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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 117 154 it is the complementary color RGB 63 138 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 117 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 192 117 154: RGB 197 117 149, RGB 214 135 168, RGB 231 153 187, RGB 248 171 206 and RGB 255 189 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 117 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 192 117 154: RGB 192 117 154, RGB 175 99 135, RGB 158 81 116, RGB 141 63 97 and RGB 124 45 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 20 / 25

HEX #C0759A

RGB 192 117 154

HSL 330.4, 0.37%, 0.61%

LAB 58.29, 34.51, -7.41

 

Complementary color

CMYK 54 / 0 / 27 / 46

HEX #3F8A65

RGB 63 138 101

HSL 150.4, 0.37%, 0.39%

LAB 52.03, -32.45, 12.88

 

CMYK 0 / 41 / 24 / 23

HEX #C57595

RGB 197 117 149

HSL 336, 0.41%, 0.62%

LAB 58.75, 35.52, -3.76

 

CMYK 0 / 37 / 21 / 16

HEX #D687A8

RGB 214 135 168

HSL 334.94, 0.49%, 0.68%

LAB 65.32, 34.7, -4.69

 

CMYK 0 / 34 / 19 / 9

HEX #E799BB

RGB 231 153 187

HSL 333.85, 0.62%, 0.75%

LAB 71.8, 33.92, -5.53

 

CMYK 0 / 31 / 17 / 3

HEX #F8ABCE

RGB 248 171 206

HSL 332.73, 0.85%, 0.82%

LAB 78.19, 33.19, -6.29

 

CMYK 0 / 26 / 12 / 0

HEX #FFBDE1

RGB 255 189 225

HSL 327.27, 1%, 0.87%

LAB 83.49, 29.11, -8.61

 

CMYK 0 / 39 / 20 / 25

HEX #C0759A

RGB 192 117 154

HSL 330.4, 0.37%, 0.61%

LAB 58.29, 34.51, -7.41

 

CMYK 0 / 43 / 23 / 31

HEX #AF6387

RGB 175 99 135

HSL 331.58, 0.32%, 0.54%

LAB 51.6, 35.34, -6.48

 

CMYK 0 / 49 / 27 / 38

HEX #9E5174

RGB 158 81 116

HSL 332.73, 0.32%, 0.47%

LAB 44.82, 36.2, -5.39

 

CMYK 0 / 55 / 31 / 45

HEX #8D3F61

RGB 141 63 97

HSL 333.85, 0.38%, 0.4%

LAB 37.99, 37.02, -4.04

 

CMYK 0 / 64 / 37 / 51

HEX #7C2D4E

RGB 124 45 78

HSL 334.94, 0.47%, 0.33%

LAB 31.14, 37.67, -2.29

 

CMYK 0 / 39 / 20 / 25

HEX #C0759A

RGB 192 117 154

HSL 330.4, 0.37%, 0.61%

LAB 58.29, 34.51, -7.41

 

CMYK 0 / 39 / 26 / 25

HEX #C0768F

RGB 192 118 143

HSL 339.73, 0.37%, 0.61%

LAB 58.18, 32.32, -1.21

 

CMYK 0 / 39 / 32 / 25

HEX #C07683

RGB 192 118 131

HSL 349.46, 0.37%, 0.61%

LAB 57.85, 30.65, 5.27

 

CMYK 0 / 39 / 39 / 25

HEX #C07676

RGB 192 118 118

HSL 0, 0.37%, 0.61%

LAB 57.53, 29.02, 12.34

 

CMYK 0 / 32 / 39 / 25

HEX #C08376

RGB 192 131 118

HSL 10.54, 0.37%, 0.61%

LAB 60.56, 21.87, 16.55

 

CMYK 0 / 39 / 20 / 25

HEX #C0759A

RGB 192 117 154

HSL 330.4, 0.37%, 0.61%

LAB 58.29, 34.51, -7.41

 

CMYK 0 / 39 / 20 / 5

HEX #F394C3

RGB 243 148 195

HSL 330.32, 0.8%, 0.77%

LAB 72.35, 41.84, -8.99

 

CMYK 0 / 38 / 21 / 85

HEX #27181F

RGB 39 24 31

HSL 332, 0.24%, 0.12%

LAB 10.44, 8.93, -1.83

 

CMYK 0 / 39 / 20 / 65

HEX #5A3748

RGB 90 55 72

HSL 330.86, 0.24%, 0.28%

LAB 27.77, 18.4, -3.92

 

CMYK 0 / 39 / 20 / 45

HEX #8D5671

RGB 141 86 113

HSL 330.55, 0.24%, 0.45%

LAB 43.52, 26.76, -5.74

 

CMYK 0 / 39 / 20 / 25

HEX #C0759A

RGB 192 117 154

HSL 330.4, 0.37%, 0.61%

LAB 58.29, 34.51, -7.41

 

CMYK 0 / 11 / 39 / 25

HEX #C0AA76

RGB 192 170 118

HSL 42.16, 0.37%, 0.61%

LAB 70.36, 0.51, 29.74

 

CMYK 39 / 4 / 0 / 25

HEX #76B8C0

RGB 118 184 192

HSL 186.49, 0.37%, 0.61%

LAB 70.83, -18.89, -10.69

 

CMYK 0 / 39 / 20 / 25

HEX #C0759A

RGB 192 117 154

HSL 330.4, 0.37%, 0.61%

LAB 58.29, 34.51, -7.41

 

CMYK 19 / 0 / 39 / 25

HEX #9BC076

RGB 155 192 118

HSL 90, 0.37%, 0.61%

LAB 73.53, -25.36, 33.32

 

CMYK 39 / 19 / 0 / 25

HEX #769BC0

RGB 118 155 192

HSL 210, 0.37%, 0.61%

LAB 62.59, -3.29, -23.16

 

CMYK 0 / 39 / 20 / 25

HEX #C0759A

RGB 192 117 154

HSL 330.4, 0.37%, 0.61%

LAB 58.29, 34.51, -7.41

 

CMYK 0 / 11 / 39 / 25

HEX #C0AA76

RGB 192 170 118

HSL 42.16, 0.37%, 0.61%

LAB 70.36, 0.51, 29.74

 

CMYK 39 / 0 / 19 / 25

HEX #76C09B

RGB 118 192 155

HSL 150, 0.37%, 0.61%

LAB 72.17, -31.36, 11.47

 

CMYK 39 / 27 / 0 / 25

HEX #768CC0

RGB 118 140 192

HSL 222.16, 0.37%, 0.61%

LAB 58.43, 5.27, -29.57

 

CMYK 0 / 39 / 20 / 25

HEX #C0759A

RGB 192 117 154

HSL 330.4, 0.37%, 0.61%

LAB 58.29, 34.51, -7.41

 

CMYK 0 / 0 / 39 / 25

HEX #C0C076

RGB 192 192 118

HSL 60, 0.37%, 0.61%

LAB 76.2, -11.04, 37.29

 

CMYK 39 / 0 / 19 / 25

HEX #76C09B

RGB 118 192 155

HSL 150, 0.37%, 0.61%

LAB 72.17, -31.36, 11.47

 

CMYK 39 / 39 / 0 / 25

HEX #7676C0

RGB 118 118 192

HSL 240, 0.37%, 0.61%

LAB 52.52, 18.29, -38.8

 

Description

Color code: RGB 192 117 154 | qconv.com Color code: RGB 192 117 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 117 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 117 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 20 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 20% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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