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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 231 208 it is the complementary color RGB 63 24 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 231 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 192 231 208: RGB 197 231 203, RGB 214 249 222, RGB 231 255 241, RGB 248 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 231 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 192 231 208: RGB 192 231 208, RGB 175 213 189, RGB 158 195 170, RGB 141 177 151 and RGB 124 159 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 10 / 9

HEX #C0E7D0

RGB 192 231 208

HSL 144.62, 0.45%, 0.83%

LAB 88.41, -17.1, 6.99

 

Complementary color

CMYK 0 / 62 / 25 / 75

HEX #3F182F

RGB 63 24 47

HSL 324.62, 0.45%, 0.17%

LAB 15.04, 22.28, -6.26

 

CMYK 15 / 0 / 12 / 9

HEX #C5E7CB

RGB 197 231 203

HSL 130.59, 0.41%, 0.84%

LAB 88.61, -16.37, 9.93

 

CMYK 14 / 0 / 11 / 2

HEX #D6F9DE

RGB 214 249 222

HSL 133.71, 0.74%, 0.91%

LAB 94.87, -16.3, 9.19

 

CMYK 9 / 0 / 5 / 0

HEX #E7FFF1

RGB 231 255 241

HSL 145, 1%, 0.95%

LAB 97.98, -10.33, 4.02

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 17 / 0 / 10 / 9

HEX #C0E7D0

RGB 192 231 208

HSL 144.62, 0.45%, 0.83%

LAB 88.41, -17.1, 6.99

 

CMYK 18 / 0 / 11 / 16

HEX #AFD5BD

RGB 175 213 189

HSL 142.11, 0.31%, 0.76%

LAB 82.04, -17.2, 7.73

 

CMYK 19 / 0 / 13 / 24

HEX #9EC3AA

RGB 158 195 170

HSL 139.46, 0.24%, 0.69%

LAB 75.58, -17.33, 8.5

 

CMYK 20 / 0 / 15 / 31

HEX #8DB197

RGB 141 177 151

HSL 136.67, 0.19%, 0.62%

LAB 69, -17.48, 9.32

 

CMYK 22 / 0 / 17 / 38

HEX #7C9F84

RGB 124 159 132

HSL 133.71, 0.15%, 0.55%

LAB 62.29, -17.65, 10.19

 

CMYK 17 / 0 / 10 / 9

HEX #C0E7D0

RGB 192 231 208

HSL 144.62, 0.45%, 0.83%

LAB 88.41, -17.1, 6.99

 

CMYK 17 / 0 / 7 / 9

HEX #C0E7D6

RGB 192 231 214

HSL 153.85, 0.45%, 0.83%

LAB 88.55, -15.96, 4.05

 

CMYK 17 / 0 / 5 / 9

HEX #C0E7DC

RGB 192 231 220

HSL 163.08, 0.45%, 0.83%

LAB 88.7, -14.8, 1.13

 

CMYK 17 / 0 / 2 / 9

HEX #C0E7E3

RGB 192 231 227

HSL 173.85, 0.45%, 0.83%

LAB 88.88, -13.4, -2.28

 

CMYK 17 / 1 / 0 / 9

HEX #C0E4E7

RGB 192 228 231

HSL 184.62, 0.45%, 0.83%

LAB 88.19, -11.07, -5.39

 

CMYK 17 / 0 / 10 / 9

HEX #C0E7D0

RGB 192 231 208

HSL 144.62, 0.45%, 0.83%

LAB 88.41, -17.1, 6.99

 

CMYK 19 / 0 / 11 / 89

HEX #161B18

RGB 22 27 24

HSL 144, 0.1%, 0.1%

LAB 9.16, -3.15, 1.3

 

CMYK 17 / 0 / 10 / 69

HEX #414E46

RGB 65 78 70

HSL 143.08, 0.09%, 0.28%

LAB 31.84, -7.01, 3.01

 

CMYK 17 / 0 / 10 / 49

HEX #6B8174

RGB 107 129 116

HSL 144.55, 0.09%, 0.46%

LAB 51.94, -10.75, 4.4

 

CMYK 17 / 0 / 10 / 29

HEX #96B4A2

RGB 150 180 162

HSL 144, 0.17%, 0.65%

LAB 70.69, -13.84, 5.78

 

CMYK 17 / 0 / 10 / 9

HEX #C0E7D0

RGB 192 231 208

HSL 144.62, 0.45%, 0.83%

LAB 88.41, -17.1, 6.99

 

CMYK 17 / 10 / 0 / 9

HEX #C0CFE7

RGB 192 207 231

HSL 216.92, 0.45%, 0.83%

LAB 82.7, -0.18, -13.55

 

CMYK 0 / 17 / 17 / 9

HEX #E7C0C0

RGB 231 192 192

HSL 0, 0.45%, 0.83%

LAB 81.01, 13.88, 5.2

 

CMYK 17 / 0 / 10 / 9

HEX #C0E7D0

RGB 192 231 208

HSL 144.62, 0.45%, 0.83%

LAB 88.41, -17.1, 6.99

 

CMYK 10 / 17 / 0 / 9

HEX #CFC0E7

RGB 207 192 231

HSL 263.08, 0.45%, 0.83%

LAB 80.03, 12.61, -17.45

 

CMYK 0 / 10 / 17 / 9

HEX #E7CFC0

RGB 231 207 192

HSL 23.08, 0.45%, 0.83%

LAB 84.7, 5.97, 10.49

 

CMYK 17 / 0 / 10 / 9

HEX #C0E7D0

RGB 192 231 208

HSL 144.62, 0.45%, 0.83%

LAB 88.41, -17.1, 6.99

 

CMYK 17 / 10 / 0 / 9

HEX #C0CFE7

RGB 192 207 231

HSL 216.92, 0.45%, 0.83%

LAB 82.7, -0.18, -13.55

 

CMYK 0 / 17 / 7 / 9

HEX #E7C0D7

RGB 231 192 215

HSL 324.62, 0.45%, 0.83%

LAB 81.62, 17.64, -6.27

 

CMYK 0 / 7 / 17 / 9

HEX #E7D7C0

RGB 231 215 192

HSL 35.38, 0.45%, 0.83%

LAB 86.7, 1.81, 13.33

 

CMYK 17 / 0 / 10 / 9

HEX #C0E7D0

RGB 192 231 208

HSL 144.62, 0.45%, 0.83%

LAB 88.41, -17.1, 6.99

 

CMYK 17 / 15 / 0 / 9

HEX #C0C4E7

RGB 192 196 231

HSL 233.85, 0.45%, 0.83%

LAB 79.87, 5.68, -17.81

 

CMYK 0 / 17 / 7 / 9

HEX #E7C0D7

RGB 231 192 215

HSL 324.62, 0.45%, 0.83%

LAB 81.62, 17.64, -6.27

 

CMYK 0 / 2 / 17 / 9

HEX #E7E3C0

RGB 231 227 192

HSL 53.85, 0.45%, 0.83%

LAB 89.74, -4.35, 17.61

 

Description

Color code: RGB 192 231 208 | qconv.com Color code: RGB 192 231 208 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 231 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 231 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 10 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 10% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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