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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 127 249 it is the complementary color RGB 63 128 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 127 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 192 127 249: RGB 197 127 244, RGB 214 145 255, RGB 231 163 255, RGB 248 181 255 and RGB 255 199 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 127 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 192 127 249: RGB 192 127 249, RGB 175 109 230, RGB 158 91 211, RGB 141 73 192 and RGB 124 55 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 49 / 0 / 2

HEX #C07FF9

RGB 192 127 249

HSL 271.97, 0.91%, 0.74%

LAB 64.34, 47.47, -51.64

 

Complementary color

CMYK 51 / 0 / 95 / 50

HEX #3F8006

RGB 63 128 6

HSL 91.97, 0.91%, 0.26%

LAB 47.63, -39.81, 50.39

 

CMYK 19 / 48 / 0 / 4

HEX #C57FF4

RGB 197 127 244

HSL 275.9, 0.84%, 0.73%

LAB 64.63, 47.7, -48.4

 

CMYK 16 / 43 / 0 / 0

HEX #D691FF

RGB 214 145 255

HSL 277.64, 1%, 0.78%

LAB 70.71, 45.18, -44.73

 

CMYK 9 / 36 / 0 / 0

HEX #E7A3FF

RGB 231 163 255

HSL 284.35, 1%, 0.82%

LAB 76.32, 40.56, -35.86

 

CMYK 3 / 29 / 0 / 0

HEX #F8B5FF

RGB 248 181 255

HSL 294.32, 1%, 0.85%

LAB 81.96, 36.25, -27.03

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 23 / 49 / 0 / 2

HEX #C07FF9

RGB 192 127 249

HSL 271.97, 0.91%, 0.74%

LAB 64.34, 47.47, -51.64

 

CMYK 24 / 53 / 0 / 10

HEX #AF6DE6

RGB 175 109 230

HSL 272.73, 0.71%, 0.66%

LAB 57.81, 48.34, -51.59

 

CMYK 25 / 57 / 0 / 17

HEX #9E5BD3

RGB 158 91 211

HSL 273.5, 0.58%, 0.59%

LAB 51.21, 49.19, -51.49

 

CMYK 27 / 62 / 0 / 25

HEX #8D49C0

RGB 141 73 192

HSL 274.29, 0.49%, 0.52%

LAB 44.57, 49.98, -51.31

 

CMYK 28 / 68 / 0 / 32

HEX #7C37AD

RGB 124 55 173

HSL 275.08, 0.52%, 0.45%

LAB 37.9, 50.58, -50.97

 

CMYK 23 / 49 / 0 / 2

HEX #C07FF9

RGB 192 127 249

HSL 271.97, 0.91%, 0.74%

LAB 64.34, 47.47, -51.64

 

CMYK 16 / 49 / 0 / 2

HEX #D280F9

RGB 210 128 249

HSL 280.66, 0.91%, 0.74%

LAB 66.5, 51.73, -48.09

 

CMYK 8 / 49 / 0 / 2

HEX #E680F9

RGB 230 128 249

HSL 290.58, 0.91%, 0.74%

LAB 68.82, 57.13, -44.28

 

CMYK 0 / 49 / 1 / 2

HEX #F980F7

RGB 249 128 247

HSL 300.99, 0.91%, 0.74%

LAB 71.07, 61.96, -39.5

 

CMYK 0 / 49 / 9 / 2

HEX #F980E2

RGB 249 128 226

HSL 311.4, 0.91%, 0.74%

LAB 70.22, 58.48, -29.28

 

CMYK 23 / 49 / 0 / 2

HEX #C07FF9

RGB 192 127 249

HSL 271.97, 0.91%, 0.74%

LAB 64.34, 47.47, -51.64

 

CMYK 22 / 49 / 0 / 82

HEX #23172D

RGB 35 23 45

HSL 272.73, 0.32%, 0.13%

LAB 10.26, 11.49, -12.54

 

CMYK 23 / 49 / 0 / 62

HEX #4A3160

RGB 74 49 96

HSL 271.91, 0.32%, 0.28%

LAB 25.25, 21.65, -23.73

 

CMYK 23 / 49 / 0 / 42

HEX #714B93

RGB 113 75 147

HSL 271.67, 0.32%, 0.44%

LAB 38.98, 30.73, -33.72

 

CMYK 23 / 49 / 0 / 22

HEX #9965C6

RGB 153 101 198

HSL 272.16, 0.46%, 0.59%

LAB 52.01, 39.46, -42.82

 

CMYK 23 / 49 / 0 / 2

HEX #C07FF9

RGB 192 127 249

HSL 271.97, 0.91%, 0.74%

LAB 64.34, 47.47, -51.64

 

CMYK 0 / 49 / 35 / 2

HEX #F980A2

RGB 249 128 162

HSL 343.14, 0.91%, 0.74%

LAB 68.16, 49.59, 3.38

 

CMYK 49 / 0 / 43 / 2

HEX #80F98E

RGB 128 249 142

HSL 126.94, 0.91%, 0.74%

LAB 89.06, -55.62, 41.05

 

CMYK 23 / 49 / 0 / 2

HEX #C07FF9

RGB 192 127 249

HSL 271.97, 0.91%, 0.74%

LAB 64.34, 47.47, -51.64

 

CMYK 0 / 24 / 49 / 2

HEX #F9BE80

RGB 249 190 128

HSL 30.74, 0.91%, 0.74%

LAB 81.03, 13.94, 39.38

 

CMYK 49 / 0 / 24 / 2

HEX #80F9BE

RGB 128 249 190

HSL 150.74, 0.91%, 0.74%

LAB 89.89, -47.28, 18

 

CMYK 23 / 49 / 0 / 2

HEX #C07FF9

RGB 192 127 249

HSL 271.97, 0.91%, 0.74%

LAB 64.34, 47.47, -51.64

 

CMYK 0 / 49 / 35 / 2

HEX #F980A2

RGB 249 128 162

HSL 343.14, 0.91%, 0.74%

LAB 68.16, 49.59, 3.38

 

CMYK 25 / 0 / 49 / 2

HEX #BAF980

RGB 186 249 128

HSL 91.24, 0.91%, 0.74%

LAB 91.57, -39.52, 51.46

 

CMYK 49 / 0 / 14 / 2

HEX #80F9D6

RGB 128 249 214

HSL 162.64, 0.91%, 0.74%

LAB 90.41, -42.23, 6.35

 

CMYK 23 / 49 / 0 / 2

HEX #C07FF9

RGB 192 127 249

HSL 271.97, 0.91%, 0.74%

LAB 64.34, 47.47, -51.64

 

CMYK 0 / 48 / 49 / 2

HEX #F98280

RGB 249 130 128

HSL 0.99, 0.91%, 0.74%

LAB 67.77, 45.07, 21.96

 

CMYK 25 / 0 / 49 / 2

HEX #BAF980

RGB 186 249 128

HSL 91.24, 0.91%, 0.74%

LAB 91.57, -39.52, 51.46

 

CMYK 49 / 1 / 0 / 2

HEX #80F7F9

RGB 128 247 249

HSL 180.99, 0.91%, 0.74%

LAB 90.76, -33.01, -11.34

 

Description

Color code: RGB 192 127 249 | qconv.com Color code: RGB 192 127 249 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 127 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 127 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 49 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 49% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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