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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 117 254 it is the complementary color RGB 63 138 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 117 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 192 117 254: RGB 197 117 249, RGB 214 135 255, RGB 231 153 255, RGB 248 171 255 and RGB 255 189 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 117 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 192 117 254: RGB 192 117 254, RGB 175 99 235, RGB 158 81 216, RGB 141 63 197 and RGB 124 45 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 54 / 0 / 0

HEX #C075FE

RGB 192 117 254

HSL 272.85, 0.99%, 0.73%

LAB 62.58, 53.83, -57.19

 

Complementary color

CMYK 54 / 0 / 99 / 46

HEX #3F8A01

RGB 63 138 1

HSL 92.85, 0.99%, 0.27%

LAB 50.96, -43.91, 54.03

 

CMYK 21 / 53 / 0 / 2

HEX #C575F9

RGB 197 117 249

HSL 276.36, 0.92%, 0.72%

LAB 62.87, 53.98, -53.94

 

CMYK 16 / 47 / 0 / 0

HEX #D687FF

RGB 214 135 255

HSL 279.5, 1%, 0.76%

LAB 68.64, 50.43, -47.98

 

CMYK 9 / 40 / 0 / 0

HEX #E799FF

RGB 231 153 255

HSL 285.88, 1%, 0.8%

LAB 74.18, 45.83, -39.17

 

CMYK 3 / 33 / 0 / 0

HEX #F8ABFF

RGB 248 171 255

HSL 295, 1%, 0.84%

LAB 79.79, 41.49, -30.36

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 24 / 54 / 0 / 0

HEX #C075FE

RGB 192 117 254

HSL 272.85, 0.99%, 0.73%

LAB 62.58, 53.83, -57.19

 

CMYK 26 / 58 / 0 / 8

HEX #AF63EB

RGB 175 99 235

HSL 273.53, 0.77%, 0.65%

LAB 56.12, 54.65, -57.08

 

CMYK 27 / 63 / 0 / 15

HEX #9E51D8

RGB 158 81 216

HSL 274.22, 0.63%, 0.58%

LAB 49.63, 55.4, -56.88

 

CMYK 28 / 68 / 0 / 23

HEX #8D3FC5

RGB 141 63 197

HSL 274.93, 0.54%, 0.51%

LAB 43.14, 55.96, -56.52

 

CMYK 30 / 75 / 0 / 30

HEX #7C2DB2

RGB 124 45 178

HSL 275.64, 0.6%, 0.44%

LAB 36.7, 56.14, -55.9

 

CMYK 24 / 54 / 0 / 0

HEX #C075FE

RGB 192 117 254

HSL 272.85, 0.99%, 0.73%

LAB 62.58, 53.83, -57.19

 

CMYK 16 / 54 / 0 / 0

HEX #D575FE

RGB 213 117 254

HSL 282.04, 0.99%, 0.73%

LAB 64.98, 59.07, -53.22

 

CMYK 7 / 54 / 0 / 0

HEX #EC75FE

RGB 236 117 254

HSL 292.12, 0.99%, 0.73%

LAB 67.81, 64.9, -48.57

 

CMYK 0 / 54 / 2 / 0

HEX #FE75F9

RGB 254 117 249

HSL 302.19, 0.99%, 0.73%

LAB 69.92, 68.67, -42.35

 

CMYK 0 / 54 / 11 / 0

HEX #FE75E3

RGB 254 117 227

HSL 311.82, 0.99%, 0.73%

LAB 69, 65.16, -31.68

 

CMYK 24 / 54 / 0 / 0

HEX #C075FE

RGB 192 117 254

HSL 272.85, 0.99%, 0.73%

LAB 62.58, 53.83, -57.19

 

CMYK 24 / 54 / 0 / 80

HEX #261732

RGB 38 23 50

HSL 273.33, 0.37%, 0.14%

LAB 10.96, 14.08, -15.06

 

CMYK 25 / 53 / 0 / 60

HEX #4C2F65

RGB 76 47 101

HSL 272.22, 0.36%, 0.29%

LAB 25.29, 24.88, -26.91

 

CMYK 24 / 54 / 0 / 40

HEX #734698

RGB 115 70 152

HSL 272.93, 0.37%, 0.44%

LAB 38.36, 35.45, -37.71

 

CMYK 25 / 54 / 0 / 20

HEX #995ECB

RGB 153 94 203

HSL 272.48, 0.51%, 0.58%

LAB 50.79, 44.48, -47.63

 

CMYK 24 / 54 / 0 / 0

HEX #C075FE

RGB 192 117 254

HSL 272.85, 0.99%, 0.73%

LAB 62.58, 53.83, -57.19

 

CMYK 0 / 54 / 39 / 0

HEX #FE759A

RGB 254 117 154

HSL 343.8, 0.99%, 0.73%

LAB 66.62, 55.61, 5.77

 

CMYK 54 / 0 / 46 / 0

HEX #75FE88

RGB 117 254 136

HSL 128.32, 0.99%, 0.73%

LAB 90.06, -61.17, 45.14

 

CMYK 24 / 54 / 0 / 0

HEX #C075FE

RGB 192 117 254

HSL 272.85, 0.99%, 0.73%

LAB 62.58, 53.83, -57.19

 

CMYK 0 / 25 / 54 / 0

HEX #FEBE75

RGB 254 190 117

HSL 31.97, 0.99%, 0.73%

LAB 81.39, 15, 45.52

 

CMYK 54 / 0 / 25 / 0

HEX #75FEBE

RGB 117 254 190

HSL 151.97, 0.99%, 0.73%

LAB 90.95, -51.88, 19.44

 

CMYK 24 / 54 / 0 / 0

HEX #C075FE

RGB 192 117 254

HSL 272.85, 0.99%, 0.73%

LAB 62.58, 53.83, -57.19

 

CMYK 0 / 54 / 39 / 0

HEX #FE759A

RGB 254 117 154

HSL 343.8, 0.99%, 0.73%

LAB 66.62, 55.61, 5.77

 

CMYK 29 / 0 / 54 / 0

HEX #B5FE75

RGB 181 254 117

HSL 91.97, 0.99%, 0.73%

LAB 92.57, -44.59, 57.61

 

CMYK 54 / 0 / 15 / 0

HEX #75FED9

RGB 117 254 217

HSL 163.8, 0.99%, 0.73%

LAB 91.54, -46.11, 6.37

 

CMYK 24 / 54 / 0 / 0

HEX #C075FE

RGB 192 117 254

HSL 272.85, 0.99%, 0.73%

LAB 62.58, 53.83, -57.19

 

CMYK 0 / 52 / 54 / 0

HEX #FE7A75

RGB 254 122 117

HSL 2.19, 0.99%, 0.73%

LAB 66.73, 49.83, 26.82

 

CMYK 29 / 0 / 54 / 0

HEX #B5FE75

RGB 181 254 117

HSL 91.97, 0.99%, 0.73%

LAB 92.57, -44.59, 57.61

 

CMYK 54 / 2 / 0 / 0

HEX #75F9FE

RGB 117 249 254

HSL 182.19, 0.99%, 0.73%

LAB 91.09, -34.84, -13.48

 

Description

Color code: RGB 192 117 254 | qconv.com Color code: RGB 192 117 254 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 117 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 117 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 54 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 54% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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