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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 123 32 it is the complementary color RGB 62 132 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 123 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 193 123 32: RGB 198 123 27, RGB 215 141 46, RGB 232 159 65, RGB 249 177 84 and RGB 255 195 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 123 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 193 123 32: RGB 193 123 32, RGB 176 105 13, RGB 159 87 0, RGB 142 69 0 and RGB 125 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 83 / 24

HEX #C17B20

RGB 193 123 32

HSL 33.91, 0.72%, 0.44%

LAB 57.66, 20.39, 56.53

 

Complementary color

CMYK 72 / 41 / 0 / 13

HEX #3E84DF

RGB 62 132 223

HSL 213.91, 0.72%, 0.56%

LAB 54.92, 8.38, -52.75

 

CMYK 0 / 38 / 86 / 22

HEX #C67B1B

RGB 198 123 27

HSL 33.68, 0.76%, 0.44%

LAB 58.27, 22.42, 58.95

 

CMYK 0 / 34 / 79 / 16

HEX #D78D2E

RGB 215 141 46

HSL 33.73, 0.68%, 0.51%

LAB 64.72, 20.55, 58.73

 

CMYK 0 / 31 / 72 / 9

HEX #E89F41

RGB 232 159 65

HSL 33.77, 0.78%, 0.58%

LAB 71.1, 18.92, 57.84

 

CMYK 0 / 29 / 66 / 2

HEX #F9B154

RGB 249 177 84

HSL 33.82, 0.93%, 0.65%

LAB 77.41, 17.49, 56.64

 

CMYK 0 / 24 / 60 / 0

HEX #FFC367

RGB 255 195 103

HSL 36.32, 1%, 0.7%

LAB 82.52, 11.75, 53.72

 

CMYK 0 / 36 / 83 / 24

HEX #C17B20

RGB 193 123 32

HSL 33.91, 0.72%, 0.44%

LAB 57.66, 20.39, 56.53

 

CMYK 0 / 40 / 93 / 31

HEX #B0690D

RGB 176 105 13

HSL 33.87, 0.86%, 0.37%

LAB 51.11, 22.45, 55.95

 

CMYK 0 / 45 / 100 / 38

HEX #9F5700

RGB 159 87 0

HSL 32.83, 1%, 0.31%

LAB 44.5, 24.78, 53.31

 

CMYK 0 / 51 / 100 / 44

HEX #8E4500

RGB 142 69 0

HSL 29.15, 1%, 0.28%

LAB 37.86, 27.34, 47.96

 

CMYK 0 / 59 / 100 / 51

HEX #7D3300

RGB 125 51 0

HSL 24.48, 1%, 0.25%

LAB 31.18, 29.83, 42.45

 

CMYK 0 / 36 / 83 / 24

HEX #C17B20

RGB 193 123 32

HSL 33.91, 0.72%, 0.44%

LAB 57.66, 20.39, 56.53

 

CMYK 0 / 23 / 84 / 25

HEX #C0931F

RGB 192 147 31

HSL 43.23, 0.72%, 0.44%

LAB 63.49, 6.74, 61.8

 

CMYK 0 / 9 / 84 / 25

HEX #C0AE1F

RGB 192 174 31

HSL 53.29, 0.72%, 0.44%

LAB 70.58, -7.7, 67.78

 

CMYK 4 / 0 / 84 / 25

HEX #B8C01F

RGB 184 192 31

HSL 62.98, 0.72%, 0.44%

LAB 74.82, -20.34, 71.07

 

CMYK 18 / 0 / 84 / 25

HEX #9DC01F

RGB 157 192 31

HSL 73.04, 0.72%, 0.44%

LAB 72.87, -31.63, 68.64

 

CMYK 0 / 36 / 83 / 24

HEX #C17B20

RGB 193 123 32

HSL 33.91, 0.72%, 0.44%

LAB 57.66, 20.39, 56.53

 

CMYK 0 / 36 / 84 / 4

HEX #F49C28

RGB 244 156 40

HSL 34.12, 0.9%, 0.56%

LAB 71.67, 24.62, 68.35

 

CMYK 0 / 38 / 83 / 84

HEX #281907

RGB 40 25 7

HSL 32.73, 0.7%, 0.09%

LAB 10.27, 5.13, 12.58

 

CMYK 0 / 36 / 84 / 64

HEX #5B3A0F

RGB 91 58 15

HSL 33.95, 0.72%, 0.21%

LAB 27.53, 10.49, 31.04

 

CMYK 0 / 37 / 83 / 44

HEX #8E5A18

RGB 142 90 24

HSL 33.56, 0.71%, 0.33%

LAB 42.96, 15.93, 43.99

 

CMYK 0 / 36 / 83 / 24

HEX #C17B20

RGB 193 123 32

HSL 33.91, 0.72%, 0.44%

LAB 57.66, 20.39, 56.53

 

CMYK 63 / 0 / 84 / 25

HEX #47C01F

RGB 71 192 31

HSL 105.09, 0.72%, 0.44%

LAB 68.85, -60.16, 63.56

 

CMYK 71 / 84 / 0 / 25

HEX #371FC0

RGB 55 31 192

HSL 248.94, 0.72%, 0.44%

LAB 28.37, 56.6, -78.14

 

CMYK 0 / 36 / 83 / 24

HEX #C17B20

RGB 193 123 32

HSL 33.91, 0.72%, 0.44%

LAB 57.66, 20.39, 56.53

 

CMYK 84 / 0 / 38 / 25

HEX #1FC078

RGB 31 192 120

HSL 153.17, 0.72%, 0.44%

LAB 69, -55.69, 25.47

 

CMYK 38 / 84 / 0 / 25

HEX #781FC0

RGB 120 31 192

HSL 273.17, 0.72%, 0.44%

LAB 35.55, 63.58, -66.06

 

CMYK 0 / 36 / 83 / 24

HEX #C17B20

RGB 193 123 32

HSL 33.91, 0.72%, 0.44%

LAB 57.66, 20.39, 56.53

 

CMYK 63 / 0 / 84 / 25

HEX #47C01F

RGB 71 192 31

HSL 105.09, 0.72%, 0.44%

LAB 68.85, -60.16, 63.56

 

CMYK 84 / 46 / 0 / 25

HEX #1F68C0

RGB 31 104 192

HSL 212.8, 0.72%, 0.44%

LAB 44.23, 10.77, -52.26

 

CMYK 21 / 84 / 0 / 25

HEX #981FC0

RGB 152 31 192

HSL 285.09, 0.72%, 0.44%

LAB 40.35, 68.49, -58.04

 

CMYK 0 / 36 / 83 / 24

HEX #C17B20

RGB 193 123 32

HSL 33.91, 0.72%, 0.44%

LAB 57.66, 20.39, 56.53

 

CMYK 84 / 0 / 80 / 25

HEX #1FC027

RGB 31 192 39

HSL 122.98, 0.72%, 0.44%

LAB 68.12, -66.29, 60.45

 

CMYK 84 / 46 / 0 / 25

HEX #1F68C0

RGB 31 104 192

HSL 212.8, 0.72%, 0.44%

LAB 44.23, 10.77, -52.26

 

CMYK 0 / 84 / 4 / 25

HEX #C01FB8

RGB 192 31 184

HSL 302.98, 0.72%, 0.44%

LAB 46.51, 74.3, -43.1

 

Description

Color code: RGB 193 123 32 | qconv.com Color code: RGB 193 123 32 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 123 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 123 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 83 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 83% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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