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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 33 76 it is the complementary color RGB 62 222 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 33 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 193 33 76: RGB 198 33 71, RGB 215 51 90, RGB 232 69 109, RGB 249 87 128 and RGB 255 105 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 33 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 193 33 76: RGB 193 33 76, RGB 176 15 57, RGB 159 0 38, RGB 142 0 19 and RGB 125 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 61 / 24

HEX #C1214C

RGB 193 33 76

HSL 343.88, 0.71%, 0.44%

LAB 42.68, 62.38, 17.13

 

Complementary color

CMYK 72 / 0 / 19 / 13

HEX #3EDEB3

RGB 62 222 179

HSL 163.88, 0.71%, 0.56%

LAB 79.91, -50.82, 9.38

 

CMYK 0 / 83 / 64 / 22

HEX #C62147

RGB 198 33 71

HSL 346.18, 0.71%, 0.45%

LAB 43.58, 63.43, 21.62

 

CMYK 0 / 76 / 58 / 16

HEX #D7335A

RGB 215 51 90

HSL 345.73, 0.67%, 0.52%

LAB 48.95, 64.42, 17.65

 

CMYK 0 / 70 / 53 / 9

HEX #E8456D

RGB 232 69 109

HSL 345.28, 0.78%, 0.59%

LAB 54.57, 64.7, 14.4

 

CMYK 0 / 65 / 49 / 2

HEX #F95780

RGB 249 87 128

HSL 344.81, 0.93%, 0.66%

LAB 60.35, 64.52, 11.7

 

CMYK 0 / 59 / 42 / 0

HEX #FF6993

RGB 255 105 147

HSL 343.2, 1%, 0.71%

LAB 64.54, 60.62, 6.8

 

CMYK 0 / 83 / 61 / 24

HEX #C1214C

RGB 193 33 76

HSL 343.88, 0.71%, 0.44%

LAB 42.68, 62.38, 17.13

 

CMYK 0 / 91 / 68 / 31

HEX #B00F39

RGB 176 15 57

HSL 344.35, 0.84%, 0.37%

LAB 37.6, 60.35, 21.85

 

CMYK 0 / 100 / 76 / 38

HEX #9F0026

RGB 159 0 38

HSL 345.66, 1%, 0.31%

LAB 32.94, 57.11, 27.45

 

CMYK 0 / 100 / 87 / 44

HEX #8E0013

RGB 142 0 19

HSL 351.97, 1%, 0.28%

LAB 28.9, 52.14, 33.64

 

CMYK 0 / 100 / 100 / 51

HEX #7D0000

RGB 125 0 0

HSL 0, 1%, 0.25%

LAB 24.83, 47.24, 37.14

 

CMYK 0 / 83 / 61 / 24

HEX #C1214C

RGB 193 33 76

HSL 343.88, 0.71%, 0.44%

LAB 42.68, 62.38, 17.13

 

CMYK 0 / 83 / 73 / 25

HEX #BF2033

RGB 191 32 51

HSL 352.83, 0.71%, 0.44%

LAB 41.76, 60.78, 31.36

 

CMYK 0 / 79 / 83 / 25

HEX #BF2820

RGB 191 40 32

HSL 3.02, 0.71%, 0.44%

LAB 42.3, 58.01, 42.7

 

CMYK 0 / 65 / 83 / 25

HEX #BF4320

RGB 191 67 32

HSL 13.21, 0.71%, 0.44%

LAB 45.9, 48.13, 46

 

CMYK 0 / 51 / 83 / 25

HEX #BF5D20

RGB 191 93 32

HSL 23.02, 0.71%, 0.44%

LAB 50.7, 35.67, 50.31

 

CMYK 0 / 83 / 61 / 24

HEX #C1214C

RGB 193 33 76

HSL 343.88, 0.71%, 0.44%

LAB 42.68, 62.38, 17.13

 

CMYK 0 / 83 / 61 / 4

HEX #F42A60

RGB 244 42 96

HSL 343.96, 0.9%, 0.56%

LAB 53.74, 74.85, 21.41

 

CMYK 0 / 83 / 60 / 84

HEX #280710

RGB 40 7 16

HSL 343.64, 0.7%, 0.09%

LAB 5.79, 17.26, 1.98

 

CMYK 0 / 82 / 60 / 64

HEX #5B1024

RGB 91 16 36

HSL 344, 0.7%, 0.21%

LAB 18.89, 34.64, 7.92

 

CMYK 0 / 83 / 61 / 44

HEX #8E1838

RGB 142 24 56

HSL 343.73, 0.71%, 0.33%

LAB 31.09, 49.22, 12.61

 

CMYK 0 / 83 / 61 / 24

HEX #C1214C

RGB 193 33 76

HSL 343.88, 0.71%, 0.44%

LAB 42.68, 62.38, 17.13

 

CMYK 0 / 7 / 83 / 25

HEX #BFB220

RGB 191 178 32

HSL 55.09, 0.71%, 0.44%

LAB 71.57, -10.19, 68.33

 

CMYK 83 / 26 / 0 / 25

HEX #208DBF

RGB 32 141 191

HSL 198.87, 0.71%, 0.44%

LAB 55.19, -11.85, -34.3

 

CMYK 0 / 83 / 61 / 24

HEX #C1214C

RGB 193 33 76

HSL 343.88, 0.71%, 0.44%

LAB 42.68, 62.38, 17.13

 

CMYK 60 / 0 / 83 / 25

HEX #4DBF20

RGB 77 191 32

HSL 103.02, 0.71%, 0.44%

LAB 68.71, -58.36, 63.25

 

CMYK 83 / 60 / 0 / 25

HEX #204DBF

RGB 32 77 191

HSL 223.02, 0.71%, 0.44%

LAB 36.7, 28.15, -63.88

 

CMYK 0 / 83 / 61 / 24

HEX #C1214C

RGB 193 33 76

HSL 343.88, 0.71%, 0.44%

LAB 42.68, 62.38, 17.13

 

CMYK 0 / 7 / 83 / 25

HEX #BFB220

RGB 191 178 32

HSL 55.09, 0.71%, 0.44%

LAB 71.57, -10.19, 68.33

 

CMYK 83 / 0 / 24 / 25

HEX #20BF92

RGB 32 191 146

HSL 163.02, 0.71%, 0.44%

LAB 69.22, -49.47, 11.83

 

CMYK 83 / 76 / 0 / 25

HEX #202DBF

RGB 32 45 191

HSL 235.09, 0.71%, 0.44%

LAB 29.27, 48.06, -76.1

 

CMYK 0 / 83 / 61 / 24

HEX #C1214C

RGB 193 33 76

HSL 343.88, 0.71%, 0.44%

LAB 42.68, 62.38, 17.13

 

CMYK 18 / 0 / 83 / 25

HEX #9DBF20

RGB 157 191 32

HSL 72.83, 0.71%, 0.44%

LAB 72.58, -31.13, 68.16

 

CMYK 83 / 0 / 24 / 25

HEX #20BF92

RGB 32 191 146

HSL 163.02, 0.71%, 0.44%

LAB 69.22, -49.47, 11.83

 

CMYK 65 / 83 / 0 / 25

HEX #4320BF

RGB 67 32 191

HSL 253.21, 0.71%, 0.44%

LAB 29.38, 56.85, -75.85

 

Description

Color code: RGB 193 33 76 | qconv.com Color code: RGB 193 33 76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 33 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 33 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 61 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 61% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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