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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 198 237 it is the complementary color RGB 63 57 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 198 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 192 198 237: RGB 197 198 232, RGB 214 216 251, RGB 231 234 255, RGB 248 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 198 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 192 198 237: RGB 192 198 237, RGB 175 180 218, RGB 158 162 199, RGB 141 144 180 and RGB 124 126 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 16 / 0 / 7

HEX #C0C6ED

RGB 192 198 237

HSL 232, 0.56%, 0.84%

LAB 80.58, 5.91, -19.96

 

Complementary color

CMYK 0 / 10 / 71 / 75

HEX #3F3912

RGB 63 57 18

HSL 52, 0.56%, 0.16%

LAB 23.76, -3.12, 24.56

 

CMYK 15 / 15 / 0 / 9

HEX #C5C6E8

RGB 197 198 232

HSL 238.29, 0.43%, 0.84%

LAB 80.79, 6.39, -16.93

 

CMYK 15 / 14 / 0 / 2

HEX #D6D8FB

RGB 214 216 251

HSL 236.76, 0.82%, 0.91%

LAB 87.18, 6.15, -17.27

 

CMYK 9 / 8 / 0 / 0

HEX #E7EAFF

RGB 231 234 255

HSL 232.5, 1%, 0.95%

LAB 93.04, 2.93, -10.47

 

CMYK 3 / 1 / 0 / 0

HEX #F8FCFF

RGB 248 252 255

HSL 205.71, 1%, 0.99%

LAB 98.75, -0.77, -1.9

 

CMYK 19 / 16 / 0 / 7

HEX #C0C6ED

RGB 192 198 237

HSL 232, 0.56%, 0.84%

LAB 80.58, 5.91, -19.96

 

CMYK 20 / 17 / 0 / 15

HEX #AFB4DA

RGB 175 180 218

HSL 233.02, 0.37%, 0.77%

LAB 74.07, 6.17, -19.67

 

CMYK 21 / 19 / 0 / 22

HEX #9EA2C7

RGB 158 162 199

HSL 234.15, 0.27%, 0.7%

LAB 67.45, 6.46, -19.4

 

CMYK 22 / 20 / 0 / 29

HEX #8D90B4

RGB 141 144 180

HSL 235.38, 0.21%, 0.63%

LAB 60.7, 6.77, -19.15

 

CMYK 23 / 22 / 0 / 37

HEX #7C7EA1

RGB 124 126 161

HSL 236.76, 0.16%, 0.56%

LAB 53.79, 7.12, -18.92

 

CMYK 19 / 16 / 0 / 7

HEX #C0C6ED

RGB 192 198 237

HSL 232, 0.56%, 0.84%

LAB 80.58, 5.91, -19.96

 

CMYK 19 / 19 / 0 / 7

HEX #C0BFED

RGB 192 191 237

HSL 241.3, 0.56%, 0.84%

LAB 78.8, 9.68, -22.65

 

CMYK 16 / 19 / 0 / 7

HEX #C8BFED

RGB 200 191 237

HSL 251.74, 0.56%, 0.84%

LAB 79.42, 12.17, -21.66

 

CMYK 12 / 19 / 0 / 7

HEX #D0BFED

RGB 208 191 237

HSL 262.17, 0.56%, 0.84%

LAB 80.06, 14.7, -20.62

 

CMYK 9 / 19 / 0 / 7

HEX #D7BFED

RGB 215 191 237

HSL 271.3, 0.56%, 0.84%

LAB 80.64, 16.94, -19.69

 

CMYK 19 / 16 / 0 / 7

HEX #C0C6ED

RGB 192 198 237

HSL 232, 0.56%, 0.84%

LAB 80.58, 5.91, -19.96

 

CMYK 18 / 15 / 0 / 87

HEX #1B1C21

RGB 27 28 33

HSL 230, 0.1%, 0.12%

LAB 10.36, 0.89, -3.59

 

CMYK 19 / 17 / 0 / 67

HEX #444654

RGB 68 70 84

HSL 232.5, 0.11%, 0.3%

LAB 30.03, 2.58, -8.61

 

CMYK 19 / 16 / 0 / 47

HEX #6D7187

RGB 109 113 135

HSL 230.77, 0.11%, 0.48%

LAB 48.02, 3.45, -12.56

 

CMYK 19 / 17 / 0 / 27

HEX #979BBA

RGB 151 155 186

HSL 233.14, 0.2%, 0.66%

LAB 64.62, 5.16, -16.5

 

CMYK 19 / 16 / 0 / 7

HEX #C0C6ED

RGB 192 198 237

HSL 232, 0.56%, 0.84%

LAB 80.58, 5.91, -19.96

 

CMYK 0 / 19 / 1 / 7

HEX #EDBFEA

RGB 237 191 234

HSL 303.91, 0.56%, 0.84%

LAB 82.49, 23.56, -15.1

 

CMYK 9 / 0 / 19 / 7

HEX #D7EDBF

RGB 215 237 191

HSL 88.7, 0.56%, 0.84%

LAB 91.13, -15.22, 19.9

 

CMYK 19 / 16 / 0 / 7

HEX #C0C6ED

RGB 192 198 237

HSL 232, 0.56%, 0.84%

LAB 80.58, 5.91, -19.96

 

CMYK 0 / 19 / 17 / 7

HEX #EDBFC5

RGB 237 191 197

HSL 352.17, 0.56%, 0.84%

LAB 81.45, 17.34, 3.23

 

CMYK 17 / 0 / 19 / 7

HEX #C5EDBF

RGB 197 237 191

HSL 112.17, 0.56%, 0.84%

LAB 89.95, -21.4, 18.08

 

CMYK 19 / 16 / 0 / 7

HEX #C0C6ED

RGB 192 198 237

HSL 232, 0.56%, 0.84%

LAB 80.58, 5.91, -19.96

 

CMYK 0 / 19 / 1 / 7

HEX #EDBFEA

RGB 237 191 234

HSL 303.91, 0.56%, 0.84%

LAB 82.49, 23.56, -15.1

 

CMYK 0 / 3 / 19 / 7

HEX #EDE6BF

RGB 237 230 191

HSL 50.87, 0.56%, 0.84%

LAB 90.94, -3.85, 19.88

 

CMYK 19 / 0 / 18 / 7

HEX #BFEDC2

RGB 191 237 194

HSL 123.91, 0.56%, 0.84%

LAB 89.65, -22.89, 16.04

 

CMYK 19 / 16 / 0 / 7

HEX #C0C6ED

RGB 192 198 237

HSL 232, 0.56%, 0.84%

LAB 80.58, 5.91, -19.96

 

CMYK 0 / 19 / 7 / 7

HEX #EDBFDC

RGB 237 191 220

HSL 322.17, 0.56%, 0.84%

LAB 82.07, 21.09, -8.22

 

CMYK 0 / 3 / 19 / 7

HEX #EDE6BF

RGB 237 230 191

HSL 50.87, 0.56%, 0.84%

LAB 90.94, -3.85, 19.88

 

CMYK 19 / 0 / 12 / 7

HEX #BFEDD0

RGB 191 237 208

HSL 142.17, 0.56%, 0.84%

LAB 89.95, -20.38, 9.2

 

Description

Color code: RGB 192 198 237 | qconv.com Color code: RGB 192 198 237 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 198 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 198 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 16 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 16% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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