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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 187 180 it is the complementary color RGB 62 68 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 187 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 193 187 180: RGB 198 187 175, RGB 215 205 194, RGB 232 223 213, RGB 249 241 232 and RGB 255 255 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 187 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 193 187 180: RGB 193 187 180, RGB 176 169 161, RGB 159 151 142, RGB 142 133 123 and RGB 125 115 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 7 / 24

HEX #C1BBB4

RGB 193 187 180

HSL 32.31, 0.09%, 0.73%

LAB 76.18, 0.87, 4.28

 

Complementary color

CMYK 17 / 9 / 0 / 71

HEX #3E444B

RGB 62 68 75

HSL 212.31, 0.09%, 0.27%

LAB 28.55, -0.74, -5.06

 

CMYK 0 / 6 / 12 / 22

HEX #C6BBAF

RGB 198 187 175

HSL 31.3, 0.17%, 0.73%

LAB 76.46, 1.82, 7.46

 

CMYK 0 / 5 / 10 / 16

HEX #D7CDC2

RGB 215 205 194

HSL 31.43, 0.21%, 0.8%

LAB 82.92, 1.58, 6.7

 

CMYK 0 / 4 / 8 / 9

HEX #E8DFD5

RGB 232 223 213

HSL 31.58, 0.29%, 0.87%

LAB 89.27, 1.37, 5.98

 

CMYK 0 / 3 / 7 / 2

HEX #F9F1E8

RGB 249 241 232

HSL 31.76, 0.59%, 0.94%

LAB 95.53, 1.16, 5.28

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 0 / 3 / 7 / 24

HEX #C1BBB4

RGB 193 187 180

HSL 32.31, 0.09%, 0.73%

LAB 76.18, 0.87, 4.28

 

CMYK 0 / 4 / 9 / 31

HEX #B0A9A1

RGB 176 169 161

HSL 32, 0.09%, 0.66%

LAB 69.6, 1.08, 5.01

 

CMYK 0 / 5 / 11 / 38

HEX #9F978E

RGB 159 151 142

HSL 31.76, 0.08%, 0.59%

LAB 62.89, 1.31, 5.78

 

CMYK 0 / 6 / 13 / 44

HEX #8E857B

RGB 142 133 123

HSL 31.58, 0.08%, 0.52%

LAB 56.04, 1.58, 6.6

 

CMYK 0 / 8 / 17 / 51

HEX #7D7368

RGB 125 115 104

HSL 31.43, 0.09%, 0.45%

LAB 49.03, 1.88, 7.48

 

CMYK 0 / 3 / 7 / 24

HEX #C1BBB4

RGB 193 187 180

HSL 32.31, 0.09%, 0.73%

LAB 76.18, 0.87, 4.28

 

CMYK 0 / 2 / 7 / 25

HEX #C0BCB3

RGB 192 188 179

HSL 41.54, 0.09%, 0.73%

LAB 76.33, -0.2, 5.04

 

CMYK 0 / 1 / 7 / 25

HEX #C0BEB3

RGB 192 190 179

HSL 50.77, 0.09%, 0.73%

LAB 76.85, -1.26, 5.79

 

CMYK 1 / 0 / 7 / 25

HEX #BFC0B3

RGB 191 192 179

HSL 64.62, 0.09%, 0.73%

LAB 77.3, -2.68, 6.42

 

CMYK 2 / 0 / 7 / 25

HEX #BDC0B3

RGB 189 192 179

HSL 73.85, 0.09%, 0.73%

LAB 77.14, -3.39, 6.18

SW® 6191

CMYK 0 / 3 / 7 / 24

HEX #C1BBB4

RGB 193 187 180

HSL 32.31, 0.09%, 0.73%

LAB 76.18, 0.87, 4.28

 

CMYK 0 / 3 / 7 / 4

HEX #F4ECE4

RGB 244 236 228

HSL 30, 0.42%, 0.93%

LAB 93.81, 1.33, 4.82

 

CMYK 0 / 2 / 7 / 84

HEX #282725

RGB 40 39 37

HSL 40, 0.04%, 0.15%

LAB 15.67, -0.01, 1.48

 

CMYK 0 / 3 / 7 / 64

HEX #5B5855

RGB 91 88 85

HSL 30, 0.03%, 0.35%

LAB 37.59, 0.6, 2.16

 

CMYK 0 / 3 / 7 / 44

HEX #8E8A84

RGB 142 138 132

HSL 36, 0.04%, 0.54%

LAB 57.65, 0.36, 3.73

 

CMYK 0 / 3 / 7 / 24

HEX #C1BBB4

RGB 193 187 180

HSL 32.31, 0.09%, 0.73%

LAB 76.18, 0.87, 4.28

 

CMYK 5 / 0 / 7 / 25

HEX #B7C0B3

RGB 183 192 179

HSL 101.54, 0.09%, 0.73%

LAB 76.69, -5.51, 5.47

 

CMYK 6 / 7 / 0 / 25

HEX #B5B3C0

RGB 181 179 192

HSL 249.23, 0.09%, 0.73%

LAB 73.46, 3.2, -6.35

 

CMYK 0 / 3 / 7 / 24

HEX #C1BBB4

RGB 193 187 180

HSL 32.31, 0.09%, 0.73%

LAB 76.18, 0.87, 4.28

 

CMYK 7 / 0 / 3 / 25

HEX #B3C0BA

RGB 179 192 186

HSL 152.31, 0.09%, 0.73%

LAB 76.57, -5.61, 1.47

 

CMYK 3 / 7 / 0 / 25

HEX #BAB3C0

RGB 186 179 192

HSL 272.31, 0.09%, 0.73%

LAB 73.86, 4.91, -5.71

 

CMYK 0 / 3 / 7 / 24

HEX #C1BBB4

RGB 193 187 180

HSL 32.31, 0.09%, 0.73%

LAB 76.18, 0.87, 4.28

 

CMYK 5 / 0 / 7 / 25

HEX #B7C0B3

RGB 183 192 179

HSL 101.54, 0.09%, 0.73%

LAB 76.69, -5.51, 5.47

 

CMYK 7 / 4 / 0 / 25

HEX #B3B9C0

RGB 179 185 192

HSL 212.31, 0.09%, 0.73%

LAB 74.88, -0.72, -4.27

 

CMYK 2 / 7 / 0 / 25

HEX #BDB3C0

RGB 189 179 192

HSL 286.15, 0.09%, 0.73%

LAB 74.1, 5.95, -5.33

 

CMYK 0 / 3 / 7 / 24

HEX #C1BBB4

RGB 193 187 180

HSL 32.31, 0.09%, 0.73%

LAB 76.18, 0.87, 4.28

 

CMYK 7 / 0 / 6 / 25

HEX #B3C0B4

RGB 179 192 180

HSL 124.62, 0.09%, 0.73%

LAB 76.42, -6.73, 4.5

 

CMYK 7 / 4 / 0 / 25

HEX #B3B9C0

RGB 179 185 192

HSL 212.31, 0.09%, 0.73%

LAB 74.88, -0.72, -4.27

 

CMYK 0 / 7 / 1 / 25

HEX #C0B3BF

RGB 192 179 191

HSL 304.62, 0.09%, 0.73%

LAB 74.32, 6.8, -4.43

 

Description

Color code: RGB 193 187 180 | qconv.com Color code: RGB 193 187 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 187 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 187 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 7 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 7% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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