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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 50 229 it is the complementary color RGB 62 205 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 50 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 193 50 229: RGB 198 50 224, RGB 215 68 243, RGB 232 86 255, RGB 249 104 255 and RGB 255 122 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 50 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 193 50 229: RGB 193 50 229, RGB 176 32 210, RGB 159 14 191, RGB 142 0 172 and RGB 125 0 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 78 / 0 / 10

HEX #C132E5

RGB 193 50 229

HSL 287.93, 0.77%, 0.55%

LAB 51.01, 77.16, -61.79

 

Complementary color

CMYK 70 / 0 / 87 / 20

HEX #3ECD1A

RGB 62 205 26

HSL 107.93, 0.77%, 0.45%

LAB 72.73, -66.43, 68.01

 

CMYK 12 / 78 / 0 / 12

HEX #C632E0

RGB 198 50 224

HSL 291.03, 0.74%, 0.54%

LAB 51.46, 77.19, -58.19

 

CMYK 12 / 72 / 0 / 5

HEX #D744F3

RGB 215 68 243

HSL 290.4, 0.88%, 0.61%

LAB 57.13, 78.13, -59.64

 

CMYK 9 / 66 / 0 / 0

HEX #E856FF

RGB 232 86 255

HSL 291.83, 1%, 0.67%

LAB 62.53, 77.28, -57.51

 

CMYK 2 / 59 / 0 / 0

HEX #F968FF

RGB 249 104 255

HSL 297.62, 1%, 0.7%

LAB 67.47, 74, -49.53

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 16 / 78 / 0 / 10

HEX #C132E5

RGB 193 50 229

HSL 287.93, 0.77%, 0.55%

LAB 51.01, 77.16, -61.79

 

CMYK 16 / 85 / 0 / 18

HEX #B020D2

RGB 176 32 210

HSL 288.54, 0.74%, 0.47%

LAB 45.52, 75.47, -59.94

 

CMYK 17 / 93 / 0 / 25

HEX #9F0EBF

RGB 159 14 191

HSL 289.15, 0.86%, 0.4%

LAB 40.32, 72.64, -57.44

 

CMYK 17 / 100 / 0 / 33

HEX #8E00AC

RGB 142 0 172

HSL 289.53, 1%, 0.34%

LAB 35.46, 68.5, -54.2

 

CMYK 18 / 100 / 0 / 40

HEX #7D0099

RGB 125 0 153

HSL 289.02, 1%, 0.3%

LAB 31.02, 62.68, -50.04

 

CMYK 16 / 78 / 0 / 10

HEX #C132E5

RGB 193 50 229

HSL 287.93, 0.77%, 0.55%

LAB 51.01, 77.16, -61.79

 

CMYK 4 / 78 / 0 / 11

HEX #DB33E4

RGB 219 51 228

HSL 296.95, 0.77%, 0.55%

LAB 55.1, 81.48, -54.43

 

CMYK 0 / 78 / 9 / 11

HEX #E433CF

RGB 228 51 207

HSL 307.12, 0.77%, 0.55%

LAB 55.45, 80.11, -41.87

 

CMYK 0 / 78 / 22 / 11

HEX #E433B2

RGB 228 51 178

HSL 316.95, 0.77%, 0.55%

LAB 54.11, 76.26, -27.22

 

CMYK 0 / 78 / 35 / 11

HEX #E43395

RGB 228 51 149

HSL 326.78, 0.77%, 0.55%

LAB 52.98, 72.94, -11.86

 

CMYK 16 / 78 / 0 / 10

HEX #C132E5

RGB 193 50 229

HSL 287.93, 0.77%, 0.55%

LAB 51.01, 77.16, -61.79

 

CMYK 16 / 80 / 0 / 90

HEX #150519

RGB 21 5 25

HSL 288, 0.67%, 0.06%

LAB 3.05, 8.91, -8.42

 

CMYK 16 / 78 / 0 / 70

HEX #40114C

RGB 64 17 76

HSL 287.8, 0.63%, 0.18%

LAB 15.55, 32.21, -25.85

 

CMYK 16 / 78 / 0 / 50

HEX #6B1C7F

RGB 107 28 127

HSL 287.88, 0.64%, 0.3%

LAB 28.08, 48.44, -38.8

 

CMYK 16 / 78 / 0 / 30

HEX #9627B2

RGB 150 39 178

HSL 287.91, 0.64%, 0.43%

LAB 39.83, 63.24, -50.64

 

CMYK 16 / 78 / 0 / 10

HEX #C132E5

RGB 193 50 229

HSL 287.93, 0.77%, 0.55%

LAB 51.01, 77.16, -61.79

 

CMYK 0 / 78 / 76 / 11

HEX #E43336

RGB 228 51 54

HSL 358.98, 0.77%, 0.55%

LAB 50.84, 66.31, 41.76

 

CMYK 78 / 0 / 48 / 11

HEX #33E477

RGB 51 228 119

HSL 143.05, 0.77%, 0.55%

LAB 80.47, -66.41, 40.92

 

CMYK 16 / 78 / 0 / 10

HEX #C132E5

RGB 193 50 229

HSL 287.93, 0.77%, 0.55%

LAB 51.01, 77.16, -61.79

 

CMYK 0 / 17 / 78 / 11

HEX #E4BE33

RGB 228 190 51

HSL 47.12, 0.77%, 0.55%

LAB 78.2, 0.26, 69.89

 

CMYK 78 / 0 / 17 / 11

HEX #33E4BE

RGB 51 228 190

HSL 167.12, 0.77%, 0.55%

LAB 81.79, -51.86, 6.24

 

CMYK 16 / 78 / 0 / 10

HEX #C132E5

RGB 193 50 229

HSL 287.93, 0.77%, 0.55%

LAB 51.01, 77.16, -61.79

 

CMYK 0 / 78 / 76 / 11

HEX #E43336

RGB 228 51 54

HSL 358.98, 0.77%, 0.55%

LAB 50.84, 66.31, 41.76

 

CMYK 61 / 0 / 78 / 11

HEX #5AE433

RGB 90 228 51

HSL 106.78, 0.77%, 0.55%

LAB 80.68, -66.89, 69.25

 

CMYK 78 / 0 / 1 / 11

HEX #33E4E1

RGB 51 228 225

HSL 178.98, 0.77%, 0.55%

LAB 82.71, -42.55, -10.93

 

CMYK 16 / 78 / 0 / 10

HEX #C132E5

RGB 193 50 229

HSL 287.93, 0.77%, 0.55%

LAB 51.01, 77.16, -61.79

 

CMYK 0 / 56 / 78 / 11

HEX #E46533

RGB 228 101 51

HSL 16.95, 0.77%, 0.55%

LAB 58.08, 46.6, 50.79

 

CMYK 61 / 0 / 78 / 11

HEX #5AE433

RGB 90 228 51

HSL 106.78, 0.77%, 0.55%

LAB 80.68, -66.89, 69.25

 

CMYK 78 / 22 / 0 / 11

HEX #33B2E4

RGB 51 178 228

HSL 196.95, 0.77%, 0.55%

LAB 68.13, -17.38, -34.75

 

Description

Color code: RGB 193 50 229 | qconv.com Color code: RGB 193 50 229 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 50 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 50 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 78 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 78% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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