21 / 94 / 0 / 30

HEX #8E0AB3

RGB 142 10 179

HSL 286.86, 0.89%, 0.37%

LAB 36.41, 68.49, -56.83

 

CMYK 22 / 100 / 0 / 37

HEX #7D00A0

RGB 125 0 160

HSL 286.88, 1%, 0.31%

LAB 31.57, 63.95, -53.41

 

CMYK 18 / 73 / 0 / 7

HEX #C140EC

RGB 193 64 236

HSL 285, 0.82%, 0.59%

LAB 53.02, 73.96, -62.5

 

CMYK 6 / 73 / 0 / 7

HEX #DD40EC

RGB 221 64 236

HSL 294.77, 0.82%, 0.59%

LAB 57.17, 79.43, -55.61

 

CMYK 0 / 73 / 6 / 7

HEX #EC40DD

RGB 236 64 221

HSL 305.23, 0.82%, 0.59%

LAB 58.71, 80.17, -44.58

 

CMYK 0 / 73 / 18 / 7

HEX #EC40C1

RGB 236 64 193

HSL 315, 0.82%, 0.59%

LAB 57.41, 76.27, -30.67

 

CMYK 0 / 73 / 31 / 7

HEX #EC40A4

RGB 236 64 164

HSL 325.12, 0.82%, 0.59%

LAB 56.27, 72.71, -15.61

 

CMYK 18 / 73 / 0 / 7

HEX #C140EC

RGB 193 64 236

HSL 285, 0.82%, 0.59%

LAB 53.02, 73.96, -62.5

 

CMYK 19 / 72 / 0 / 87

HEX #1A0920

RGB 26 9 32

HSL 284.35, 0.56%, 0.08%

LAB 4.69, 11.91, -11.46

 

CMYK 18 / 72 / 0 / 67

HEX #441753

RGB 68 23 83

HSL 285, 0.57%, 0.21%

LAB 17.77, 31.95, -27.04

 

CMYK 18 / 73 / 0 / 47

HEX #6E2486

RGB 110 36 134

HSL 285.31, 0.58%, 0.33%

LAB 30.15, 47.39, -39.83

 

CMYK 18 / 73 / 0 / 27

HEX #9732B9

RGB 151 50 185

HSL 284.89, 0.57%, 0.46%

LAB 41.79, 60.95, -51.61

 

CMYK 18 / 73 / 0 / 7

HEX #C140EC

RGB 193 64 236

HSL 285, 0.82%, 0.59%

LAB 53.02, 73.96, -62.5

 

CMYK 0 / 73 / 69 / 7

HEX #EC4049

RGB 236 64 73

HSL 356.86, 0.82%, 0.59%

LAB 54.01, 65.38, 35.01

 

CMYK 73 / 0 / 47 / 7

HEX #40EC7C

RGB 64 236 124

HSL 140.93, 0.82%, 0.59%

LAB 83.2, -66.66, 41.97

 

CMYK 18 / 73 / 0 / 7

HEX #C140EC

RGB 193 64 236

HSL 285, 0.82%, 0.59%

LAB 53.02, 73.96, -62.5

 

CMYK 0 / 18 / 73 / 7

HEX #ECC140

RGB 236 193 64

HSL 45, 0.82%, 0.59%

LAB 79.81, 2.64, 67.09

 

CMYK 73 / 0 / 18 / 7

HEX #40ECC1

RGB 64 236 193

HSL 165, 0.82%, 0.59%

LAB 84.45, -52.93, 8.51

 

CMYK 18 / 73 / 0 / 7

HEX #C140EC

RGB 193 64 236

HSL 285, 0.82%, 0.59%

LAB 53.02, 73.96, -62.5

 

CMYK 0 / 73 / 69 / 7

HEX #EC4049

RGB 236 64 73

HSL 356.86, 0.82%, 0.59%

LAB 54.01, 65.38, 35.01

 

CMYK 55 / 0 / 73 / 7

HEX #6BEC40

RGB 107 236 64

HSL 105, 0.82%, 0.59%

LAB 83.7, -64.7, 68.24

 

CMYK 73 / 0 / 4 / 7

HEX #40ECE3

RGB 64 236 227

HSL 176.86, 0.82%, 0.59%

LAB 85.32, -44.21, -8.1

 

CMYK 18 / 73 / 0 / 7

HEX #C140EC

RGB 193 64 236

HSL 285, 0.82%, 0.59%

LAB 53.02, 73.96, -62.5

 

CMYK 0 / 55 / 73 / 7

HEX #EC6B40

RGB 236 107 64

HSL 15, 0.82%, 0.59%

LAB 60.53, 47.22, 47.34

 

CMYK 55 / 0 / 73 / 7

HEX #6BEC40

RGB 107 236 64

HSL 105, 0.82%, 0.59%

LAB 83.7, -64.7, 68.24

 

CMYK 73 / 18 / 0 / 7

HEX #40C1EC

RGB 64 193 236

HSL 195, 0.82%, 0.59%

LAB 73.08, -21.12, -31.42

 

Description

Color code: RGB 193 64 236 | qconv.com Color code: RGB 193 64 236 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 64 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 64 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 73 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 73% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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